Japanese Gardens
The role of gardens play a much more important role in Japan than here in the United States. This is due primarily to the fact the Japanese garden embodies native values, cultural beliefs and religious principles. Perhaps this is why there is no one prototype for the Japanese garden, just as there is no one native philosophy or aesthetic. In this way, similar to other forms of Japanese art, landscape design is constantly evolving due to exposure to outside influences, mainly Chinese, that effect not only changing aesthetic tastes but also the values of patrons. In observing a Japanese garden, it is important to remember that the line between the garden and the landscape that surrounds it is not separate. Instead, the two are forever merged, serving as the total embodiment of the one another. Every aspect of the landscape is in itself a garden. Also when observing the garden, the visitor is not supposed to distinguish the garden from its architecture. Gardens in Japan incorporate both natural and artificial elements, therefor uniting nature and architecture into one entity. Japanese gardens also express the ultimate connection between humankind and nature, for these gardens are not only decorative, but are a clear expression of Japanese culture.
Although this extremely close connection of the individual with nature, the basic principle of Japanese gardens, has remained the constant throughout its history, the ways in which this principle has come to be expressed has undergone many great changes. Perhaps the most notable occurred in the very distinct periods in Japanese history that popularized unique forms of garden style—Heian (781-1185), and the Kamakura (1186-1393). Resulting from these two golden ages of Japanese history came the stroll garden from the former period and the Zen garden from the later. As we shall see, the composition of these gardens where remarkably effected by the norms of architecture and the ideals of popular religion in these eras. Therefor, in understanding each garden style in its context, it essential to also take into account the social, historical, and theological elements as well as the main stylist differences.
Japanese aristocrats from at least mid-eighth century customarily had gardens near their homes. During the Heian period a somewhat standard type of garden evolved in accordance...
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... these differences in presentation, design, and the relationships between the garden, viewer, and the architecture, the general goal of both garden types are inherently the same. In the Japanese tradition, these gardens are meant to function as aids in understanding in one form or another. In addition, both demonstrate the emphasis on the relationship between humankind and nature—perhaps one of the most important elements of Japanese art and architecture.
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In his 1996 chapter of “The Grand Shrines of Ise and Izumo: The Appropriation of Vernacular Architecture” of the Architecture and Authority in Japan, William Howard Coaldrake explores the history and the purpose of the Grand Shrines of Ise and Izumo.
This is an image that I think of when I consider Japanese culture. They love gardens like this and you see similar images often when considering their culture. It is difficult to tell for sure, but the people in the distance appear to be dressed up. It is as though they have put on their best clothes to step out and enjoy this relaxing setting. I believe that this print is successful at capturing a moment in the mid 1800’s very well. It causes me to sense and experience what the artist was trying to capture. This print seems to conform to the formal theory of art. The print has only images of each object. None of them are particularly detailed or real to life but they do a very good job of organizing and describing the basic elements of the scene. It uses similar colors, shapes, and lines to those one might find in this garden in
Tastefully laid out in grass intersected by broad gravel walks, and planted with a great variety of trees, shrubs and flowers, botanically arranged. The Arboretum, as these gardens are designated, is much frequented, and has already produced a perceptible effect in improving the appearance and demeanour of the working class.
Riichi, Yokomitsu. Shanghai. Michigan: The Center for Japanese Studies, The University of Michigan , 2001.
It was the Portuguese, rather than the Dutch, were the first Europeans to begin a
Ogawa, D. (1993) The Japanese of Los Angeles. Journal of Asian and African Studies, v19, pp.142-3.
In 1888, Van Gogh created an image of Japan as nature, and collected art of flowering trees.
Freely accessible birth control for teenagers has always been a topic of debate, but it prevents pregnancy, abortion, and it also has many health benefits. There are cons to the argument that suggests a rise in promiscuity in the adolescent demographic, but in spite of these cons the rise of birth control continues, because access to birth control helps adolescents make an informed and safe decision on whether or not to participate in sexual activities. It doesn’t make the decision for them.
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Tsunoda, Theodore de Bary, and Donald Keene. Sources of Japanese Tradition. 1 vol. New York: Columbia U P, 1958.
Geographical determinism: the geography of Japan has a great influence on the development of many of the country’s customs and cultural values. People had to live close together in communities. Concept of harmony became an important factor.pg 9-10
Shinto is a polytheistic native Japanese religion. Followers believe that much of nature is sacred; spirits animates everything in the nature. For example, Japanese still believe that Mount. Fuji is sacred. They believe something that big and great exists only because "Kami," or spirit, resides within the mountain. In this fashion, they give great respect to nature. These Shinto beliefs have great influence on the ways Japanese today do things and their values. Japanese garden designs also reflect Shinto beliefs. Careful arrangements of rocks and plants are attempts to create a miniature universe or attempts to move a piece of nature into their house. Similarly, the principles of floral design show their interest in nature. They focus on the importance of light and shadow, and the fullness versus the void, instead of focusing on the symmetry. The reason? Flowers and plants do not grow symmetrically in nature. They lean towards the sun creating a void in the shadow. Japanese respect and seek to bring the beauty of nature closer to them, therefore, a lot of Japanese arts are...
This chapter explores the idea of landscape in an anthropological construct. Hirsch aims to move away from the western ideals of understanding of landscape, and deconstruct it in an attempt to understand the local interoperation of landscape to prove it is part of a cultural process. Landscape has been used as a “standard framing device” (p1) by those looking from the outside in across anthropological history. Hirsch is looking to explore the landscape through the cultural understandings of the local people. (p1-5)
Japan has many wonders that the general public does not know of. Most Americans only know about the past wars of Japan, therefore they don’t know the true history of the people that life there. Several wonders of Japan include its History, Government, Geography and Topography, Cultural Customs and Economy and Trade.