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The rise and fall of the Mongol empire
The rise and fall of mongol
The rise and fall of mongol
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Yuan Dynasty Wood Block Printing Yuan Dynasty (Mongol Dynasty) China was a period of extraordinary history, including of course Mongol rule over the entire present-day China, intellectualism and scholarship, science and technology innovation, and then the written/print culture. The intention of this paper is to prove the importance of the invention of wood block printing in the Yuan Dynasty in relation to the spread of knowledge, specifically religious texts, poetry and literature, and in political settings. The woodblock printing tactic was not invented during the Yuan Dynasty. It is thought to have been invented during the Tang Dynasty, with the moveable woodblock invented during the Song Dynasties. However, the Yuan Dynasty, also known …show more content…
Done by men of a different social class with different backgrounds, ideals, and motivations, produced under different conditions for a different audience, painting could not help but change in fundamental and farreaching ways. (Cahill 4)
This offers an indication of the importance of the woodblock print because it provided the opportunity for historians to gather and examine even peasant accounts, poems and art that offered a look into how life was during this period. Cahill also offers a series of poets and artists that were constrained by frustration so that their only acts of rebellion were to refusing to face North (Mongol capital), which he says “A corresponding symbolism is to be found in the few of their paintings that survive” (Cahill 16). A good example of this poetry is Cheng Ssu-hsiao, a yuan-era poet who used woodblock to print the date on his original copies of poems or to make copies of them entirely. One such poem offers the kind of poetry that would have been much more widely available during Yuan China thanks to the woodblock printing
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One source offers: “During the reign of Emperor Chengzong of Yuan, a great many Buddhist sutras were translated from Tibetan into Mongolian, which further contributed to the development of Tibetan Buddhism in the Yuan Dynasty” (“Religion and Culture of Yuan Dynasty”
In the Enseigne, art is also shown to serve a function that it has always fulfilled in every society founded on class differences. As a luxury commodity it is an index of social status. It marks the distinction between those who have the leisure and wealth to know about art and posses it, and those who do not. In Gersaint’s signboard, art is presented in a context where its social function is openly and self-consciously declared. In summary, Watteau reveals art to be a product of society, nevertheless he refashions past artistic traditions. Other than other contemporary painters however, his relationship to the past is not presented as a revolt, but rather like the appreciative, attentive commentary of a conversational partner.
Through examining these texts, it is evident that the advantages historians have when drawing on evidence such as this is that they can easily reveal certain social and cultural values of the society from which the authors came from, just as easily as it shows social and cultural values of the society of which it was written about. The limitations for historians when collecting written evidence is that some key features of the complex civilizations written about were often left out or could be easily misinterpreted or
This new technology is not without its shortcomings. First, the printing press used limited materials. Next, as Mumford notes, the advent of print led calligraphers and manuscript copyists out of work. Furthermore, as Graff finds, it created “typographical fixity”—material once printed cannot be changed. Finally, mass production was dependent and limited to large markets (Mumford, 95)....
Today we can look around ourselves and see thousands of technical innovations that make life easier; But if we take a step back and ask ourselves “How?” we will soon realize that most often, these technological advancements did not just “poof” into existence, but are usually the outcome of building upon yesterday’s technology. If we follow this cycle back into time, we can attribute almost any modern day invention to an ancient civilization during its golden age. China was no exception. China’s Song and Tang dynasties fostered scientific advances comparable to Rome’s during its Pax Romana. The most significant and impacting of these were the development of primitive gunpowder and porcelain of the Tang and paper money, and the magnetic compass of the Song Dynasties. Although these may seem very far off, if you look hard enough, you can see traces of their impacts in society today because most of the advancements today we owe to them.
Overall, putting the truth about Cranes above Kaifeng aside, this hand scroll containing a painting and a poetic inscription shows how Huizong with his control over art can dictate the meaning and message an art can convey. This will lead to a manifestation of certain belief to the people of Song dynasty, which in this case is a belief that it was a Mandate from Heaven.
Huizong was a literati artist, well trained in poetry and calligraphy often looking at paintings in terms of these two arts, adopting many of the aesthetic concepts set forth in Ershisi Shipin (The 24 aspects of Poetry). As a literati artist he believed in “depth and primitive simplicity” in his work, and that painting was an enjoyable activity intended to please one’s self and one’s friends (Barnhart, p.3). His development as an artist was oversaw by three friends, all of high social rank, but of different interests. Zhao Lingrang was a painter and assisted the Emperor in his continual search for scrolls to adorn his colle...
"Four Inventions of Ancient China: Paper Making, Gunpowder, Printing, Compass." Four Inventions of Ancient China: Paper Making, Gunpowder, Printing, Compass. N.p., n.d. Web. 14 Nov. 2013.
