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The rise of urban America
The rise of urban America
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Edward Hopper is best known for his paintings depicting city life during the first half of the century. Some of his works, such as Night Hawks, would go on to become pop culture references. One of his paintings, Office in a Small City, at first glance simply depicts a man looking out of his office window, almost as if he is daydreaming but there’s more to it. Office in a Small City is not just a painting of an office worker, it is a critique of Urban living in America. It's a reflection of Hopper's ambivalence towards America's rapid march into modern urbanism, the isolation and loneliness he felt in the face of such changes. A theme that appears in many of Hopper's other paintings and reflects his views on urban living.
In Office in a Small city, the viewer is looking through a side window of a plain utilitarian building of a solitary man in a corner office. The highrise the man currently occupies is unassuming. Its color a soft white. The only decorative feature of this highrise is the front. Two other buildings can be seen. Another highrise, with apparently no windows, is similar to the one that the man occupies. The other building that occupies the rest of the space, is reminiscent of a time before the rise of skyscrapers. It stands out as unique and more human when compared with the other structures in this painting. The office that man sits in is bare, nothing hangs on the walls and the interior is the same drab color of the outside building. The windows of this office aren't framed. The few things that occupy this corner office is a couple dull brown colored desks and chairs and the solitary man. The man, dressed in a white shirt and black vest, sits at one of the desks and looks across the way to another building, with o...
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...d. This is a man who was against this rapid change in the city but unable to stop it. He had his paintings though and was able to put his views into them. The paintings are a reflection of the emotions and fears that Hopper felt in the face of New York’s rapid march into modernity.
Even though many of the scenes in Hopper's paintings take place during the first half of the century, the situations and the emotions displayed in those painting are no less relevant today. For each of us can reflect on a time in our lives where we found ourselves alone and bewildered by a situation we cannot flee from or a rapid in our lives For Hopper those paintings were a reflection of his ambivalence towards the encroachment of modernity into his world, the isolation and loneliness he felt in the face of change. Something most of us may feel or have felt at one point in our lives.
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
So I attempted to use this mentality whilst exploring the Highline, allowed the mindset to fill me with energy and then reflected on what I liked and didn’t like about the limitless attitude once I walked back towards Gansevoort Street. When I saw Kathryn Andrews’ “Sunbathers II” piece, I went inside the piece, and smiled while my cousin took a photo of me. I then continued to roamed through Chelsea while observing the people, billboards, paintings and the skyline, and was struck by the Sleepwalker sculpture. When Zadie Smith comes face-to-face with Corona’s “Find Your Beach” advertisement, she begins to analyze and find possible interpretations of the billboard sign. I then began to examine the Sleepwalker sculpture and discussed several potential inferences towards Manhattan the artwork might have with my cousin Michelle. I then got some stracciatella gelato, and Michelle got a coffee. With my recent purchases in hand, I was taken surprise by Andrews’ “Sunbathers I”. Michelle and I laughed
Hopper's work is an unmistakable prologue to American abstract expressionism. The geometrical shadows on the dividers at early afternoon and the nature of the light on the items conjure deliberation. Mark Rothko once said that he never preferred inclining lines in canvases as for their situation they were supported by the light that goes into the spaces. The inclining lines that Rothko alludes to are shadows on the divider made from light, yet past the legitimization is the surface that Hopper accomplishes with his
He suggests that the use of “electronic imaging prevents imagining and promotes thinking about architecture rather than bring architects, contractors, clients and critics to think within architecture” (275). Inspired by Frascari, the strategy of technography is encouraged (278). This is a “different way of thinking about the relationship between a [working] drawing and a future building. Rather than “simply Cartesian, technical lines showing edges, corners and joints these technographic drawings reveal both the symbolic and instrumental representations of the future building.. it is to make visible what is invisible”. Ridgway remarks, “The fact that any of this could be considered contentious indicates that extent to which architects have become alienated from the heart of their profession” (279). He asserts, “Part of any technography must be an acknowledgement of the historical context of construction knowledge. This is not only so we can better understand our rich architectural ancestry, but because it re-establishes a connection with the origins of our profession in building” (279). Rather than a “miniature projected representation of an imagined building, details are drawn as poetic constructions themselves, following the logic of drawing and not building and representing the “built detail symbolically, in addition to instrumentally. The symbolic and practical are one and the same thing” (280). “What are the symbolic qualities we are trying to embody in our buildings and how would we represent them in drawings?” becomes the question (278). These drawing “may not be easy or straightforward to understand or interpret.
On display at the Art Institute of Chicago, Nighthawks is an oil and canvas work that represents Edward Hopper at his most iconic and popular. Hopper more than often drew on his immediate surroundings for in...
Diego Rivera was deemed the finest Mexican painter of the twentieth century; he had a huge influence in art worldwide. Rivera wanted to form his own painting fashion. Although he encountered the works of great masters like Gauguin, Renoir, and Matisse, he was still in search of a new form of painting to call his own (Tibol, 1983). His desire was to be capable of reaching a wide audience and express the difficulties of his generation at the same time, and that is exactly what h...
ImageAs time passed and society evolved, inviting the manifestation of industrialism into its ranks, so too did the concept and aims of realism. This phenomenon can be witnessed in the works of one of the most quintessential painters of the twentieth century, Edward Hopper, as realism made its way over to the superpower of the new world: America. Hopper's paintings delved into a darker, melancholic exploration of everyday people in their established environments. His most famous work Nighthawks (1942) includes both a common feature of American life (in this case, a diner) as a primary source of his subject matter, as well as his deeply explored theme of loneliness and detached isolation.
