The lack of parity for African Americans and women were major in this country’s past life. The play Doll House examines the subject of women’s roles during its time period while the play Fences highlights the theme of the black experience in America during its own time period. In both plays these themes are shown through the conflicts the characters Torvald Helmer and Troy Maxson encounter in their affairs.
Torvalds wife Nora Helmer is a typical women for her time; She is a housewife. She allows Torvald to be controlling of her; molding who she is. She is not allowed to freely think and behave as she wants. Torvald confronts Nora, suspecting her of eating macaroons and asks if “little Miss Sweet Tooth been breaking rules in town today?” (I.142-I.143) This confrontation shows the debasing affiliation that these two have. This proves he sees her nothing more than a “doll wife”. Torvald using the word “little” followed by the pet name “sweet tooth” when referring to Nora is proof she is portraying the role of a “doll wife” which she willingly fulfills. Torvald is a typical husband during a time when the opinion of society meant everything to a man. His eagerness for social acceptance essentially causes the demise of their marriage. When Torvald finds out about the forgery and the loan which is the big secret Nora withholds from him, he berates her for it even though her actions saved his life. His acceptance by society is ruined in his eyes. Torvald is furious and tells Nora she took away his “happiness” and she has ruined his “whole future.” (III.464-III.465) His narcissistic side is exposed in this encounter. Torvald selfishly reacts to the secret that saved his life when he was very ill. Torvald’s selfish behavior causes Nora ...
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... job, as a garbage-truck driver. The literal meaning of the fence throughout the book refers to any kinds of boundaries set up that serve as a block against something else; Troy and the outside world, Rose and keeping her family together, and the segregation of blacks and whites during the time period in which the play was written.
Both of these plays highlight the controversial issues and struggles of their eras. Ibsen took on gender roles, and Wilson explored equality for blacks in America. While the types of conflicts and the relationships between the characters are different they both still share the common ideas of expectations of family members, and the unconscious projection of one character’s ideals onto another character. Along with these ideas, the central figures of both a doll’s house and the fence emphasizes the significance of the themes in both plays.
All and all, Glaspell’s and Ibsen’s use of the bird cage, dead bird, and dollhouse allows the reader to identify with women of the nineteen century and the roles they played. Throughout the plays, the reader can visualize how men dismiss women as trivial and treat them like property, even though the lifestyles they are living is very much in contrast. The playwrights each in their own way are addressing the issues that have negatively impacted the identity of women in society.
The entirety of the Nadel’s article sheds light on a topic that is not easy for many authors to use without creating caricatures or exaggerated images of a stereotype. At first reading, the content is a little confusing, and somewhat daunting. However, after another reading, the text is easier to grasp. Nadel’s article would have been much stronger if he took time to mention other characters than Troy. Adding more about the character of Rose in this article created a fuller and better grasp on the topic of the fence, which Nadel...
A Doll House, by Henrik Ibsen, and A Raisin in the Sun, by Lorraine Hansberry, both have central themes of search of self-identity within a social system. This is demonstrated by women characters from both plays breaking away from the social standards of their times and acting on their own terms. In most situations women are to be less dominant than men in society. These two plays are surprisingly different from the views of women in society and of the times and settings that they take place in.
In the play Hedda Gabler and A Doll's House, Ibsen tackles sociological issues that were troubling in the 19th century. The main problem both Hedda Gabler and A Doll's House refer to is the position of women in society. This issue is represented by the main characters of both plays: Nora Helmer and Hedda Gabler. At first glance, Nora Helmer and Hedda Gabler are complete opposites, but both women are actually quite similar in how they coped with their very limited life opportunities, and in the way they were victims of being women in the 19th century. In this essay, the first thing discussed will reflect how Nora and Hedda are different. The second topic discussed will present how these women both use their fantasies to entertain themselves. The final topic discussed will be the similar restrictions put on both women because of their gender.
August Wilsons play, Fences, tells us the story of a man named Troy Maxson and his family. Troy Maxson did not live an easy life. He was raised in a time where African Americans were not welcome. The city where he was raised was flourishing and people were profiting. Wanting to take part of the city’s wealth, the African Americans were hopeful and packed their bags to move to the city. Wilson, says that “they came from places called the Carolinas and the Virginias, Georgia, Alabama, Mississippi, and Tennessee.” They came to take part of the growing economy. They were described coming to the city well prepared for their new journey. Wilson says, “they came strong, eager searching.” However because of their color they were
The trials of Troy’s life are filled with racial discrimination which mentally scars him. His attitude and behavior towards others are governed by experiences and in most cases he uses the symbol of death in his fictional stories to represent the oppression of the white man. The play Fences, which is largely about Troy, begins with Troy entertaining Bono and Rose with an epic tale of his struggle with death or in other word...
