Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Aboriginal history and culture
Aboriginal history and culture
Aboriginal history and culture
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Aboriginal history and culture
Nature has been an impactful inspiration for many artists and their art forms. It is a unique composition where organisms and its environment interact like partners in a dance, sounds in a song and paint in a painting. Canadian aboriginal art is substantially based on nature. Aboriginal people derived their own existence and culture from nature and then use them to inspire their art. Similarly, wilderness artists use their experience with nature to influence their art. They use what they have observed to create authentic representation of nature. The term “wilderness art” is quite generic in comparison to “Canadian aboriginal art” in which it is more unique and its traditional medium is limited by the materials that indigenous people had access to. Some mediums …show more content…
Contemporary artists now make use of more mediums such as print making. Another unique aspect of Aboriginal art is its more abstract representation of nature. It makes use of dynamic lines and shapes to depict color and texture. Its style is more recognizable than the common realism that most wilderness artists strive for. Regardless of their differences, aboriginal art and wilderness art is the purest method of using nature as visual art. Kim Donaldson is a wilderness artist who was inspired by the environment that he lives in: Africa. He was lured into exploring Africa by all the animals and landscapes that was unique to it. According to his book, Africa, he has travelled to many places including Botswana and Tanzania. In his book, he also showcased his sketchbooks. His sketchbooks are packed with many ideas and observations that gave an insight into his exploration. it makes the sketches just as authentic as his artworks by allowing viewers to see how he become the artist he
Through the three pieces, the landscapes reflect a painting style is more often associated with European Romantic art, however, unlike the others, the central piece showcases the sky painted with miniscule dots, a technique common within Indigenous art (Lingard 2014, 44). However, the fact that the sky is the only piece of the composition painted with this technique and is placed in the background while more European inspired art and images are placed in the foreground is potentially symbolic of the marginalisation of Indigenous people and their culture in contemporary Australian society. Within Bennett’s own life, he was brought up without his Aboriginal heritage ever being spoken of, describing it himself as “overwhelming Euro-Australian” (McLean 1996, 20). Thus, within his artworks, a dotted circle at the top of each composition includes black footprints facing away from the circle, which matches his personal experience of Indigenous culture being ‘left behind’ in contemporary Australian society. The artist lived in a time where he was connected to a variety of Indigenous experiences including his own as well as the servitude of his mother, and thus through the combination of these varying art techniques, Bennett evokes both discord and further represents the marginalisation of Indigenous culture
Representational art work is resembling the natural world and abstract art shows objects in a basic style (Sayre, Pg. 26). While Taylor uses naturalism in his art work, Wolf uses symbols to show the Native American culture. Wolf’s art is two dimensional because it is flat. Wolf also uses many colors to represent the culture of Native Americans. The colors shown in the artist image is both primary and secondary colors, and is sketched on plain paper. Taylor’s image of the signing of the treaty shows the colors of black and white. Taylor used the highlight method which is going from lighter to darker color. The artist work is also three dimensional. Also, Wolf’s art work exhibited many women (Sayre, Pg. 41) and displays the attendance being majority Native Americas. In Taylor’s image there are no women presented (Sayre, Pg. 41), and indicates at the event there are more United States government there then Native
Berry explains how art honors nature by depicting it and using it as a starting
The tradition of aboriginal art has always strived to develop ways to record all types of information, ...
In order to study and understand American Indian art, one must also be familiar with their customs and beliefs. Many of the artworks have fabulous stories behind them that were crucial in forming the Native American culture. For these people, culture and art go hand in hand and is therefore impossible to know one without the other. The same is true for almost any other kind of artwork. In order to really appreciate a work of art one must have background knowledge of the society who formed and shaped it.
“Art can use the power of visual image to challenge and even change popular opinions about important and universal issues. Art can be a very influential way to give a strong, direct comments and criticisms on things that have happened in society and culture.” (Rehab-Mol J, 1998, p6) Indigenous art is mostly about connecting to their land and their religious belief; however, art has different forms, especially the Indigenous contemporary art as it uses ‘modern materials in a mixed cultural context’. (Aboriginal Art Online, 2000)
2002 The Post-Colonial Virtue of Aboriginal Art Zeitschrift für Ethnologie , Bd. 127, H. 2, pp. 223-240 http://www.jstor.org/stable/25842867
Aboriginal art is widely associated with the primitive and primordial nature of the Australian Indigenous culture. However, as it has become more popular globally, one must consider the authenticity of the Aboriginal art sold on the contemporary market. Eric Michaels essay, ‘Bad Aboriginal Art’ (Michaels, 1988) exposes his concerns with how we define certain art as being genuinely ‘Aboriginal’ and questions what external influences exploit and influence the validity and authenticity of Aboriginal art. The essay summons readers to question what they identify with Australian culture and whether or not White Australians have disordered the meaning of Indigenous art.
