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Describe the beach creative writing
Describe the beach creative writing
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Finding Your Beach In her narrative essay, “FYB”, Zadie Smith expresses her belief that if one redirects their mindset to a more limited perspective and uses the limitless Manhattan mentality at certain times, one can arrive at their beach. A beach is a mentality, and Smith finds her beach by coming to peace with Manhattan’s beach. The idea of a person’s “beach” being hard to discover may be observed through Smith’s personal background, as it is almost mythical for this English writer living in Soho, Manhattan to come by a beach. To find my beach, Smith says the ad instructs a person to “focus”. “Everything that is not absolutely necessary to your happiness has been removed from the visual horizon”. In order to find my beach, I have to “pursue happiness actively” and find the mindset that will allow me to do this. Smith narrates the …show more content…
So I attempted to use this mentality whilst exploring the Highline, allowed the mindset to fill me with energy and then reflected on what I liked and didn’t like about the limitless attitude once I walked back towards Gansevoort Street. When I saw Kathryn Andrews’ “Sunbathers II” piece, I went inside the piece, and smiled while my cousin took a photo of me. I then continued to roamed through Chelsea while observing the people, billboards, paintings and the skyline, and was struck by the Sleepwalker sculpture. When Zadie Smith comes face-to-face with Corona’s “Find Your Beach” advertisement, she begins to analyze and find possible interpretations of the billboard sign. I then began to examine the Sleepwalker sculpture and discussed several potential inferences towards Manhattan the artwork might have with my cousin Michelle. I then got some stracciatella gelato, and Michelle got a coffee. With my recent purchases in hand, I was taken surprise by Andrews’ “Sunbathers I”. Michelle and I laughed
Raymond Johnson, most famous for his collages in the days of early Pop art was simply never a household name. Instead, the movie How to Draw a Bunny proclaims he was "New York's most famous unknown artist.” The movie explains this and so much more as the people “closet” to Raymond reflect how disconnected and different he was from society in his lifetime. The movie captures this and so much more as the director thouroughly investigates the enigma of what Raymond was and his mysterious death that baffled both friends and the public by interviewing people th...
Although the words are almost fifty years old, Gift from the Sea still speaks powerfully about humanity. Using metaphors of different kinds of shells she finds on the beach, she talks about solitude and the distracted lives we lead. Along the way, she shares meditations about life that are simple yet profound. She advocates a simple life that cuts out the excesses – the things that clutter and complicate our lives. “Simplification of outward life is not enough. It is merely the outside. But I am starting with the outside. I am looking at the outside of my life – the shell. The complete answer is not to be found on the outside, in an outward mode of living. This is only a technique, a road to grace. The final answer, I know, is always inside.” In her explanation of simplification, she explains that there are two types of rhythm – hectic and primeval. Hectic rhythm is when someone is une...
One very interesting point that Peiss makes is that there is now a market for leisure time. This market included such activities as attending shows at a nickelodeon, riding the trolley, and, especially in Manhattan, spending the day at Coney Islan...
Many readers would argue that Edna finds this niche in her seaside vacation home on Grand Isle. To Edna, the sea is a wide expanse of opportunity and liberation from the constricting socialite world of French Quarter New Orleans. Chopin's lavish descriptions of the sea give us an insight into its powerful effect on Edna:
The smell of the restaurants faded and the new, refreshing aroma of the sea salt in the air took over. The sun’s warmth on my skin and the constant breeze was a familiar feeling that I loved every single time we came to the beach. I remember the first time we came to the beach. I was only nine years old. The white sand amazed me because it looked like a wavy blanket of snow, but was misleading because it was scorching hot. The water shone green like an emerald, it was content. By this I mean that the waves were weak enough to stand through as they rushed over me. There was no sense of fear of being drug out to sea like a shipwrecked sailor. Knowing all this now I knew exactly how to approach the beach. Wear my sandals as long as I could and lay spread out my towel without hesitation. Then I’d jump in the water to coat myself in a moist protective layer before returning to my now slightly less hot towel. In the water it was a completely different world. While trying to avoid the occasional passing jellyfish, it was an experience of
The contrasts between depth and surface, figure and landscape, promiscuity and modesty, beauty and vulgarity all present themselves in de Kooning’s Woman and Bicycle. Although the figure is a seemingly normal woman out for an afternoon with her bike, she becomes so much more through the artist’s use of color, contrast, and composition. The exotic nature of woman presents itself in her direct stare and slick buxom breasts in spite of a nearly indiscernible figure. It is understood that, on the whole, de Kooning did not paint with a purpose in mind, but rather as an opportunity to create an experience, however, that does not go to say that there isn’t some meaning that can come of this work. Even Willem de Kooning once said that art is not everything that is in it, but what you can take out of it (Hess p.144).