Although Siddhartha Gotama spread the religion of Buddhism in India, his teaching had a great impact on other countries. Buddhist first made their way to China via the silk route; this was a network of caravan tracts that linked China to the rest of central Asia to the Mediterranean region. Buddhist monks also made their way into China with Buddhist scriptures and Buddhist art in their possession. This is the first time that Buddhism made a substantial impact on the Chinese. Quickly many Chinese began to convert to the new religion that was brought into china. In fact, Buddhism would become a central aspect to culture of the Chinese. Buddhism had a great impact on the Chinese, philosophers, and Chinese emperors. Additionally, Buddhism had a great influence on Chinese art, and Buddhism was the greatest foreign influence on the artwork of the Chinese. Chinese artist would mix their traditions, with other popular Buddhist art forms from places, such as India. The arrival of Buddhism in China greatly influenced the art of China for many dynasties.
Traditional Chinese art is deeply rooted in its philosophy, encompassing Daoist, Buddhist and Confucian schools of thought. The goal of many traditional Chinese landscape artists, as described by Professor To Cho Yee of Michigan-Ann Arbor, is to “reveal the highest harmony between man and nature” through a balance of likeness and unlikeness (Ho). This metaphysical philosophy borrowed art as a vehicle to search for the truth or the “dao”, which is the path to enlightenment. As early as the 5th century, scholar artists such as Su Shi (1037-1101) of the Song dynasty realized that to create likeness, one must understand the object beyond its superficial state and instead capture the spirit of nature; only then can a point of harmony with nature
When analyzing artwork, in any form, there are often times social contexts in which can be interpreted. Not always does the history behind the painting need to be revealed to fully understand the concept of the artwork, yet it is helpful in determining if the artwork is truthful in its representation. Although in analyzing artwork it is likely that there are drawbacks to considering the social context. To illustrate this point, I'm going to use the visual arts as my medium of choice. Understanding the social context can be an important tool. An advantage of knowing the history of the painting or sculpture can really enrich our knowledge, being in the 21st century, about some of the social periods from previous times. It can demonstrate how traditions were carried out, how they had an impact on the different social classes. It's a visual teaching aid of a sort. Even in the time period of which the artwork was created can be used as a tool to show how the life was in different parts of the world. It was also used as a hammer in the realist movement to show the upper classes that life for the poor was horrible. The visual arts is the only medium in which the pictorial image creates a universal language in which anyone, regardless of nationality or social class can interpret. The text which is created by this language often creates a context which is left open to interpretation. Contexts are created by the artist, critics, judges, the public, essentially, any one who views the work and forms an opinion relating to it. The contexts stem from subject or content of an artwork, and are usually facts regarding the content. Yet, the contexts almost always have backgrounds themselves, therefore making the original contexts, texts. This will be more clearly illustrated later. The chain is seeming to be a never ending process. There are always more conditions to the previous ones. All context, therefore, is in itself, textual. This concept of all context in itself textual is a post-structuralist strategy. A man named Derrida is a man who has developed this idea that the post-structuralist concept of every statement made, can be interpreted in infinite ways, with each interpretation triggering a range of subjective associations. Every statement has an association, therefore it's a sort of domino effect.
During the Yuan Dynasty (1271-1368), the culture and art of Tibetan Buddhism developed rapidly. Tibet's first encyclopedia-like catalogue on Gangyur and Dangyur of Tibetan Tripitaka was compiled; Buddhist masters who played key roles in the development of Tibetan culture and art, including Sagya Pandit Gonggar Gyaincain, Purdain Rinqenzhub and Zongkapa, emerged. Works of historical significance created during this period of time include the History on Buddhism by Purdain, the Green Annals, the Red Annals, the New Red Annals and the Records on Five Sutras in Tibet. There was an exuberance of literary works, including mottos, philosophic poems, fables and stories.
Throughout history art has presented itself in many different forms. Two forms of art are poetry and paintings. William C. Carlos’ poem “The Dance” paints a picture while Pieter Brueghel’s painting “Peasants’ Dance” tell a story. The odd thing is that both the poem and the painting have many similarities as well as many notable differences. Tone, image, and imagination show the many similarities and differences between William C. Williams’ poem “The Dance” and Pieter Brueghel’s painting “Peasants’ Dance.”
*Usami, Bunri “A summary of "The Problem of Form in Song Dynasty Theories of Painting" (Faculty of Arts, Shinshu University) Bulletin of the Sinological Society of Japan No.50, 1998
Yuan dynasty. The word Ming means “brilliant” and “bright.” The creator and first emperor of the Ming Dynasty was Chu Yuan-chang, who later changed his name to suit him and his new government.
If it were not for the invention of paper, millions of ancient documents would be unknown today. This innovation was the most important and amazing development of ancient China. Why you ask? Paper is a material that is used to disseminate information through written communication. It is derived from the word papyrus from a plant found along the Nile River in Egypt. In global cultural development, paper was the key element for advancement. In various places around the world, people had similar items to write on, but unlike the paper we use today, the ancient Chinese used bone, stone, and wood. This made it extremely heavy to carry. They tried wooden scrolls made out of bamboo, but carrying this was tiring. They even tried silk, but this was very expensive and not everyone could afford to purchase it. Finally, the inventor of paper came along, and life became easier.