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Influence of Buddhism in East Asia
Hinduism and Buddhism impact on Asian societies
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Buddhist Art in Japan Buddhism had an important role in the development of Japanese art between the sixth and the sixteenth centuries. Buddhist art and religion came to Japan from China, with the arrival of a bronze Buddhist sculpture alongside the sutras. Buddhist art was encouraged by Crown Prince Taishi in the Suiko period in the sixth century and Emperor Shomu in the Nara period in the eighth century. In the early Heian period Buddhist art and architecture greatly influenced the traditional Shinto arts, and Buddhist painting became fashionable among the wealthy class. The Amida sect of Buddhism provided the basis for many artworks, such as the bronze Great Buddha at Kamakura in the thirteenth century. Many of the great artists during this Kamakura period were Buddhist monks, and Buddhist art became popular among the masses with scroll paintings, paintings used in worship and paintings of saints, hells and other religious themes. Under the Zen sect of Buddhism, portraiture of priests became popular. However, Zen had less use for religious images and by the mid sixteenth century most painting in Japan was of landscapes and secular themes. Buddhist art was introduced to Japan along with the Buddhist religion in 552 AD. Almost all the art produced in this Suiko period in Japan was to do with the new religion. "The introduction of the Buddhist faith had from the very start gone hand in hand with the introduction of Buddhist images." (Munsterberg 1985: 19) These Buddhist images included Chinese scrolls depicting the life of Buddha, at first copied by Chinese priests in Japan, later painted by the Japanese themselves. With the introduction of Buddhism, temples were needed for the practicing of the religion. This consisted of ... ... middle of paper ... ...se Art Kodansha Ltd, Tokyo, Japan. Jarves, J (1984) A Glimpse at the Art of Japan Charles E. Tuttle, Tokyo, Japan. Kleiner, F.S., Mamiya, C.J., Tansey, R.G. (2001) Gardeners Art Through the Ages. Eleventh Edition, Harcourt College Publishers, Orlando, USA. Kobayashi, T. (1975) Nara Buddhist Art: Todai-ji. John Weatherhill Inc, NY, USA & Heibonasha, Tokyo Mizuno, S. (1974) Asuka Buddhist Art: Horyu-ji John Weatherhill Inc, NY, USA & Heibonasha, Tokyo Munsterberg, H. (1985) The Arts of Japan An Illustrated History Charles E. Tuttle, Tokyo, Japan. Reeve, J. (1990) Living Arts of Japan British Museum Publications Ltd. London, UK Stanley-Baker, J. (2000) Japanese Art Thames & Hudson, London, UK Smith, B. (1979) Japan A History in Art Gemini Smith Inc. Tokyo, Japan Tsuda, N. (1976) Handbook of Japanese Art Charles E. Tuttle, Rutland, Vermont, USA.
-Nara’s Buddhist temples were another result of cultural diffusion, Buddhist began in India in 500s B.C.E. about 1,000 years later, it came to Japan from China by way of Korea.
Pages 30-31 “The two young men had little in…the art contrived by Honolulu and Yokohama masters.”
The Buddha was and is an important figure in several different cultures, and his influence has spread over large areas. Across these different cultures, many forms of art portrayed him in different ways. In Japan, one of the Buddha’s titles stood out as the “Amida Buddha.” The statue that this paper will be detailing portrays “Amida, the Buddha of Infinite Light” (“Amida”). The statue is located in the Dayton Art Institute’s Japanese Art Gallery 105 with the acquisition number 1935.1. Created in the thirteenth century during the Kamakura period, this statue stands out in the Dayton Art Institute as a prominent Buddha figure. It is made of wood with lacquer and gilt, and it was built to be approximately the size of a normal person.
Yu, Han. “Memorial on Buddhism”. Making of the Modern World 12: Classical & Medieval Tradition. Trans. Richard F. Burton. Ed. Janet Smarr. La Jolla: University Readers, 2012. 111-112. Print.
Riichi, Yokomitsu. Shanghai. Michigan: The Center for Japanese Studies, The University of Michigan , 2001.
People have been debating the meaning of the Second Amendment since its ratification on December 15, 1791. One side feels that the Second Amendment was added to the Constitution to protect collective rights as seen in ”United States v. Miller,” while the opposing side feels that it was meant to protect individual
Charlotte Perkins Gilman uses her short story “The Yellow Wallpaper” to express her opinions about feminism and originality. Gilman does so by taking the reader through the terrors of one woman's psychological disorder, her entire mental state characterized by her encounters with the wallpaper in her room. She incorporates imagery and symbolism to show how confined the narrator is because of her gender and mental illness.
Anthology of Japanese Literature . New York: Grove Press.
In 1787, the United States Constitution was drawn up for the first time by our Founding Fathers. Although the Constitution was beautifully crafted, it only stated what the
Fujita Tsuguharu was a pivotal character in the promotion and innovation of Japan as a country. As a diverse and popular individual in Paris, he gained fame and wealth while he developed his painterly style in the 1920s. He sought to reinvent and the “European nude” to sate the hunger of both the narcissistic European cultures and to uplift the Japanese style of painting. This was to evolve Japan’s culture and help to attain a national identity. The Second World War, however, brought about a change that attributed to a diversion in Fujita’s style in paintings. A transformation into a dark, graphic, realism was the focus, yet there was always that lingering attempt to solidify Japan’s identity. It is certainly reflective of the sacrifice of one for the benefit of the whole.
Shirane Haruo. et al. Early Modern Japanese Literature: An Anthology 1600-1900. New York: Colombia University Press, 2002. Print.
This time in Japanese history, from 1336 to 1573, is normally referred to as the Muromachi or Ashikaga period, and was a prosperous time for the nation’s culture. Some say that this is because of political disintegration. The former Emperor of Japan, Go-Daigo, struggled to stay in power against the Kamakura bakufu, who succeeded in overthrowing him (Wallace). This caused two warring courts to emerge from 1336 to 1392: the Northern and Southern Courts. Literature from this era, “Essays in Idleness” by Yoshida Kenko, for example, generally expresses distaste for the rise of a warrior-ruled society. The shoguns, also known as the Ashigaka clan, which ran the nation, were questioned of their legitimacy. To increase their authority, they supported a cultural renaissance by attending plays and creating art (Wallace). The succeeding arts during this time were borrowed from Chinese Song, Ming, and Tang dynastic affairs (Wallace). Yoshimitsu, the reigning shogun in 1401, accepted a relationship with the Chinese that allowed Japan to acquire silk, books, coins (Wallace). Chinese lit...
LaFleur, William R. The Karma of Words: Buddhism and the Literary Arts in Medieval Japan. 1983: University of California Press, Berkeley.
Trans. By Donald Richie. Yale University Press, 1972. Kincaid, Mrs. Paul, Japanese Garden and Floral Art. New York: Hearthside Press, Inc., 1966.
Keown, Damien. A Dictionary of Buddhism. N.A.: Oxford University Press,