The fence is the biggest symbol in Fences. In Act I, the fence represents Troy’s relationship with white people; the house’s small dirt yard is “partially fenced, ... with a wooden sawhorse, a pile of lumber, and other fence-building equipment set off to the side.” (Setting Page) (Wilson, 1986) On one side of the road, the fence represents Troy’s hateful thinking towards white people, he has all the tools ready to rebuild the fence, hoping for a result where he keeps every white person away. This psychological response from Troy is logical because of all the suffering he went through because of white-skinned people such as not being able to go professional in baseball and not being able to drive a garbage truck. However, on the other side of the road, the fence represents Troy’s hopeful thinking of the black people forming an alliance with white people in hopes of no more wars and bullying. The precedent can be seen by looking at the slowly deteriorating fence, not being rebuilt, trying to let the two races live on the same territory, not being separated by a big scary fence. Wilson uses symbolism because it is a great way to show how racism took a big toll in Troy’s family’s
Torvald is the typical husband of the time of the play. He tries to control his wife and expect her to submit to him. He manipulates her through many different ways. First, he calls her pet names such as "little lark" (3) and "squirrel" (4) and speaks to her in a condescending tone, as if she is a child. He then tries to control her habits so he will not let her eat sweets or spend too much money. In fact, all the money she gets comes from him. He demands that she is subservient and treats her as almost a dog later on in the play. At the end, when Nora's secret is out, he lashes out at her and kicks her out of the house. When he wants her back after he realizes that he will no longer get into trouble for what she did, she does not want to come back, he finally realizes that she does not love him anymore and that his manipulation of her is over. This leaves him in a pickle because he now has to take care of his children without Nora, hardly a good position for him.
Weintraub, Stanley. ""Doll's House" Metaphor Foreshadowed in Victorian Fiction." Nineteenth-Century Fiction 13: 67-69. Web. 6 Jan. 2011.
At first glance, one might think that the Helmers have a successful marriage—but only at a superficial level. Once we delve beyond the comfort of middle-class security, we see that the foundation of the marriage is built on the utter subservience of the woman. Additionally, Nora’s actions show that—with good reason—she does not truly respect her husband’s value system. Her day is filled with constant acts of subterfuge—some minor, like sneaking macaroons, and some of the utmost importance, like paying back a loan that saved her husband’s life. No matter the level, deceit is a constant in the relationship. This outwardly typical, happy marriage is anything but. In fact, the interactions between husband and wife serve a specific purpose: they illustrate the banality of the discourse between the two. Torvald does not address his wife regarding any subject of substance. Instead, he bestows her with pet names that often begin with the personal pronoun “my” and often include the diminutive “little”: “Is that my little lark?” In this respect, Torvald may think he is flattering his wife. However, he is actually reducing her to a cute, harmless pet—one that is clearly owned. And like a pet, Nora is expected to obey her owner/husband and his petty tyrannical r...
A contrasting difference in the characters, are shown not in the characters themselves, but the role that they play in their marriages. These women have different relationships with their husbands. Torvald and Nora have a relationship where there is no equality. To Torvald Nora is an object. Hence, she plays the submissive role in a society where the lady plays the passive role. Her most important obligation is to please Torvald, making her role similar to a slave. He too considers himself superior to her.
“A Doll’s House” gives the reader a firsthand view at how gender roles affected the characters actions and interactions throughout the play. The play helps to portray the different struggles women faced during the 19th century with gender roles, and how the roles affected their relationships with men as well as society. It also helps to show the luxury of being a male during this time and how their higher status socially over women affected their relationships with woman and others during this time period.
In Henrik Ibsen’s A Doll House, a drama written in the midst of an 1879, middle-class, suburban Europe, he boldly depicts a female protagonist. In a culture with concern for fulfilling, or more so portraying a socially acceptable image, Nora faces the restraints of being a doll in her own house and a little helpless bird. She has been said to be the most complex character of drama, and rightfully so, the pressure of strict Victorian values is the spark that ignites the play's central conflicts. Controversy is soon to arise when any social-norm is challenged, which Nora will eventually do. She evolves throughout the play, from submissive housewife to liberated woman. It seems as though what took women in America almost a century to accomplish, Nora does in a three-day drama. Ibsen challenges the stereotypical roles of men and women in a societally-pleasing marriage. He leads his readers through the journey of a woman with emerging strength and self-respect. Nora plays the typical housewife, but reveals many more dimensions that a typical woman would never portray in such a setting.
Ibsen writes his play A Doll House to explain the life of a housewife and her struggles with her own actions. Ibsen examines the emptiness in the lives of Nora and Torvald as they lived a dream in a Doll House. Both awaken and realize this emptiness and so now Torvald struggles to make amends as he hopes to get Nora back possibly and then to restore a new happiness in their lives. Ibsen examines this conflict as a rock that breaks the image of this perfect life and reveals all the imperfections in the lives of those around.
Societal problems prevail throughout the history of the world and exist within all countries, regions, and cultures. The controversial aspects in societies are based on a large variety of subjects, and have to be identified in order to cause societal change. Therefore, Realism is the portrayal of difficulties in societies that are depicted in everyday life, which includes common situations and actions. Realism allows authors to describe and emphasize the incompetence of some aspects within communities, while enabling writers to call for societal reform. Henrik Ibsen portrays and addresses the concepts of Norway’s society in the 19th century in A Doll House, which is a tragic play translated by Rolf Fjelde. Ibsen desires to challenge assumptions as well as rules of Norwegian life, and most importantly wants to depict society accurately, as he meticulously incorporates everyday life. Therefore, A Doll House represents a Realistic drama due to the issues involving women, illnesses, and laws within the play, while conveying Ibsen’s desire of controversy and change in Norway’s society.