Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Brief history of bauhaus
The bauhaus movement research
The bauhaus movement research
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Brief history of bauhaus
Introduction
In the year 1919 a design and architecture school was formed called the ‘Bauhaus’ (V.Ryan.2010). It is a German word, which means ‘house of architecture’, from Bau ‘building’ + Haus ‘house’ (oxford dictionaries).
The first division of School of Bauhaus was built in Weimar in the year 1919.In that the craftsman and artists taught school students a foundation course for six months. The second division of the school was opened in 1925 and was appreciated by the mayor of Dessau, as it was a perfect place where its heavy industry could join in the manufacturing of its products. Then the third division was briefly opened in berlin in 1933 but it couldn’t establish itself properly because of the rise of the Nazi party in Germany
…show more content…
All of its openings rae completely closed to accentuate the vertical middle axis and emphasizing the closed wall sections on both sides. It was made by Walter Gropius and Adolf Meyer
6 master’s house
When Bauhaus school moved from Weimar to Dessau in 1925, Gropius not only built a school but also made a residences nearby. He thought for a detached house for a director and three identical house with studio appartments for the masters.
There are many more examples in which Walter Gropius have shown his creativity but his most refined and perfect example where he exercised his whole theory of fusion between arts and technology is The Bauhaus at Dessau (Germany)
It is the most famous architectural monument to modernism as it consisted three interlocked wings which formed a heterogeneous structure and a pin wheeled complex which is situated on both sides of the street. It also connects with a two floor administration wing, which also consist the Gropius’s office. there wasn’t any front/back ladders and technical quality of the glass facade showed gropius’s new invented concern for the industrial
Marcel Breuer, born in the early 1900’s in Hungary, was one of the first and youngest students to learn under the Bauhaus style, taught by Walter Gropius. Breuer started his career designing furniture, using tubular, or “handle bar like”, steel (Dodd, Mead, and Company 32). One of the most popular of these furniture designs was his Club Chair B3designed in 1922. In the 1930’s, Breuer moved to the United States to teach and practice architecture. In the 1950’s, he received the Medal of Honor from the New York Chapter of the American Institute of Architects (AIA). Between 1960 and 1980, Breuer was honored with several honorary doctoral degrees from several universities around the world. After retiring in 1976 due to poor health, Breuer was awarded several other awards, and his work was displayed in exhibitions around the world. Breuer died on July 2nd, 1981, at the age of 79 (Marcel Breuer Associates 6).
Founded by Walter Gropius in 1919, the Bauhaus was a German art school that initiated the combination of art and crafts innovatively to produce goods for everyday use, which influenced and shaped modern life. The Bauhaus value is still effective today since we can still see the impact of the Bauhaus. For example, contemporary furniture are mostly minimalist, which is one of the values from the Bauhaus. This essay will discuss the failure of the Bauhaus in achieving its mass-produce ideal through examining three Bauhaus production, the Wassily Chair, the chess set and Model No. MT49 tea infuser. Through the aspects of artistry and utility, the Bauhaus pursued to generate reasonably priced mass-production by taking the forms and materials into
However, the success of the building schemes relied on the construction methods and innovations that are now attributed as bei...
...d the Bauhaus. As discussed, Marcel Duchamp’s Fountain is one of the most iconic artworks of the Dada era. It rejects preexisting traditions and expectations whilst creating contemporary art and making a mockery of the current society. Furthermore, the Bauhaus movement was one, which emphasized the importance of equality between the theory of art and the practice. The school was one of the first and most influential of its kind, recognizing the errors of past curriculum and redefining it’s aims, and has held a lasting impression on the art and design world. The Bauhaus itself was representative of the principles it endorsed, including simplicity, economic sensibility and practicality. Due to the changing social and political factors of the time, various movements characterized the modernist era, and in turn created new definitions of art, design and architecture.
...erfect atmosphere to convey speed, efficiency, and technology of the time. This open floor plan not only functions as an efficient visual element but also incorporates the idea of communal work. Customers, store leaders, associates, tech gurus etc. are all free to wander and work together without office walls or boundaries to separate them. The change in the use of light began during the Bauhaus era when lampshades which used to block light and create harsh separations were replaced with broad flood lights evenly spaced to create equal lighting throughout. The use of pure white walls and metal trim also make direct reference to the Bauhaus ideals. Likewise there is an egalitarian principle evoked in the designs. Built to human scale and made clearly for use by people rather than large monumental or overly scaled buildings that often promote power and authority.
