Beyond Citizen Kane Essays

  • Globo Manipulation

    623 Words  | 2 Pages

    competitor and second largest Brazilian channel, TV Tupi, had had a budget of only U$300,000 (Beyond Citizen Kane). Globo Network is the “number one in audience practically everyday, everytime, with every audience”, and as astonishing as it may seem, its soap opera, “Selva da Pedra” from 1970, reached an index of 100%, which meant all televisions were tuned in to Globo (“Brazilian Television”, “Beyond Citizen Kane”). However, soa...

  • Cinematic Techniques In The Film 'Rosebud'

    1723 Words  | 4 Pages

    Citizen Kane, directed by Orson Welles, debuted in 1941. It is a detective story about the rise and fall of newspaper mogul, Charles Foster Kane. Citizen Kane follows a journalist named Thompson, who conducts a series of interviews to find out what Kane’s last word meant before he died. “Rosebud,” was the last word muttered by Kane and Thompson takes the audience on a journey to find its meaning. Within this voyage, the spectators relive sixty-five years of Kane’s life. Citizen Kane was one of the

  • Orson Welles

    1159 Words  | 3 Pages

    his abundant energy with an enthusiasm for life. He tried everything and was not afraid to take risks and to suffer the consequences of failures as well as the acclaims of success. 	While, some critics say that Welles could never top "Citizen Kane", such movies as "The Trial", "Touch of Evil", and "The Lady from Shanghai" are considered classics and monumental feats in cinema production. However, movies like "The Stranger", "Chimes at Midnights"

  • Citizen Kane's Vulnerability

    1213 Words  | 3 Pages

    Citizen Kane is a valued text because it explores the challenging ideas of power and vulnerability. Texts are valued beyond the constraints of time when universal ideas are explored. Orson Welles’ psychodrama film Citizen Kane (1941) examines the omnipresent idea of the corruptive and impactful nature of abuse of power as paralleled with human vulnerability. Through the enigma of Kane and his relationship with society and Susan Alexander, we observe her profound influence that leads to the exposure

  • Classicism and Modernism

    2711 Words  | 6 Pages

    Hollywood in the 30’s and 40’s was the golden-age of a new era of filmmaking. The films of that period went beyond the silent films being produced in the past. Diagetic sounds like dialogue and more advanced filmic techniques would push cinema to a new mode of filmmaking, that being classicism. The classical Hollywood structure was being developed in the past with silent films but it came to full fruition in the 30’s, where many filmmakers would produce feature-length films with fully developed

  • Achievement or Enjoyment: The Debate Between Casablanca and Citizen Kane

    791 Words  | 2 Pages

    The debate over Casablanca and Citizen Kane has been a classic argument between film critics and historians alike because both of these pieces contain great cinematographic value, and are timeless pictures that have managed to captivate audiences well beyond their era. However, the real question at hand is which film is the greatest? Which film transformed the future of American film making? It is these questions that I as many others have, will attempt to answer in the following essay as I explain

  • Kane

    969 Words  | 2 Pages

    Considered one of best films of all time, Orson Well’s Citizen Kane is a cinematically innovative film which uses mise-en-scene to wordlessly illuminate aspects of Kane’s life and personality. From shots of Kane playing obliviously in the snow behind the adults in charge of his fate which emphasize his lack of agency in childhood to extreme long shots of Kane in his own house while talking to his wife which emphasize his increasing loneliness in the later stages of his life, the mise-en-scene

  • Ozu: The Japanese Auteur

    1288 Words  | 3 Pages

    Auteur theory defines the director of a film the author of their work (Sinha, “Auteur Theory (Filmmaking)”). Ozu is a true auteur of the Japanese post-war cinema. His crown jewel film, Tokyo Story (Ozu, 1953) rejects the tropes of the Hollywood system and instead works within the confines of Japanese re-growth. It is truly unique to Japanese national cinema as it responds to the depression and sorrow felt in post-war Japan. The image of Noriko (Setsuko Hara) and Shukishi (Chishu Ryu) looking off

  • Rosebud in Citizen Kane

    1058 Words  | 3 Pages

    Rosebud in Citizen Kane Rosebud is sled, Kane's sled when he was a boy. Rosebud is the foundation of the film of citizen Kane. Rosebud is also Kane's last words. He was a very important man, known globally. Rosebud is the word everyone wants to understand the meaning of, so there is a hunt to find the meaning of the word. This sets the story for the film. Rosebud is a symbol of Kane, in that Rosebud represents his loss of the ability to love and how to love. The film Citizen Kane has a lot

  • Citizen Kane

    1075 Words  | 3 Pages

    Orson Welles is a legend in itself. He is a dedicated director, actor, and artist. An artist in the sense he directed, produced, and was the star in the film ‘Citizen Kane.' The film won an award for best screenplay that was co-written by Welles. ‘Citizen Kane' brings into light many social problems between countries, relationships, and also between competing newspaper companies. The film was a big controversy when it was first released on a delay (because of personal conditions with W.R. Hearst)

