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123 essays on character analysis
Into the wild character analysis
Into the wild character analysis
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The Stranger Essay
The common person values his or her existence, and expects to live a long and full life. Meursault’s view is quite the contrary, showing how he does not value his existence, or when and how it will end. It is all the same to Meursault in the end. “Since we’re all going to die, it’s obvious that when and how don’t matter. Therefore… I had to accept the rejection of my appeal.” (Camus 114). Meursault states this while he is in jail, waiting for his execution. This quote highlights Meursault’s apathy and indifference towards life. In many instances throughout the novel, Meursault’s ambiguous attitude is present, such as when he feels no pain at his own mother’s funeral, or when he does nothing to stop the abuse of an innocent woman. Any other person acting this way would receive ridicule from his or her society. In Albert Camus’ The Stranger, the reader sees Meursault as an equivocal, heartless man. Society surveys him as a dangerous murderer because he is fundamentally at odds with society’s expectations.
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For instance, when Meursault’s mother dies, he does not shed a single tear or express any feelings of sadness. When Meursault agrees to be Raymond’s friend, even though he knows what kind of person he is, the reader again sees Meursault’s questionable actions. He then agrees to write a letter to Raymond’s mistress, knowing that its intention is to lure the mistress to Raymond’s apartment so Raymond can beat her. Then when Raymond beats her, Meursault refuses to call the cops, and lets Raymond mercilessly beat her. Meursault not only shoots the Arab once, but four times. Meursault has no apparent reason for shooting the Arab. The only reason Meursault can come up with is that the sun was in his eyes. These actions would cause anyone in society to question Meursault’s mental
...r has not done makes no essential difference at the end. The nurse at the funeral tells him, "if you walk too slowly, you'll get heat exhaustion, but if you walk too fast, then the cool air in church will give you a chill.” As he kills the Arab, he thinks, "Whether I fire or don't fire is irrelevant; the ending will be the same.” And at the trial, Meursault tells the prosecutor, "I have lived my life thus and did x, but if I had done y or z instead, it wouldn't have mattered.” And, ultimately, Meursault turns out to be correct; he discovers that when death approaches, all men are equal, no matter what their ages or previous lives. Meursault views death as an escape: you can't escape from it, but you can escape into it, and he prepares himself to do so, bit by bit. Each parellel incident is just one more winding round of the rope that will bind him completely.
Every character that revolves around Meursault seems to be in direct contrast to him. Meursault is an amoral person who does not seem to care passionately about anything. He acts in accordance with physical desires. In other words, Meursault is a sensualist person. At this particular time in his life, his path crosses with his neighbor, Raymond, who feels as though his girlfriend is cheating on him. He decides to take revenge with minor aid form Meursault. Meursault helps him only because he thinks he has nothing to lose if he does. As things lead into one another, the first major violent act of the book is committed.
Later, Meursault goes to the beach and ends up walking to the spring to cool off, when he arrives, he spots the Arab. The Arab draws his knife, “The light shot off the steal was like a long flashing blade cutting at my forehead.” (Page 59) and Meursault shoots him. “I fire four more times into the motionless body where the bullets lodged without leaving a trace.” (Page 59) Meursault has no recognizance of the crime he has caused at this point and shows no feeling towards it. “It was like knocking four times at the door of unhappiness.” - Meursault states on page 59; which says that he knows he should feel bad about what he had done but in reality he just can’t, he is just used to finding ways around his
Raymond typifies the beast-character in Camus' The Stranger (The Outsider). He is like Stanley from A Streetcar Named Desire (T. Williams), emotional and manly. Physical solutions come naturally to him, as we see when he mistreats his ex-girlfriend. Ideally, society is exactly the opposite; law and order attempt to solve things fairly and justly. I propose that Meursault is somewhere between these two extremes and that this is the reason why he is a societal outcast. This metaphor explains his major actions in the book: as he struggles to keep his identity, his personality comes in conflict with the norms of society and he is shut down.
In the novel, we are given a more complete view of Meursault. The story is told from his point-of-view, which allows us to understand the situation as Meursault perceives it. Looking at the situation in this light, we can see Meursault as not evil, but simply indifferent and detached from life. He doesn’t attempt to get wrapped up in emotion or relationships, he just takes things as they come, doing whatever is easiest for him. He becomes friends with Raymond and agrees to marry Marie simply because he doesn’t have a very good reason not to. Seeing the story from Meursault’s viewpoint, we understand that even killing the Arab wasn’t an act of malice or evil intent. As Meursault puts it, “My nature is such that my physical needs often get in the way of my feelings.” With this in context, things begin to make more sense. Meursault’s seemingly cryptic statement that he murdered the Arab “because of the sun” can be taken as truth. Meursault does things that society judges as wrong not because he is evil or wants to appear immoral, but because the sun and heat, symbols for Meursault’s emotional state, cause him to become uncomfortable and act “inappropriately.