Another form of expression and bringing awareness was through the way of art. The style of art and representation solely raised from the Chicano movement. Murals played a big part in the activism and progression people wanted to see. Most, if not all murals represented native Mexicans and their struggles of being oppressed. All murals told a story whether it was Mexico’s poverty or the farming industry. Many popular symbols and images were used again in the Chica...
...retation of the painting some aspects were surprising to how dark and heavy hearted she could speak, she took an interesting perspective. However in her interpretative poem she found a perspective of the painting that connected with her. As she used every stroke of darkness painted into the canvas an opportunity to have it symbolize this darkness and evil that resides in the world. It told her story and her experience of a starry night. Similarly Van Gogh had used every stroke of light painted into the canvas to be a symbol of beauty, and a symbol of his fascination of the night sky and its illuminating lights. He uses swift movements of his brush to depict a sky that seem to be able to sweep the mind away from the frustrations of this world in to the dreamy night light. A single painting worth a million words tells many stories through every perspective.
Edward Hopper was a realist and his subjects were drawn from real life situations. This art is naturalistic because it has recognizable objects that imitate nature and three-dimensional space, like the diner, customers in the diner, and other buildings in the background. The
Edgar Degas was a French artist famous for his work in painting human figure in their motion. He was often known as an Impressionist, although he rejected being called that preferred to be called a realist. In each of his paintings he would express the harmony of line and stability of outline. One of his paintings is The Absinthe Drinker in 1876 as it is an oil on canvas. There are many impressionist painting techniques, though one technique Degas use is a snapshot. A snapshot is a painting that looks like a photograph of a scene. At first sight the impression of the portrait portrays an aspect of modernity. There are two individuals sitting side by side inside a cafe de la Nouvelle-Athenes in Paris, while there is no communicating between them. As it looks like each one is melancholic in their own isolation. Th...
Gehry’s additional design of the exterior has created an unconventional model form of house. The asymmetrical form characterizes the entire external side of the house. According to Goldstein, Gehry tried to slant the house roofline, create a false perspective and cause an absurd viewer’ perception or expectation (1979, 9). The complexity of the form might also produce a relationship with the house’s elements such as door, wall, and roof. For example, those elements, which linearly constructed, were hardly noticed since the distraction of geometric form around the exterior part of the house. It’s even barely hard to find the entrance of the house as a result of the salient angles of exterior.
Munch popularity is due to his extraordinary ability to convey a deep and raw emotion from the unconscious onto the canvas leaving it to the viewers to interpret, feel and reflect. He stood out from other artists of his time, as he varied away from the norms and focused on the feelings and state of the work, rather than details and perfection. Anxiety evolved as the main point of Munch art. This essay goes through Edvard Munch’s childhood focusing on the events that caused him anxiety, how the anxiety affected his relationship with women and love, and how his idea of anxiety was supported by the theories of Søren Kierkegaard. These elements act as a support of an analysis of three of his works ‘Evening on Karl Johan’, ‘Melancholy’ and ‘The woman in three stages’. This essay should be seen as a work within the subject Visual Arts as it analyses three works of Munch focusing on anxiety. The analysis will contain an analysis of the form, content and context of each of the works. Having experienced the Edvard Munch: Angst/Anxiety exhibition at AROS Museum of Art in Aarhus, Denmark, I found and developed curiosity and inspiration to this essay. I find it worthy of a study as Munch changed the view and concept of art, and provided the public with a concept of art that was not the norm around the 19th centu...
It takes a while to process everything that is going on, but once you see the whole picture, the smaller details come out and are noticeable, even within the visually assaulting Square. The tall buildings are the first things you recognize; just the sheer size of them makes you feel like a tiny, unremarkable speck of dust. Each has its own character and was created with a unique design. A uniting factor of the buildings is the windows. The glass surface reflects the afternoon sun’s light, making a giant mirror from the buildings’ sides. The mirrors create an enormous hall of other building’s distorted reflections. Hanging from the buildings are advertisements for everything under the sun. Many billboards are for the different musicals that are going to be shown at Broadway soon; the classics, like West Side Story, Phantom of the Opera, Annie, and Wicked, are always there. Others are announcing the release of a new HP laptop, or Samsung HDTV. Some unveil a high fashion store’s new fall line of sweaters and jeans. Of course, there is the obligatory Coke commercial, telling you to enjoy a refreshing bottle of ice cold Coke.
Vincent Van Gogh is considered the greatest Dutch painter, and highly influenced the 20th century art. In the era of the impressionism, Van Gogh was a post-impressionist painter whose work, notable for its beauty, emotion and color. One of his most famous paintings that caught my attention was the starring night over the Rhone and the café Terrace on the place du forum, Arles, at night. The reasons why the two paintings from Van Gogh caught my attention was that it has a lot of meaning and representation. For example, The starring night over the Rhone has a big river and on top you can see a lot of beautiful stars, for me that represents the beauty of nature and all the bright colors he uses on his paintings represents his passion towards painting. Furthermore, the painting the café Terrace on the place du forum, when I first saw the painting I didn’t really understand the representation and meaning, but observing it several of times I realize that it has a lot