The nature in which we live is truly beautiful and something to preserve and treasure. When the Europeans first came to North America, they were immediately in love with the views they encountered. They were interested in wanting to know more about the land, the animals that peeked around, and the people who called it home. Artists such as, John White had heard the tales of what Christopher Columbus had described during his time in North America, which led to them wanting to make their own discoveries (Pohl 140). Everyone had their own opinions and views of the world, but artists were able to capture the natural images and the feeling they had through their paintings (Pohl 140).
Nature and art for the Japanese are like yin and yang. It is the theme in paintings, Zen, martial arts, and all other forms of Japanese art and living. Nature is the unifying theme in all of Japanese art. Without nature, there is not much to expose the world to the Eastern
Representational art: similarly to abstractive art is also a descriptive of the work of art that depicts forms in the natural world. For example the Communion ( picture 2.12) by Pablo Picasso is an illustration of representational art.
Across the Aboriginal territory, you’ll find traditional paintings made by the them and which speak of their understanding of the world and of its creation, The Dreamtime. According to the Aboriginal people and their Dreaming stories, their old ancestors emerged from the earth as supernatural beings, creating every part of nature such as all the existing animals, trees, rocks, rivers, plants, that we know today. In present time, a common belief exists among the Aborigines that the sacred spirit of the ancestors still remains alive in some natural elements and places. Henceforth, the Dreamtime is a period, still existing, with its purpose to connect the past and the present, the people and the land.
Max Oelschlaeger is an American ecological philosopher and works with the Center for Environmental Philosophy at the University of North Texas. Besides The Idea of Wilderness, Caring for Creation and The Environmental Imperative are two of his other books. The Idea of Wilderness won the Texas Institute of Letters’ 1991 Carr P. Collins Award and the 1998 San Antonio Conservation Society award. Oelschlager argues that the change of the idea of nature to the idea of wilderness has changed through the writings of environmentalist, scientist and that religion has played a huge impact on how we view and understand our relationship to nature. He hopes that humans realize their relationship with nature and learns to appreciate what nature has to offer. Oelschlaeger uses more archaeology evidence and reports and other works written by environmentalist and theologists.
When one observes a piece of art, whatever medium that maybe, one might be thinking of; the beauty that resides within each piece or the artist and his inspiration. According to Ralph Waldo Emerson in his Essay “Nature”, “A work of art is an abstract or epitome of the world. It is the result or expression of nature, in miniature”. Nature, and art are both very subjective ideas that are open to interpretation. In order to understand what makes art, abstract one must understand the process in which such beauty was created. Emerson describes in this quote that art is a replication of the beauty that is found within nature. Upon closer examination of Emerson’s ideas one can conclude that a link between man and nature is needed for one to understand
The power of nature is all around us and can be found almost anywhere. One is able to study nature through experiencing it firsthand, looking at a picture, watching a movie, or even reading a familiar children’s story. I believe that by learning more about nature we can grow closer to God. Emerson states, “Nature is so pervaded in human life, that there is something of humanity in all, and in every particular” (Emerson 508). Like Emerson, I believe that humanity and nature were created by God and we can learn more about the Spirit of God by studying nature. I also see that nature has the power to influence our emotions and actions. I see evidence of this through various landscapes such as the desert, the beach, the mountains and the jungle. I thought about the vastness of the desert during a recent trip to the desert with my class. I think about nature and my love for it when I am scanning through my photo album and see pictures that capture me enjoying the mountains of Utah. When I watched the movie The Beach I was struck out how nature, specifically the beautiful beaches of Thailand, influenced the actions of every character in the movie. Of course it is hard to read a legendary story such as “Jungle Book” and not see what a powerful effect nature and its’ animals can have over humans.