More handpicked essays just for you.
Existentialist themes in the stranger
Existentialist themes in the stranger
Existentialist themes in the stranger
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Use of Stylistic Devices in The Stranger
In his novel The Stranger, Albert Camus uses the stylistic devices of imagery and diction to develop the intensity of the physical action and to illustrate the lack of emotion in the last paragraph of Part I.
Imagery of all kinds is abundant in this passage as Meursault, the main character, pays great attention to and describes in detail the beach environment that surrounds him. Visual imagery is present as he conveys the intense heat by telling how it seemed as though the sky had cracked open and was raining flame, and by personifying the ocean, recounting how it breathed blistering hot air onto the beach.
Auditory imagery is employed when Meursault speaks of the cymbals of the sun clashing and describes the four shots fired as “four quick knocks on the door of unhappiness.” Imagery of a tactile nature is used in Meursault’s depicting the effects of the light reflecting off of the Arab’s knife on him, its “searing” his eyelashes and “gouging” his eyeballs.
All of this imagery works together to create the feeling of intense pressure in the actions being carried out by both Meursault and the Arab on the beach. All of it describes what is happening in the physical world, yet none of it deals with how Meursault feels in that situation (whether apprehensive, frightened, or angry) or what he is thinking. Since the imagery of the passage deals only with action and not the emotion, Camus creates the impression that there is no emotion.
The diction used by Camus in the paragraph further develops the intensity of the action and the lack of emotion. Words such as “pulsing,” “scorch,” “bursting,” “clashing,” “searing,” and “gouging” are used in context with the heat on the beach, the veins in Meursault’s forehead, the sun, and the light reflecting off the Arab’s knife. All of these words carry a violent and rather drastic connotation which augments the tension in the activity of the passage.
Merriman, C.D.. "Leo Tolstoy." - Biography and Works. Search Texts, Read Online . Discuss.. Jalic INC., 1 Jan. 2007. Web. 16 May 2014. .
In the passage, Camus utilizes negative connotation of Meursault’s growth in self-reflection to demonstrate his recognition of himself. When Meursault claims, “I looked at myself in my tin plate. My reflection seemed to remain serious even though I was trying to smile at it” he attempts to understand and observe himself which shows his growth in self reflection (Camus 81). Contrasting to when he looks into the mirror a few days after his mother funeral, he looks at the furniture in his room instead at himself, “I glanced at the mirror and saw a corner of my table with my alcohol lamp next to some pieces of bread” (24). Before sent to prison, Meursault gave more importance to things physically going around him rather then paying attention to himself. Now, as he looks at himself he saw “the same sad, stern ex...
In “The Epistemic Significance of Disagreement”, Thomas Kelly gives two responses to the question “How should awareness of disagreement, with those that you take to be your epistemic equal, effect the rational confidence you have in your beliefs?”. Kelly discusses two possible responses to the question. The first is Richard Foley's first person perspective argument. Adam Elga calls the second the right reasons view (Elga, 2007 pg. 485). Kelly pursues the latter, and does not go further than agreeing with Foley that we should only view these disputes with a first person perspective.
Jones Diaz, C. (2007). Literacy as social practice. In L. Makin, C. Jones Diaz & L. McLachlan (Eds.), Literacies in childhood: Changing views, challenging practice. (pp. 203-216).Marrickville, NSW: Elsevier.
Plot: Within in the story, conflict is created by the characters dreams. Meursault dream in the begging of the story is that he has none. Which ultimately causes the conflict in the story. Since Meursault is emotionless and doesn’t know the difference between good and bad this creates conflict. In the story, Meursault quotes “Then I fired four times at the motionless body.” Since Meursault has no dreams, because he is emotionless, he doesn’t know the right between good and bad and we see this here. Meursault kills the Arab on the beach, which causes conflict because he is later sent to prison because of this. Camus purpose of giving Meursault no dreams, is to move the plot forward because if Meursault had dreams he would focus on them and
Albert Camus’ novel, The Stranger, examines what happens to a passive man when mixed in a murder. During the trial of the main character, Meursault, the prosecutor examines Meursault’s normal behavior as callous and cold. In order for the prosecutor to have a case in the reader’s mind, Camus must create the past that the trial calls for. Camus shows a passive man, and the way that he deals with normal life occurrences. Camus must create a portrait of indifference.
"Mugabe Rival Quits Election Race." BBC News. BBC, 22 June 2008. Web. 15 May 2014.
However, both the force of society and the force of the sun can become overpowering. They beat down on people, smothering and suffocating them, just as the sun beats down upon Meursault throughout the novel. The sun is present whenever the force of society is strong within Meursault. At the funeral, the sun bears down on Meursault as society smothers him with expectations that he will grieve his mother's death in a typical manner. At the beach when he kills the Arab, the sun is ever present and overpowering, making Meursault disoriented and confused.
Elias, Bartholomew. "Aviation Security: Outlook." Issues: Understanding Controversy and Society. ABC-CLIO, 2014. Web. 2 May 2014.
...he world, which causes him to encounter a form of enlightenment that makes him come to realization of the true world. The realization of the world sprouts the idea that the universe is indifferent and life has no true meaning. Because Meursault realizes that the universe is indifferent to people and that he makes no importance to the world, he is reborn to a life that makes sense to him. The nonexistent emotions from the first part and the outburst of emotions from the second part cause a juxtaposition of Meursault as a character in the two sections. Camus uses elemental diction and sentence structure to portray this change in character and his acceptance of the universe around him. He accepts his death, finding that his life is truly meaningless, and believes that his life is a model for the philosophical ideas that he has come in terms with.
...ault's reflection on his mother's death, the killing of the Arab, and his impending punishment show Camus' innate belief in absurdity. It is a treatise against nihilism, a message to find meaning in the meaningless void that is life, and to accept that contradiction as a fundamental part of one's belief.
Thompson, Heather Anne. Why Mass Incarceration Matters: Rethinking Crisis, Decline, and Transformation in Postwar American History. The Journal of American History (2010) 97 (3): 703-734 doi:10.1093/jahist/97.3.703
In general, as shown by analysis of the literature, there are three stages of critical thinking research. The first stage was within 1970-1982. During this period, researchers paid their attention to the importance of logical thinking, believing that it formed the core of critical thinking (Reichenbach, 2000). E. Glaser developed training program of critical thinking, which addressed
Elder, Linda. “The 18th International Conference on Critical Thinking and Educational Reform.” 18th International Conference on Critical Thinking. 4 Aug. 1998. The Center for Critical Thinking <http://www.criticalthinking.org/University/univcomm/conf/conftext.nclk>.
Camus’s motif of the sun illustrates Meursault’s emotions as he approaches the Arab, the sun’s rays separating Meursault from reality. “I knew that it was stupid, that I wouldn’t get the sun off me by stepping forward” (59). Yet after he utters this statement he takes another few steps forward. This sets the stage for the climax of Meursault’s murder of the Arab. More than anything the sun is depicted as a distraction to Meursault. It causes him to do things he would not normally do and clouds his judgment, causing him to commit a serious crime which will cause his own death. The sun is in a way a representation of the constraints society places upon Meursault. The effect the sun has on Meursault that results in death is a parallel to the effect of society on Meursault, which also results in death.