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20th century american poetry analysis
Louise gluck poem analysis
20th century american poetry analysis
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Louise Gluck has been labeled as a poet with the most skilled unrhymed poems or no set stanza lenths. She was born in New York City in 1943, while growing up in Long island. She was raised of the Hungarian Jewish Heritage, as her father was from Hungary. In her younger life, Cluck battled a severe case of anorexia, which caused her to be place in a few years of counseling. Later on, she had two marriages, which both ended in divorce. Despite her few life troubles, Gluck has made history in the world of poetry. She writes her poems to understand and easy to relate to. She has her stylish way with bringing in her readers deep and inner intimate feelings, as she writes about death, family relations and rejection. She has been called “Bleak and …show more content…
She is brutal and honest at times, which is outstanding on her part, due to most people not being so blunt. All of her poems have a tittle other than the first line, and the titles do have more than one meaning periodically. Cluck has been known to use clusters of imagery in her writing, giving away the most understandable feeling and detail. Gluck is known for her unique and own technique writing skills. She braids in allusions in her pieces, providing a vivid understanding of humanity, then most. She tends to exploit metaphor and alliterations. Gluck tends to use more simple vocabulary compared to lengthy meanings, helping most her fans understand. Most of her poems use the tone of melancholic and depressing moods, a few have been little more cheerful, a blue mood rule her greater portion of writing. “In all of her books, Gluck writes to reader in order to share her own feelings and bout life in general as well as show the reality of the world” (Faculty). Gluck in a historical poet, who is still living, which is an award in itself. She is blunt in her work, telling the cold truth at times, but most of all, she is not afraid to share her feeling. She has a magical way of telling her views through her eyes that see the
Kay Ryan, born 1945 in California, is an exceptional author who is renowned for her work (Poets.org). Her poems may seem simple to some, but they have the power to leave an everlasting mark in your mind. It is no surprise that distinguished writers and critics, such as Dana Gioia, have complimented her writings for its “sheer intelligence” and “indeed wisdom” (“Discovering Kay Ryan”).
She likes to share her knowledge and teach others things, like when she was talking to Montag for the first time: " 'Did you know that once billboards were only twenty feet long? But cars started rushing by so quickly they had to stretch the advertising out so it would last. [...] There's dew on the grass in the morning. [...] And if you look [...] there's a man on the moon.' He [Montag] hadn't looked for a long time," (Bradbury 7). She makes people think and wonder.
The thing that I specifically admire is the way she copes with the way she was brought up. She was brought up, to learn to use her power when she could to get money or food, or whatever she needed, but she knows that it isn’t right to steal, and it isn’t right to use a power that nobody else has to get something that you actually don’t deserve.
She gets to the point and proves that in our current world we tend to say more than we should, when just a couple of words can do the same. In her writing, it is evident that the little sentences and words are what make the poem overall that perfect dream she wishes she were part of.
to the powerful imagery she weaves throughout the first half of the poem. In addition, Olds
Being able to deal with any situation. Never fight yourself (Wooden). She shows that she is poised by being herself, which is being a tough, straight-forward, but at the same time, a kind woman. Most of her adult life, she has always been herself and gave great advice to millions of people from the television to the people she meets every day.
The poem begins in the past tense, suggesting the speaker has overcome her enemies and has achieved a degree of emotional closure. The majority of the poem is from Gretel's present tense point of view, and although she believes she has survived and is safe at home, she is still haunted by the memories of the burning witch. Gluck represents Gretel as a terrified and distressed adult. There seems to be this yearning to be loved, combined with a childhood m...
Miranda is so merciful towards the shipwreck victims, but only has contempt and hatred for Caliban because he tried to rape her, and shows no remorse for his actions. She develops the ideas of Caliban through the observation of his behaviour. Even after Prospero punishes Caliban, Caliban continues to speak to him with foul language. This is shown when Caliban says, "All the charms of Sycorax, toads, beetles, bats, light on you!" (Act I, ii, 345-346) which suggests that Caliban is very rude. Shakespeare makes use of a technique known as connotation. It is used when a word contains an implied meaning additional to the dictionary definition. The use of the word, "toads", implies inhumanity. This technique elicits a feeling of disgust from Miranda,
From the very first stanza, the reader encounters Brooks’ skill for using figurative language in her poem:
She goes after what she wants, she is not afraid of anything or anyone and her style is remarkable and exhibits class. As the show progresses you find out that she is having an affair with the president and she is aware of the consequences, but in the end she doesn’t seem to care about those consequences. She is always trying to fix everyone else’s problems/crisis, but many wonder if she is just avoiding having to fix the many problems/crisis she has in her own her life. Overall, her character is one that can be relatable and people can put their self in her shoes in different scenarios throughout the show. Just as Olivia tries to fix everyone else’s problems, some people do the same thing in their own
the development of poetry and his voice can still be clearly heard. today in the twenty-first century. His poems from ‘Lyrical Ballads’. in his own words, featuring ‘incidents and situations from common life’. This indisputably incorporates the theme of loss in many of his poems.
levels of poetry with the skill of an artist-- she seems to have an eye for
As a housewife and a mother, Godwin's protagonist leads a fairly structured life. Her activities are mostly confined to caring for her husband and child and caring for their home. Though she is obviously unsatisfied with this, as shown by her attempts to discard this role, she is not comfortable without such a structure. Even when she has moved into the white room, she develops a routine of brushing her hair in the sun each day. When she decides to write a poem, she shies away from the project once she realizes how many options are open to her; the idea of so much freedom seems to distress her. Even when she thinks that "her poem could be six, eight, ten, thirteen lines, it could be any number of lines, and it did not even have to rhyme," the words themselves are rushed, the pacing of the sentence communicating her nervousness and discomfort.
To convey her voice, she uses dramatic monologue. She uses words like: ain't, I'se, and climbin' which is common language in the black culture. The language she uses gives the impression that though she may not be "educated", but is street smart and wise because of all the difficult experiences that she has overcome in her life. The rhythm of the poem has no rhyme but it has a beat that flows in a weary but it builds like a stairway, one step at a time.
She is insightful and open to questioning the conventional thinking; “by praising as right and just what my whole soul revolted against, as it would against something abominable”. That was what led me to examine your teachings critically. I only wanted to unravel one point in them but as soon as I had unraveled, the whole fabric came to pieces. And then I realized that it was only machine-made.” (Ghosts; pg. 31)