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Analysis Camus's The Stranger
Analysis of the stranger by camus
Literary analysis of the stranger albert camus
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Recommended: Analysis Camus's The Stranger
Camus’s “The Stranger” causes us to question the laws and ideals put in place in our own world. The book implicitly questions much that has long been accepted about human relationships--that one should reciprocate, sympathize, and honor convention. To Camus, these expectations are absurd and unrealistic because they are human constructs. As an adherent to existentialism, Camus would argue that the only thing that matters is living for the present without regard to arbitrary moral standards. In his novel, he explores this idea through the character of Meursault, a decidedly passive character who discovers the greater truth at the end of the novel. Many people argue that prior to his arrest, Meursault’s passivity is indicative of his unenlightened …show more content…
Raymond and Meursault are “pals”, but, while he behaves agreeably, Meursault does not really reciprocate Raymond’s overtures. Raymond seems to be doing all the work of friendship building, inviting Meursault over for dinner, and choosing the topics of discussion. Meursault appears uninterested in pursuing the conventions associated with friendship, resulting in Raymond’s rationalization regarding the mistress going unchallenged. Meursault goes along with Raymond’s reasoning, which gives the illusion that a more intimate friendship has formed. However, when Meursault agrees to write a letter to help win back the mistress for Raymond, he does so mostly because it is not inconvenient: “I tried my best to please Raymond because I didn’t have any reason not to please him” (Camus 32). Again, Meursault displays existential traits as they pertain to friendship. While humans naturally bond for a variety of reasons, the notion of “friendship” implies a set of prescribed behaviors and expectations, such as loyalty, empathy, and camaraderie, which Meursault fails to embrace. He befriends people mostly out of convenience as evidenced by Raymond’s obvious unsuitability as a friend--He is after all, a manipulator and an abuser. Nonetheless, Raymond seems to believe that Meursault is exhibiting traits of friendship, when in fact Meursault is simply failing to contradict Raymond and is agreeable to …show more content…
Camus’ portrayal of the different relationships in the novel highlight the consequences of the sense of entitlement one being often feels over another. For example, the relationship between Raymond and his mistress represents a power dynamic wherein Raymond feels entitled to torment the woman for supposedly cheating on him, and “[h]e had beaten her till she bled” (Camus 31). Raymond also feels entitled to use his mistress as a way to satisfy his sexual needs, confirming that by saying he still had “sexual feelings for her,” and get acquire these claims, he planned to “go to bed with her and ‘right at the last minute’ he’d spit in her face and throw her out” (Camus 32).Despite how awful Raymond’s plan is, Meursault gives Raymond the impression that he is in agreement: “He asked… what i would do in his place, and I said you can’t ever be sure, but I understood his wanting to punish her” (Camus 32). The caginess of his answer exemplifies his indifference. Many people would be judgment in Meursault’s position, either chastising Raymond or encouraging him, yet Meursault does neither. He very craftily appeases Raymond. In observing Raymond’s relationship conflict, Meursault remains essentially passive, which is how he gets roped into writing the letter. By
Meursault is a fairly average individual who is distinctive more in his apathy and passive pessimism than in anything else. He rarely talks because he generally has nothing to say, and he does what is requested of him because he feels that resisting commands is more of a bother than it is worth. Meursault never did anything notable or distinctive in his life: a fact which makes the events of the book all the more intriguing.
Every character that revolves around Meursault seems to be in direct contrast to him. Meursault is an amoral person who does not seem to care passionately about anything. He acts in accordance with physical desires. In other words, Meursault is a sensualist person. At this particular time in his life, his path crosses with his neighbor, Raymond, who feels as though his girlfriend is cheating on him. He decides to take revenge with minor aid form Meursault. Meursault helps him only because he thinks he has nothing to lose if he does. As things lead into one another, the first major violent act of the book is committed.
