competitor and second largest Brazilian channel, TV Tupi, had had a budget of only U$300,000 (Beyond Citizen Kane). Globo Network is the “number one in audience practically everyday, everytime, with every audience”, and as astonishing as it may seem, its soap opera, “Selva da Pedra” from 1970, reached an index of 100%, which meant all televisions were tuned in to Globo (“Brazilian Television”, “Beyond Citizen Kane”). However, soa...
Citizen Kane, directed by Orson Welles, debuted in 1941. It is a detective story about the rise and fall of newspaper mogul, Charles Foster Kane. Citizen Kane follows a journalist named Thompson, who conducts a series of interviews to find out what Kane’s last word meant before he died. “Rosebud,” was the last word muttered by Kane and Thompson takes the audience on a journey to find its meaning. Within this voyage, the spectators relive sixty-five years of Kane’s life. Citizen Kane was one of the
Citizen Kane is a valued text because it explores the challenging ideas of power and vulnerability. Texts are valued beyond the constraints of time when universal ideas are explored. Orson Welles’ psychodrama film Citizen Kane (1941) examines the omnipresent idea of the corruptive and impactful nature of abuse of power as paralleled with human vulnerability. Through the enigma of Kane and his relationship with society and Susan Alexander, we observe her profound influence that leads to the exposure
his abundant energy with an enthusiasm for life. He tried everything and was not afraid to take risks and to suffer the consequences of failures as well as the acclaims of success. 	While, some critics say that Welles could never top "Citizen Kane", such movies as "The Trial", "Touch of Evil", and "The Lady from Shanghai" are considered classics and monumental feats in cinema production. However, movies like "The Stranger", "Chimes at Midnights"
Hollywood in the 30’s and 40’s was the golden-age of a new era of filmmaking. The films of that period went beyond the silent films being produced in the past. Diagetic sounds like dialogue and more advanced filmic techniques would push cinema to a new mode of filmmaking, that being classicism. The classical Hollywood structure was being developed in the past with silent films but it came to full fruition in the 30’s, where many filmmakers would produce feature-length films with fully developed
The debate over Casablanca and Citizen Kane has been a classic argument between film critics and historians alike because both of these pieces contain great cinematographic value, and are timeless pictures that have managed to captivate audiences well beyond their era. However, the real question at hand is which film is the greatest? Which film transformed the future of American film making? It is these questions that I as many others have, will attempt to answer in the following essay as I explain
Auteur theory defines the director of a film the author of their work (Sinha, “Auteur Theory (Filmmaking)”). Ozu is a true auteur of the Japanese post-war cinema. His crown jewel film, Tokyo Story (Ozu, 1953) rejects the tropes of the Hollywood system and instead works within the confines of Japanese re-growth. It is truly unique to Japanese national cinema as it responds to the depression and sorrow felt in post-war Japan. The image of Noriko (Setsuko Hara) and Shukishi (Chishu Ryu) looking off
Considered one of best films of all time, Orson Well’s Citizen Kane is a cinematically innovative film which uses mise-en-scene to wordlessly illuminate aspects of Kane’s life and personality. From shots of Kane playing obliviously in the snow behind the adults in charge of his fate which emphasize his lack of agency in childhood to extreme long shots of Kane in his own house while talking to his wife which emphasize his increasing loneliness in the later stages of his life, the mise-en-scene
In cinema, lighting, blocking and panning drastically influence what an audience will notice and take away from a scene. Orson Welles’s 1941 Citizen Kane has numerous examples of effectively using these aspects within mise-en-scène, cinematography and editing to portray the importance of specific events and items in the film. The scene where Kane writes and then publishes his “Declaration of Principles” (37:42-39:42) in the New York Daily Inquirer after buying them focuses on important elements
Looking back on film’s past many argue that its roots lie in photography, however, the cinema of today has roots deeply entwined around montage. “The meaning is not in the image, it is in the shadow of the image projected by montage onto the field of consciousness of the spectator” (Bazin 26). This mentality is vital to the modern filmmaker. Montage taught the world that while the image is important it is the image’s effect on the audience, which holds the power of cinema. Film centers on visual
