Tibetan Culture and Art
Tibetan culture and art possess a history of more than 5,000 years, and the Tibetan Buddhism has had the greatest influence on this culture. The development of Tibetan culture and art proceeded through four stages: prehistoric civilization before the 7th century; cultural stability during the Tubo Kingdom; high development during the Yuan Dynasty; and the height of cultural achievement attained during the Qing Dynasty.
The prehistoric stage includes all development from the ancient civilization that appeared during the New Stone Age some 5,000 years ago to the founding of the Tubo Kingdom in the 7th century. A salient feature of this civilization is the founding and development of the Bon, an animist religion. Findings from the ruins of the Karub New Stone Age Site in Qamdo and rock paintings found in Ngari, which have been dated from all periods from the late Old Stone Age to the Tubo Kingdom in the 7th century, all display a concentrated expression of the achievements of prehistoric civilization and reveal the budding of prehistoric art.
The Tubo Kingdom in the 7th century was an important period which witnessed the creation of Tibetan writing and the spread into Tibet of Buddhism from India and China's Tang Dynasty. Collusion and mutual assimilation of different cultures and arts constituted a major feature of this period. Cultural and artistic achievements made during this period of time include the Jokhang, Ramoche, Changzhug and Samye monasteries. These monasteries are a combination of architecture, paintings and sculptures, the styles of which were disseminated in accordance with the world model of Buddhism. The major architectural features of these monasteries were built using a style unique to Tibet, and also incorporating influences from India and the Central Plains of the Tang Dynasty. A unique culture was thus created and firmly planted in the soil of Tibet.
During the Yuan Dynasty (1271-1368), the culture and art of Tibetan Buddhism developed rapidly. Tibet's first encyclopedia-like catalogue on Gangyur and Dangyur of Tibetan Tripitaka was compiled; Buddhist masters who played key roles in the development of Tibetan culture and art, including Sagya Pandit Gonggar Gyaincain, Purdain Rinqenzhub and Zongkapa, emerged. Works of historical significance created during this period of time include the History on Buddhism by Purdain, the Green Annals, the Red Annals, the New Red Annals and the Records on Five Sutras in Tibet. There was an exuberance of literary works, including mottos, philosophic poems, fables and stories.
-Nara’s Buddhist temples were another result of cultural diffusion, Buddhist began in India in 500s B.C.E. about 1,000 years later, it came to Japan from China by way of Korea.
From 100 CE to 600 CE the Chinese had many cultural and political life changes and continuities. A political change was in the end of the Classical Chinese period when the Han Dynasty fell. A cultural change during 100 CE to 600 CE was the paper invention that led to passing down cultural rituals. Not only were there changes but there was also continuities in the Chinese political and cultural life. An example of a cultural continuity is the increasing power of Buddhism. A political continuity is the ruler of the Chinese wanting the people to be protected with for instance The Great Wall of China.
Wu Zhao, the first female emperor of China, rose to power during the Tang Dynasty and her active role with Buddhism fabricated a perpetual impact in the Chinese society as a whole. There is no doubt that Buddhism and the Tang administration, under Wu’s reign, formed a symbiotic relationship with one another. She is considered to be one of the most prominent advocators of the religion during the era. Her efforts to spread of Buddhism and the monetary support help Buddhism to expand throughout the people significantly, which provide the religion another source of financial income to spread even further. Regardless of Empress Wu’s intention, she has furnished the religion in numerous ways, but what did she receive in return? This proposes the question: To what extent did Empress Wu’s support of Buddhism, politically and financially, help Wu and better her empire overall?
Xuanzang was a highly educated Buddhist monk from China, who in 629 C.E. made the long and treacherous journey along the Silk Road to India. His main objectives in his sixteen years away from home were fundamentally religious; he only wanted to study more complete scriptures to answer questions he had, which he deemed unsolvable in his own country. It is important to understand Xuanzang’s own position within the Chinese society and the type of situation it was in: Chinese Buddhists had many disagreements
Shahar, Meir. "Epigraphy, Buddhist Historiography, and Fighting Monks: The Case of The Shaolin Monastery." Asia Major 13.2 (2000): 15-36. JSTOR. Web. 5 Mar. 2014.