Meursault is a man who chooses to observe people, rather than interact with them. He often people watches from his balcony in the evening, than actually going down to communicate with them. While he was in exile, he was forced to converse and discuss his feeling to strangers like his lawyer, and the chaplain of the prison. Due to being a severe introvert, the idea of discussing his problem to another person was foreign for him. The experience of opening himself up to others for help was alienating, and contradicted his personality of being a stranger to everyone. Camus writes, “He didn’t understand me, and he was sort of holding it against me. I felt the urge to reassure him that I was like everybody else, just like everybody else.” (Camus, 66) Meursault wanted to help his lawyer understand his point of view, but his nature is so closed off that he’s unable to put his feeling into words for others
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
“Then he explained that was what he needed advice about. He stopped to adjust the lamp’s wick, which was smoking. I just listened. I’d drunk close to a liter of wine and my temples were burning.[…]What bothered him was that he ‘still has sexual feelings for her.’ But he wanted to punish her” (31). Raymond tries the make the setting more comfortable as he adjusts the lamp’s wick, and has Meursault slightly drunk. When someone is drunk, his judgment is impaired. Thus, Meursault easily agreed to whatever is coming next. Raymond re-appeals to Meursault physical desires by claiming he still has sexual feelings for the woman they are discussing. This scene is significant because it illustrates how Raymond understands that Meursault has existentialist traits, thus, cannot be easily wowed by emotional desires but rather by physical ones. As the dialogue progresses, Camus’ conflict builds: “But Raymond told me he didn’t think he could write the kind of letter it would take and that he’d thought of asking me to write for him. Since I didn’t say anything, he asked if I’d mind doing it right then and I said no” (32). “I tried my best to please Raymond because I didn’t have any reason not to please him” (32). Taking advantage of the ambiguous response, Raymond gives Meursault the supplies to write the letter, thus, achieving his objective. “He stopped calling me ‘monsieur.’ It was only when he announced
While coming to terms with the absurd was a gradual process for Meursault, his final days and his heated conversation with the chaplain, and his desire for a hateful crowd of spectators show that he was able to accept the absurdity, and revel in it, finding satisfaction in spite of those around him and justifying his murder. His ego had reached an all-time high as he neared his execution, and his satisfaction left him prepared for the nothingness awaiting him. This process was a natural psychological response to his mortality, for his peace of mind. Therefore, Meursault is not the Stranger, an alien to society, but a troubled man seeking meaning and satisfaction in a life and a world that was overwhelming unsatisfactory and absurd.
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
Meursault and Daru are both “strangers” because they are not able to understand the other characters, which are each indirectly associated with an aspect of society. Camus uses the actions and words of seemingly unimportant characters to allude to the shortcomings of society. In both texts the protagonists view the other characters in the story from an outsider view, allowing for a new perspective in which society and its problems can be assessed. By making the protagonists detached from society, the underlying issues within society can be explored from an objective viewpoint.
In the opening of the novel, Meursault receives word that his mother has passed away. While keeping her vigil, he smokes a cigarette. He hesitates at first, because he doesn’t know if he should smoke with his mother right there, but, he says, “I thought about it, it didn’t matter.” He is not sad about her death. Therefore he sees no reason to act as if he is.
In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as post-modernists viewed the world. Rather than living as one gear in the ‘machine’ of society, Meursault defies this unwritten law in the lackluster relationships between he and other females, as well as his seemingly blissful eye to society itself. In The Stranger, males, not females, truly bring out the side of Meursault that has the capacity for compassion and a general, mutual feeling relationship. For example, Marie and Meursault’s relationship only demonstrate Meursault’s lack of an emotional appetite for her. Also, with the death of Maman, Meursault remains virtually unchanged in his thoughts and desires.
For instance, when Meursault’s mother dies, he does not shed a single tear or express any feelings of sadness. When Meursault agrees to be Raymond’s friend, even though he knows what kind of person he is, the reader again sees Meursault’s questionable actions. He then agrees to write a letter to Raymond’s mistress, knowing that its intention is to lure the mistress to Raymond’s apartment so Raymond can beat her. Then when Raymond beats her, Meursault refuses to call the cops, and lets Raymond mercilessly beat her. Meursault not only shoots the Arab once, but four times.
When Raymond, whom Meursault seems to not be close with, asks for Meursault’s assistance in the assault of his girlfriend since she has just had an affair, Meursault obliges without a qualm. He fails to question if beating a woman (or anyone, for that matter) is a justifiable punishment for cheating. He does not question what could happen if he assists in a case of battery. Instead, Meursault simply sees it as a companion requesting for assistance. Raymond and Meursault continue this with Meursault’s murder of the Arab, which would have ceased to occur if not for the existence of Raymond.
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.