Other aspects strengthen the advertisement design's sexual appeal. The foreground woman's strapless swimming suit, highlighted in red, is the most notable example. Her chest prominently resides above horizontal boxes in both th...
The arrival to Manhattan was like an entry to a whole new world: from the sea, its breezes, color, and landscapes, to the heart of the city beating louder than ever at the Whitehall Terminal. I could smell New York’s bagels in Battery Park with a mixture of the most relaxing scents: the coffee people were holding while walking down the streets, the old walls of Castle Clinton ...
Zadie Smith grew up listening to black “soul voices”, so she didn’t grasp the appeal of blonde singer Joni Mitchell and her “bloody piping” (Smith, 2012, p. 190) until a decade after her friends used to rave about her. Suddenly on a drive to Tinten Abbey a decade later, Smith changes her mind about Mitchell and writes, “How is it possible to hate something so completely and then suddenly love it so unreasonably?” (Smith, 2012, p. 191-2). Even though on the surface this essay may seem like a story of how a woman started to love an artist she previously hated, this event represents her realizing her ignorance and discovering a personal deficiency. Smith considered herself a “connoisseur of novels” (Smith, 2012, p. 191-2), but recognizes her anxiety when she converses with people who are just as much of an expert as she is- but also knowledgeable...
Libraries have been around for centuries, serving as places of wonder for children and as quiet sanctuaries for adults. The age of technology, however, has been quite detrimental for these places; shelves of books have been replaced by screens, and librarians have been replaced by search engines. There are some who wholeheartedly wish to preserve libraries, and the author of this article is one. Zadie Smith argues for the conservation of libraries and, throughout the writing, utilizes many literary devices to support and strengthen her claims.
Each photograph was positioned to emphasize the photo next to it and articulate the narration of midnight and London. Striking midnight, Bryanston Square clock begins the series. Placing this image as the starter of the series I felt help provide the illusion midnight in London is occurring, therefore setting up the story for the images to come. Also, being the most different in composition, lighting, and framing, I felt the Bryanston Square stood out as unique from the rest. A powerful, yet ambiguous mood is given off. I wanted the clock at midnight to act as a way of providing viewers with the sensation of not knowing what is coming up next, almost as if to foreshadow the unknown sights and sensations at midnight in London. One does not know what the night will bring once the clock chimes twelve. I then proceeded to alternate tranquil atmospheres and bustling to highlight the contrast in space at midnight. The juxtaposition among the photographs certifies the different atmospheres of spaces. The quietness and softness of Marylebone High Street Square is amplified more with the activeness of a Soho beside. By alternating between the contrasts of the photos, more stress is placed on the individual atmospheric sensations being transcribed in each photograph. And in the process, establishing the illusion one does not need to venture far to experience these varying personalities. These dynamic atmospheres of midnight in London can be experienced simply by turning the corner, or in shifting to the next photograph. The photographs, despite representing and embodying different characteristics build upon one another to tell the spaces of London’s story at
It was a beautiful Saturday evening when I decided to walk the neighborhood known as the melting pot of many diverse cultures and social groups. South Street, located in the city of Philadelphia, is home of over 400 different small shops, restaurants, and galleries. Unlike other neighborhoods, South Street isn’t spread over numerous blocks, instead, it takes up one long street that is miles long. This lively and vibrant neighborhood sure does have a personality of its own and examples of modernity are shown throughout this Philadelphia neighborhood in very distinct ways.
When you associate anything with New York City it is usually the extraordinary buildings that pierce the sky or the congested sidewalks with people desperate to shop in the famous stores in which celebrities dwell. Even with my short visit there I found myself lost within the Big Apple. The voices of the never-ending attractions call out and envelop you in their awe. The streets are filled with an atmosphere that is like a young child on a shopping spree in a candy store. Although your feet swelter from the continuous walking, you find yourself pressing on with the yearning to discover the 'New York Experience'.
I have persuaded my friend Kati to leave me here for an hour in the afternoon sun while she completes her tour of the Impressionists inside. She’s in New York this once, visiting from Hungary, while I live in Philadelphia and can come back any time I choose.
As I walked down the worn dirt path to the ocean, I was astonished by how many people were lounging by the water.. As I got closer to the water’s edge, I contemplated why more people don 't swim and decide to tan in the sun instead. The feeling of being alone with the ocean and my thoughts played in my mind.