Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Meursault character in the stranger
Analysis of the character of meursault in the outsider
Analysis of the character of meursault in the outsider
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Meursault character in the stranger
Meursault, in The Stranger, as the protagonist, is shown to lack a sense of morality from the inception of the novel. He performs many acts that are frowned upon and is depicted to have very few, if any, ethical guidelines to bind him by his actions. In short, he is free of any of the rules and guidelines society has set until it comes back to eventually bite him in the form of a jail sentence. This moral ambiguity and lack of guidance causes Meursault to be castigated by society and deemed as a threat, if not .
From the beginning of the novel, the reader is presented with the fact that Meursault’s mother has just died. Meursault, who has just been told this, proceeds to tell his irritated employer and then asks for a leave in order to arrive to his mother’s final resting place. Upon arrival, however, all Meursault does is fall asleep. He lacks the empathy to even cry tears and is seemingly unfazed by the situation as a whole. When a person himself is unable to feel the pain that arrives with losing his or her kin, let alone his or her closest family member, one must wonder if the person is truly sane or even contains the notion
…show more content…
When Raymond, whom Meursault seems to not be close with, asks for Meursault’s assistance in the assault of his girlfriend since she has just had an affair, Meursault obliges without a qualm. He fails to question if beating a woman (or anyone, for that matter) is a justifiable punishment for cheating. He does not question what could happen if he assists in a case of battery. Instead, Meursault simply sees it as a companion requesting for assistance. Raymond and Meursault continue this with Meursault’s murder of the Arab, which would have ceased to occur if not for the existence of Raymond. With the disappearance of Raymond and the Sun blinding his eyes, Meursault shoots the Arab man. He yet again fails to see what he could face due to his actions and simply performs
The injustices Meursault and Jefferson fight vary in detail but ultimately stem from their deviation from the socially accepted norm. In The Stranger, Meursault does not
...r has not done makes no essential difference at the end. The nurse at the funeral tells him, "if you walk too slowly, you'll get heat exhaustion, but if you walk too fast, then the cool air in church will give you a chill.” As he kills the Arab, he thinks, "Whether I fire or don't fire is irrelevant; the ending will be the same.” And at the trial, Meursault tells the prosecutor, "I have lived my life thus and did x, but if I had done y or z instead, it wouldn't have mattered.” And, ultimately, Meursault turns out to be correct; he discovers that when death approaches, all men are equal, no matter what their ages or previous lives. Meursault views death as an escape: you can't escape from it, but you can escape into it, and he prepares himself to do so, bit by bit. Each parellel incident is just one more winding round of the rope that will bind him completely.
As part of his revenge Raymond beats up his girlfriend, only to be followed by her Arab brother. At this time Raymond thinks Meursault to be his good friend and takes him to his friend Masson's beach house, where the two major violent acts that lead to Meursault's ultimate metamorphosis takes place.
The main character Meursault is literally a stranger, a stranger to the reader. He is a stranger in many ways. Meursault does not act as we would say a normal person would. Being as he did not shed a tear at his own mothers funeral. Meursault also shot and killed an Arab at the beach and showed no regrets. Throughout the novel Meursault kept himself isolated himself mentally,
In the novel, we are given a more complete view of Meursault. The story is told from his point-of-view, which allows us to understand the situation as Meursault perceives it. Looking at the situation in this light, we can see Meursault as not evil, but simply indifferent and detached from life. He doesn’t attempt to get wrapped up in emotion or relationships, he just takes things as they come, doing whatever is easiest for him. He becomes friends with Raymond and agrees to marry Marie simply because he doesn’t have a very good reason not to. Seeing the story from Meursault’s viewpoint, we understand that even killing the Arab wasn’t an act of malice or evil intent. As Meursault puts it, “My nature is such that my physical needs often get in the way of my feelings.” With this in context, things begin to make more sense. Meursault’s seemingly cryptic statement that he murdered the Arab “because of the sun” can be taken as truth. Meursault does things that society judges as wrong not because he is evil or wants to appear immoral, but because the sun and heat, symbols for Meursault’s emotional state, cause him to become uncomfortable and act “inappropriately.