The nature of ego is a fundamental concept in Orson Welles’ 1941 film ‘Citizen Kane’. Through presenting the life of Charles Foster Kane, Welles explores how time and place are critical in the development of an individual’s ego. The ideas of childhood and adulthood life and Kane’s need for control in his public and private environment assist in shaping audience’s understanding of the nature of ego. Essentially, Welles uses Kane’s life to explore how time and place are crucial elements to consider
In the 21st century, the media still has power over the public, even more so than what is seen in Citizen Kane, as there are many more forms of media than just the newspaper. Citizen Kane is largely concerned with exposing the deceit and manipulation inherent in the media. Welles’ statement on ‘truth’ in the media is perhaps best summed up in Kane’s line: “Don’t believe everything you hear on the radio. Read The Inquirer.” Other than the obvious self-aware irony of this line, given by the founder
I’m sure you’ve debated with yourself many time the book or the movie. This essay proves to you why the movie version is so much better. John Proctor was without a single doubt the best character in The Crucible. The film did an impeccable job of conveying a much better picture of what truly happened in the years 1692 and 1693. Even tho many people may consider the book to be the better version of The Crucible their reasons do not compare to the reasons I have written to prove that the movie is the
complexes or culpability. He knows what he wants and how to get it; in a word, he is a pure male, who hates all: the Vietnamese, the Soviets, the American military, the Government, and all the Americans who do not want ex-combatants. Rambo is beyond the law and beyond good and evil. His right is his strength, and his goal,
media is clearly demonstrated throughout the whole of Citizen Kane. This is initially portrayed through the newspaper headlines at the start of the film which are shown to juxtapose each other and help to show different perspectives of Kane’s death. The Inquirer states that the “Entire nation Mourns Great Publisher” in contrast to the Chronicle which states that “Few will Mourn Him”. This beginning not only introduces the newspaper magnate Kane and the influence of fame but also the fact that truth
Chinatown is regarded by many as one of the best films ever created. In 2007, The American Film Institute named “Chinatown” as #21 on their list of 100 greatest films! Chinatown is a great film because it is able to show how far people are willing to go to obtain riches and how a detective is willing to go to great lengths to solve the mysteries in front of him. The movie has been talked about in abundance and has even been influenced by real life events from the water company in Los Angeles. It
Hollywood Movies Compared to Other Countries' Movies Despite the fact that Hollywood films are popular all over the world, many believe that foreign films are better. Critics’ dislike of Hollywood films’ is due to the straight-line plots of the films in which nothing is left unclear, unsettling or unexplained and every shot is justified by a link to strictest cause and effect. Hollywood films are often viewed as dulling the mind. In this country people generally view films for mere entertainment
In my opinion Stanley Kubrick is, to this day, one of America’s greatest directors. He is renowned for directing films like Dr. Strangelove, 2001: A Space Odyssey and A Clockwork Orange; Stanley Kubrick doesn’t just limit himself to one type of genre, he works across the entire spectrum and, still, each and every one of his films demonstrate flawless directing, a palpable atmosphere and a great sense of intelligence. The Shining is one of his later works and it is widely deemed one of, if not THE
In the film, Citizen Kane, Charles Foster Kane’s immaturity, wealth, power, stubbornness and lack of love turn him into an corrupted figure. Kane grew up with Mr. Thatcher but takes no advice from him, and purposefully go against his will. Kane lives his own way of life, and unaware of what is "normal" and what is not. Kane’s wealth and power makes him think that he can get whatever he wants just by using the two. His stubbornness does not allow him to admit mistakes, and makes him more and more
Citizen Kane (1941) and The Hudsucker Proxy (1994) are two great films that say a very similar statement, but the two films could not be more different. Director Orson Welles’s film, Citizen Kane and Joe Coen’s The Hudsucker Proxy both follow a man’s rise to fame and how they fall because of it. It is very easy to see how Citizen Kane, a film that has influenced countless movies, has influenced The Hudsucker Proxy as well. Citizen Kane retells the life of Charles Foster Kane (Orson Welles) in