Today I will be discussing china’s classical age to 256 B.C.E, East Asia and the spread of Buddhism from 256 B.C.E. to 800 C.E., and continue East Asia ‘s history to 1400. China’s classical age consists of its emerging civilization, the early Zhou dynasty, the warring states period, Confucius and the several different schools of thought. From the period of 256 B.C.E and 800 C.E. China was expanded and Buddhism began to spread rapidly. It was also during this period that China shaped much of eastern Asian culture. During Eastern Asia’s period of 800 CA to 1400 CA was marked by the medieval Chinese economic revolution, Japans Heian period, Song dynasty and the Samurai and Kamakura Shogunate.
Liu, Jiahe, and Dongfang Shao. “Early Buddhism and Taoism in China (A.D. 65-420).” Buddhist-Christian Studies 12 (1992): 35–41. JSTOR. Web. 7 Nov. 2013.
Major changes in political structure, social and economic life define the Sui, Tang, and Song dynasties. Each period laid the foundation for the next, with changes and improvements to create a new order.
According to Art in China by Craig Clunas, the Wei Dynasty, which started in 386 and ended in 535, was an era in which Buddhism was central to the culture of both the noble and common people. For much of the Wei dynasty the artists and sculptors were slaves to the state. Different styles of Buddhist art were popular during this period. At first, the artists copied some elements from Indian Buddhist sculpture, but then they developed their own style.
Buddhist art was introduced to Japan along with the Buddhist religion in 552 AD. Almost all the art produced in this Suiko period in Japan was to do with the new religion. "The introduction of the Buddhist faith had from the very start gone hand in hand with the introduction of Buddhist images." (Munsterberg 1985: 19) These Buddhist images included Chinese scrolls depicting the life of Buddha, at first copied by Chinese priests in Japan, later painted by the Japanese themselves. With the introduction of Buddhism, temples were needed for the practicing of the religion. This consisted of ...
Many of the influences of Tibetan Buddhism came from India thousands of years ago. There were four phases leading up to the Tantric practice that is known today. 560 B.C.E. to 480 B.C.E. marked the first stage, the life of Siddharta Gautama, who Tibetans believe to be the original Buddha. The legend of the Buddha is that he was conceived in ...
The four hundred years between the collapse of the Han dynasty (206 B.C.E.- C.E. 220) and the establishment of the Tang dynasty (618-906) mark a division in the history of China. During this period, foreign invasion, transcontinental trade, and missionary ambition opened the region to an unprecedented wealth of foreign cultural influences. These influences were both secular and sacred. Nomads, merchants, emissaries and missionaries flooded into China, bringing new customs, providing exotic wares, and generating new religious beliefs. Foremost among these beliefs was Buddhism, born in India, but which now took root in China. These new influences entered China by a vast network of overland routes, popularly known as the Silk Road
The Tang and Song Dynasties are both pertinent to China’s development. During the Tang period, which is also considered the “Golden Age”, art and literature was embraced and thrived. During the Song Dynasties, many technical inventions allowed China to grow as a nation, and emerge as one of the greatest nations in the medieval world. Both dynasties played a key role in the history of China.
In Tibet one might use the words “religion” and “culture” almost as synonyms, especially for the arts—literature, drama, painting, and sculpture. Not only were they inspired by religion, but religion was their very raison d’être (Pal 18).
The origin of Chinese music can be track back to 7,000 to 8,000 years ago due to the discover of remains of instrument .In Xia Dynasty, in 2,000 B.C. , Chinese music began to be visible in recorded history. Back then, only the royal families and dignitary officials enjoyed music and the music was used for performing rituals since Chinese music was part of the Confucian tradition. In Confucianism, music is one of the six art(六藝), which includes calligraphy, etiquette , riding , archery, mathematics and music. During the Tang Dynasty(618-907), dancing and singing became the mainstream, which made music not a privilege to rich people anymore, it spread from the royal court to the common people. Also, with the influence from foreign religions such as Buddhism and Islam, their music were also absorbed into Chinese music. In Song Dynasty(960-1279), the original opera such as Zaju and Nanxi was formed and performed in tearooms, theaters, and showplaces. Chinese opera had been developed rapidly and diversely during Ming (1368-1644 ) and Qing Dynasties ( 1644-1911). The Chinese opera became very wide spread, different regions have developed their own opera style.