Chapter 6 of part I of The Stranger concluded with Meursault’s conscious decision to shoot an Arab because of the physical discomfort the Arab’s knife caused him. The significance of the ending of part I is that it was the first demonstration of Meursault’s awareness of the possible consequences of the act that he committed. This awareness continues into the second part of the novel as he is arrested and trialed. The reason for Meursault’s trial is the murder of the Arab. His insensitivity towards Maman’s death and lack of a social conscientious are factors that contributed to support further investigations, but are not reasons to trial him because they have not ‘harmed’ society on a way that he could be arrested for. For example, if Meursault
Since he cares little for the affairs of the world, claiming they do not mean anything, then justice—a major concern of the world—also means nothing to him. His actions both before and after his decision to kill a man without provocation demonstrate his apathetic view of the world, and his indifference to justice. Therefore Meursault’s search for justice, culminated by the court’s decision to execute him, remains an example to all of the inability of society to instill justice in criminals. Meursault’s perpetual refusal to acquire a sense of morality and emotion instigates skepticism in all who learn of his story of society’s true ability to instill justice in the
“Next came Raymond, who was the last witness. He waved to me and all of the sudden blurted out that I was innocent” (95). This scene is ironic because prior this trial, Raymond doesn’t express any sense of loyalty. But in this scene, Raymond shows loyalty towards Meursault. He says that the Arabs hated him and Meursault was there by chance. This scene is important because it shows how everything that occurred was indirectly caused by Raymond and Meursault’s friendship under the pretense of “chance.”
The conflict is established at the end of Part I, when Meursault kills an Arab; an action not uncommon in Algiers during this period of social unrest (the 1930’s). He does not do it intentionally, but rather because of the intensity of the moment and the blinding sunlight reflecting off of the Arab’s blade. The fact that Meursault kills an Arab is of little importance in this novel. The jury and the general population despise him because he is different, not because of the murder. Even Meursault’s lawyer predicts that the punishment will be minimal. Throughout the entire trial, the prosecution stresses Meursault’s lifestyle and his indifference to everything. They bring up his mother’s funeral and say that he showed no signs of emotion. To make things worse, he went to a Fernandel comedy and had sex with Marie on the very next day. The prosecutor once states, “...all I see is a monster.”
...immediately gives an impression of a lack of emotion towards the demise of his mother. This lack of emotion highlights the existentialist ideal that we all die, so it doesn't matter what life we have while we are alive. We simply exist, as did Meursault. It becomes apparent, as the novella unfolds, that Meursault has acquired an animal like indifference towards society. His interactions with his neighbour Raymond are an example of his indifferences. It never dawns upon Meursault that society does not condone his interactions with the pimp, avoided by his community. Meursault simply acts to fill his time. Being a single man, he has a lot of time to fill, and finds the weekends passing particularly slowly.
In the opening of the novel, Meursault receives word that his mother has passed away. While keeping her vigil, he smokes a cigarette. He hesitates at first, because he doesn’t know if he should smoke with his mother right there, but, he says, “I thought about it, it didn’t matter.” He is not sad about her death. Therefore he sees no reason to act as if he is.
...ists, Meursault has his own values which are incompatible to the values of the world. Values that would be very significant for most people, such as love for someone or suffering at a parent’s death, do not matter to him, at least not on a sentimental level. He simply does not care that his mother is dead, or that Marie loves him:
middle of paper ... ... He wanted to file a legal appeal, but he knew they would all get rejected. Meursault was not sentenced to death because he killed the Arab, but because of his absence of emotion to his mother’s death. The people wanted him dead because he posed a threat to the morals of the society.
The novel opens with Meursault having just learned that his mother has died. His reaction to her death is far from typical, and he simply says, “Maman died today, or yesterday maybe, I don’t know.” As he prepares to leave town to attend the funeral, he expresses a sort of general discomfort. This discomfort can be seen in his extremely uncomfortable conversation with his boss, in which Meursault simply tells his boss, “it’s not my fault.” Meursault also wishes that the funeral were already over so that, “the case would be closed, and everything will have a more official feel to it.”
Meursault is distant from set plans, ambitions, desires, love, and emotions in general. He has a difficult time with emotions such as regret and compassion. The reader sees the nature of his personality in the first few lines of the novel: "Maman died today. Or yesterday maybe, I don't know." When he hears of the death of his mother through a telegram, he is unattached, and can be considered uncaring.