  • Citizen Kane's Summary

    1808 Words  | 4 Pages

    Citizen Kane was a film released in 1941 and it it was voted #1 in history of American film. It was written by, directed by and acted by Orson Welles. The story was set in Xanada in Florida and started with an introduction about that place. Citizen Kane has a strange opening as it opened with the camera panning a spooky haunted mansion and then the camera lingered and zoomed in closely to the sign saying "No Trepassing, " then the camera took us to the room in the house, we saw a person was lying

  • Historical Analysis of the Movie, Citizen Kane

    1687 Words  | 4 Pages

    Historical Analysis, Citizen Kane: Camera Movement Citizen Kane, directed by Orson Welles, was an exemplary and ground-breaking work. In narrative structure and film style, Welles challenged classical Hollywood conventions and opened a path for experimentation in the later 1940s. Gregg Toland’s deep-focus cinematography and Welles’ use of low-key lighting are often discussed aspects of the movie. True, these were areas of innovation, but when watching the movie in class I was particularly struck

  • A Look at Robert Rodriguez

    2392 Words  | 5 Pages

    Rodriguez knew he wanted to get started working on a film that would open doors for him. He knew the big directors such as Orson Welles and Steven Spielberg started in their twenties. Rodriguez states, “I’m twenty-three years old. Orson Welles made Citizen Kane when he was twenty-five. Spielberg made Jaws at twenty-six. So I’ve only got about two or three years to make by breakthrough film” (Rodriguez 23). The only problem was money. To earn the money to make his first film, Rodriguez became a human

  • Hello, My Name Is Orson Welles

    1581 Words  | 4 Pages

    lighting. He liked the grotesque side of life, blocking actors in groups of three, low camera angles and especially pointy bras. He also liked to open his movies in a certain predictable way. In Citizen Kane, he used the announcer in "News on the March" to introduce the subject and main character, Charles Foster Kane. In The Magnificent Ambersons, Welles himself dubs the voice-over which introduces the life and environment of the Amberson family. The Irish Welles serves as a story teller in the beginning

  • Visual Effects and Symbolism in "Citizen Kane"

    900 Words  | 2 Pages

    "Citizen Kane" is one of the best critically acclaimed films of all time. It is everything a lot of the movies now a day only dream of being. This film is way ahead of it's time in all senses. It uses a non linear approach to the story telling, which is something we've been seeing a lot of recently but was rarely found in films from the forties. The visual and audio elements of this movie are also unbelievable. With all the technology we have now, it's hard to image how Welle's pulled it off in 1941

  • Citizen Kane Mise En Scene Analysis

    711 Words  | 2 Pages

    Citizen Kane Analysis Often regarded as one of the greatest films ever made, Citizen Kane written and directed by Orson Welles is a classic film that defied the conventional styles of the Hollywood Cinema. Welles was committed to the Mise-En-Scene of his movies by using his characters, props, settings, and even the camera to tell the story of his characters. The Lighting, the camera shots, and the character 's actions to depict the life of Charles Foster Kane. The Mise-En-Scene of this

  • Breakfast Montage Clip in Orsen Welles' Citizen Kane

    694 Words  | 2 Pages

    Citizen Kane, is a 1941 American film, written, produced, and starred by Orson Welles. This film is often proclaimed by critics,filmmakers, and fans as one of the best if not the best film ever made. Citizen Kane is an unbelievable film becuase of how advanced it is compared to other films of its time. In the film, the producer used many different narrative elements to capture the audiences imagination. It truly is astounding how the filmmakers used certain editing techniques, sounds, and different

  • Analysis Of Inception

    808 Words  | 2 Pages

    There is only one word to describe Christopher Nolan’s latest science fiction film, Inception- epic. As expected from Nolan who has directed two hugely successful films “Batman Begins” and “The Dark Knight” (not forgetting Nolan’s recent blockbuster, Interstellar), Inception was truly a wonderful masterpiece with Nolan’s skillful dark narrative style. Inception will be one of the most spellbinding, minds boggling and baffling science fiction you will ever watch apart from Matrix (2000). Inception

  • Film Analysis: Movie Review: 12 Angry Men

    1367 Words  | 3 Pages

    It takes courage to make a chance and you have to stand up for what you believe in. At least, that is the message I got after I watched this amazing movie. 12 Angry Men, a debut film of its producer, is an American drama film that was released on 1957. This movie which was directed by Sidney Lumet is consists of twelve men having a conversation in a room for most of the time. The running time of the film is ninety six minutes. But even only with conversation, the film can create an intense situation

  • Hero Film Analysis

    1998 Words  | 4 Pages

    What components make a movie successful in cinema? Filmmakers have crafted a formula to successfully deliver the hero narrative. This formula consists of the hero’s journey and archetypes. Hero films typically follow a ten-step sequence to properly set up and execute the hero’s journey. These movies range from stories of transformations, searches, or a journey back home. Archetypes are used to employ character profile as well as add variety and depth to these stories. Ridley Scott directed Alien