The staff at the school included such art figures as Wassily Kandinsky, Joseph Albers, Laszlo Moholy-Nagy, Paul Klee, and Johannes Itten. Architectual figures at the school included Ludwig Mies van der Rode and Gropius himself. The only designer at the school was Marcel Breur. The staff members participated in one movement, the Arts and Crafts movement (Borteh).
The Bauhaus introduced Goldberg to the new ideals of art and architecture. The Bauhaus emphasized on vision and spatial skills. Goldberg was greatly influenced by Mies van de Rohe and Josef Albers. Goldberg embraced “less is more” and was disciplined to work out details of the total design by creating an aesthetic out of structure and seeking alliance with an industrial world. At the B...
However, this school was closed by the Nazi government, because of its communist ideals, as opposed to the ideals of Nazism. The staff continued spreading their knowledge and ideologies all over the world where they went for exile .This political pressure in the constant shift of techniques,
Art Deco and Bauhaus are two of the most influential art styles that influenced modern America today. From the avant-garde decorations and design that is still present in Los Angeles, to the flat roof design and simplicity of houses and shops that can be seen almost anywhere, these two designs are still present in our communities. The two movements do have some comparative similarities, but are also very different in design and concept. One should now be able to distinguish the similarities and differences between Art Deco and
The process of the design of Simmons Hall has started from the year 1999 and was finished and built in 2002. It was designed half a century after Le Corbusier’s Unité d’habitation, which represents one of the most famous prototypical block housing assembly, both in Corbusier’s and in the 20th century’s creations. The buildings both represent how to gather great amount of people in singular uniform components. But not just the units and components themselves but also the intention was to use prefabricated and standardized materials in the construction. Both of the buildings are manifested as monolithic blocks embracing numerous of alterations, but still keeping and maintaining their original form of a block. The outer shell, the façade, in both cases is formulated as a web, network, but respecting the aspects such as natural lightning and ventilation. Also, creating a playfulness with adding variety of colors on the façade. But, what we find in both buildings is that they discover themes of idealism: in Unité, Le Corbusier is researching the theme of an idealized modern family, and in Simmons, Holl is developing the theme of students living and studying harmoniously. But, what is not visible at first sight is the manifestation of the celebration of the concrete form. The concrete is used in a very powerful and live sense, with building irregular and sculptural forms the architect’s aim is to give the space a more “organic” and undulating
The German Pavilion was designed in 1929 for the International Exposition in Barcelona. It was commissioned by the German government as a representation of the new German Republic after the devastation of World War I. What Mies van der Rohe
Three factors: "Deutscher Werkbund", "Russian Constructivism" and "De Stijl", influenced the concept of design about "Bauhaus". "Deutscher Werkbund" suggests functional design. It combines modern industry with opposite ornate decoration of buildings. Meanwhile, the building can be produced a lot. "Deutscher Werkbund" lays a basis for the "Bauhaus" design concept (Gong,
In the Bauhaus Dessau, Walter Gropius utilized the concepts of space and a factory-like design. This is seen in the design of the Graduate Center at Harvard University. The structures resemble factories through
... that unity to mass produce products and beautiful art has earned it the right to be known as the House of Construction.
He began to make notes on art theory in his diary and executed his first non-representational compositions. He then gave art lessons on what he had learned throughout his career. In 1916 he held a solo exhibition at Der Sturm Gallery in Berlin, Germany. Shortly after that he founded a private art school in Vienna. He would then study theosophy and mysticism. Theosophy refers to a system of philosophy regarding or looking for direct knowledge of, supposed mysteries of being and nature. From that knowledge he created a comprehensive form and color theory that he would use to teach his students. When he moved to the Bauhaus in 1919, a number of his students followed him as disciples in his new cult. The following group was characterized by wearing shaved heads to emphasize its geometrical properties, they also wore robes to their feet and only fed themselves on