Meursault in the book tries to overcome his emotional indifference within himself. One example shows Meursault emotional indifference against Marie. In this quote, “A minute later she asked me if I loved her. I told her it didn’t mean anything but that I didn’t think so.” The quote explains how Meursault doesn’t really think about the consequences of other people’s emotions. When he said in the quote it didn’t mean anything to him, it shows he believes human life and emotions are meaningless. He also says I didn’t think so, showing he struggles to comprehend and make his own interpretations on human emotions from Marie and other people. Another example shown is Meursault against his mother’s funeral. In this quote ‘Maman died today. Or yesterday maybe, I don’t know. I got a telegram from the home: “Mother deceased. Funeral tomorrow. Faithfully yours.” That doesn’t mean anything. Maybe it was yesterday.’ This quote also shows Meursault idea of human life is meaningless. This shows that Meursault believes it doesn’t really matter if his mother died, he’s probably implying that his mother was dying soon...
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
“Next came Raymond, who was the last witness. He waved to me and all of the sudden blurted out that I was innocent” (95). This scene is ironic because prior this trial, Raymond doesn’t express any sense of loyalty. But in this scene, Raymond shows loyalty towards Meursault. He says that the Arabs hated him and Meursault was there by chance. This scene is important because it shows how everything that occurred was indirectly caused by Raymond and Meursault’s friendship under the pretense of “chance.”
All in all, the influence of Raymond is negative towards Meursault and leads to Meursault’s death sentence. The peer pressure put on Meursault to testify against Raymond’s mistress sets Meursault up and was the first of many instances where Meursault was manipulated into doing something. The aggression of Meursault to use violence against the Arab is a forced demand that Meursault is to fight for Raymond in times of hardships, as if Raymond owns Meursault. Finally, the declaration of Meursault as “a pal” influences the jury heavily because Raymond runs a whorehouse and the people one hangs out with have strong affects. Together, these three things lead to Meursault’s downfall, the death sentence, and Raymond is the one to blame.
While coming to terms with the absurd was a gradual process for Meursault, his final days and his heated conversation with the chaplain, and his desire for a hateful crowd of spectators show that he was able to accept the absurdity, and revel in it, finding satisfaction in spite of those around him and justifying his murder. His ego had reached an all-time high as he neared his execution, and his satisfaction left him prepared for the nothingness awaiting him. This process was a natural psychological response to his mortality, for his peace of mind. Therefore, Meursault is not the Stranger, an alien to society, but a troubled man seeking meaning and satisfaction in a life and a world that was overwhelming unsatisfactory and absurd.
The Stranger, a novel written by Albert Camus shows a world were being authentic is impossible. Meursault, the main character, is a strange person from the point of view of society and at the end of the book he is sentenced to death “for killing an Arab.” The society that judges Meursault as a stranger is the representation of our world, and Meursault is a person who tries to live his live following what he thinks is important in life; he is authentic. Meursault lives in a world really different from the real world. At the end of the book it is seen how the prosecutor, a “lawyer” of the state, defines Meursault as a person that is very different from the rest of society. The reason why Meursault is different from the rest of the world is that he doesn’t have the same ideals than society, and the things that society things are important Meursault considers them as unimportant. By having different reasons to live life, Meursault lives separated from society; he lives in a separate world. At the end of the book Meursault is obligated to come to reality. The judgment of Meursault let us see the impossibility of the. Meursault is not only himself but also a representation of the people how try to be different, and the prosecutor and the rest of the society are a reflection of our own world. The whole book is a reflection of our world.
Choice and Individual Freedom in The Stranger Camus's The Stranger is a grim profession that choice and individual freedom are integral components of human nature, and the commitment and responsibility that accompany these elements are ultimately the deciding factors of the morality of one's existence. Meursault is placed in an indifferent world, a world that embraces absurdity and persecutes reason; such is the nature of existentialist belief, that rationalization and logic are ultimately the essence of humanity, and that societal premonitions and an irrelevant status quo serve only to perpetuate a false sense of truth. Meursault's virtue, as well as his undoing, lies in his unique tendency to choose, and thereby exist, without computing objective standards or universal sentiment. His stoic, de facto existentialism is a catalyst for endless conflict between his rationalization- and logic-based existence and that of others, which focuses on an objective subscription to "the norm" ; such is evident in heated discussions with the magistrate and prison minister, who are seen as paragons of invalid logic and the quixotic, quasi-passionate pursuit of hackneyed conformity. No windmills are slain1 in this simulated existence; absurdity of a different ilk dominates the popular mentality, one which would alienate a man based on his perceived indifference towards the mundane, and try, convict, and execute a man based on his lack of purported empathy towards the irrelevant.
Meursault (the narrator) in The Stranger only sees and only wants to see the absolute truth in society. The readers first encounter with him...
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
Meursault is distant from set plans, ambitions, desires, love, and emotions in general. He has a difficult time with emotions such as regret and compassion. The reader sees the nature of his personality in the first few lines of the novel: "Maman died today. Or yesterday maybe, I don't know." When he hears of the death of his mother through a telegram, he is unattached, and can be considered uncaring.