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The Mysterious Stranger analysis
The Mysterious Stranger analysis
The Mysterious Stranger analysis
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This passage is set before Meursault’s execution with the chaplain entering the scene, and telling Meursault that his “heart is blind”, leading to Meursault to yell and delve into his rant, and moment of consciousness. The passage has a calm in the beginning as if Meursault catches his breath from yelling previously, and he starts to reassure himself that he is not wrong for expressing his views as it went against the public’s religious beliefs, and states that this moment was so important to him that it was if his life was merely leading up to it. Why this particular scene is important to Meursault is that this is an instance where he successfully detaches himself from the world, and begins to deconstruct the world’s ideals as his rant shifts on to focusing on how nothing in life mattered. Meursault describes his gripes with the chaplain’s words as he explains his reasoning as to why the concept of a god is flawed as Meursault saw that everyone was inherently the same, with equal privileges just how often people could express them separated them. The passage continues with Meursault arguing that everyone would be faced with judgment or punishment one day, and explains why his own situation was not significant as it was no different. After that explanation the passage ends with Meursault posing the concept of everything in the world being equal both in wrongdoing and life in general, evident in his example of saying “Sala¬mano's dog was worth just as much as his wife.” Although the passage shows Meursault challenging the ethics and morals that the world around him follows, it does have instances like the end in which we see that the rant is still expression of Meursault's complex emotions, as it is unclear whether it is fear or a... ... middle of paper ... ... if Meursault has been keeping this anger pent up inside him, and reveals the passive aggressive tone in his slow pacing; the reason the tone in the slow pacing is passive aggressive is that although it seems calm at first, if Meursault was truly fed up with the way the chaplain judged him then he has no reason to be calm, and it was merely a formality to try and keep his usual composure, so by shifting into the fast pace questioning we can almost visualize Meursault’s teeth grinding when he says “I had done this and I hadn't done that.” What this leads us to question is whether this moment of letting loose is Meursault finally not avoiding the “dark wind” that had been rising toward him, since describing it in such a manner makes have an ominous presence that is unpleasant, and by expressing his gripes with the world around him he can die with a clear conscience.
Has there ever existed a person that has not judged someone else over their lifetime? Judging by reality as well as literature it seems that no person like that has ever existed. It appears that it is human nature to want to pronounce others as either purely good or evil. But does everyone fit into the mold of good or evil? In Albert Camus's The Stranger, Meursault is a morally ambiguous character, and this ethical indistinctness plays a major part in the novel as a whole and the theme that Camus is trying to portray.
Meursault is a fairly average individual who is distinctive more in his apathy and passive pessimism than in anything else. He rarely talks because he generally has nothing to say, and he does what is requested of him because he feels that resisting commands is more of a bother than it is worth. Meursault never did anything notable or distinctive in his life: a fact which makes the events of the book all the more intriguing.
Meursault, an unemotional, a moral, sensory-orientated character at the beginning of the book, turns into an emotional, happy man who understands the "meaninglessness" and absurdity of life by the end of the book. Meursault realizes that the universe is indifferent to man's life and this realization makes him happy. He realizes that there is no God and that the old codes of religious authoritarianism are not enough to suffice man's spiritual needs. One has to create one's won meaning in an absurd, meaningless world.
“All I could hear was the blood pounding in my ears. I stood there motionless” (Camus, 124). Meursault was at a party-like function, and once again he became disconnected to human interaction. The quote adds to the book as a whole because it shows one of the many times he becomes disconnected from normal human
In Albert Camus’s The Stranger, Meursault, the protagonist, could be seen as immoral if he were judged on the basis of his actions alone. However, through Camus’s use of a first person narrative, we begin to understand Meursault as not an immoral man, but simply an indifferent one. Meursault is a symbol of the universe, and so in understanding him we understand that the universe is also not evil, but instead a place of gentle indifference.
...according to him, a man who is morally guilty of killing his mother severs himself from society in the same way as a man who raises a murderous hand against the father who begat him.” This quote is telling how society input their feelings and ideas onto Meursault. The persecutor compares Meursault emotionless and lack on remorse for his killing the same as a person killing their own father. Society believes Meursault as an emotionless killer or a stranger to society’s morality, Meursault then can’t explain why he couldn’t feel any emotion, drives, or thoughts of remorse for his murder. Lastly, when the chaplain visits Meursault against his wishes, this scene showed how society expects everyone to ask for forgiveness from god when near death. Meursault then thinks it is absurd and refused to believe in him because he says it’s ridiculous and there’s no time at all.
However, upon deciding to kill a man, he quickly learns that his previous unconcern will not diminish the consequences for his deed. Put to death, Meursault remains stagnant on his opinion of justice, refusing to ever consider that justice possesses any worth. Upon receiving a visit from a chaplain hours before his execution, he merely uttered “I had been right, I was still right, I was always right” (Camus 121) Meursault did not understand why the chaplain wanted to force him to turn to God and gain a moral sense about life. Thus he simply reiterated the motto that he lived by: an apathetic, self-absorbed idea that nothing in life means anything. Meursault’s continual refusal to accept the moral standards of the world prohibited him from every truly finding a true sense of
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
While coming to terms with the absurd was a gradual process for Meursault, his final days and his heated conversation with the chaplain, and his desire for a hateful crowd of spectators show that he was able to accept the absurdity, and revel in it, finding satisfaction in spite of those around him and justifying his murder. His ego had reached an all-time high as he neared his execution, and his satisfaction left him prepared for the nothingness awaiting him. This process was a natural psychological response to his mortality, for his peace of mind. Therefore, Meursault is not the Stranger, an alien to society, but a troubled man seeking meaning and satisfaction in a life and a world that was overwhelming unsatisfactory and absurd.
It is true that Meursault was different from the rest of society. However, he changes throughout the trial and eventually becomes an existentialist hero. This is because he finds meaning in life. It is ironic, though, that he learns to appreciate life after his is effectively over. His apathetic approach to life is made clear from the first page: “Maman died today. Or yesterday maybe, I don’t know.” This foreshadows his approach to everything else in the book. His indifference to Maman’s death contrast’s significantly to Salamano’s distress at losing his dog. Many of the characters in this book also function to highlight his qualities through contrast.
Attention to the trial sequence will reveal that the key elements of the conviction had little to do with the actual crime Meursault had committed, but rather the "unspeakable atrocities" he had committed while in mourning of his mother's death, which consisted of smoking a cigarette, drinking a cup of coffee, and failing to cry or appear sufficiently distraught. Indeed, the deformed misconception of moral truth which the jury [society] seeks is based on a detached, objective observation of right or wrong, thereby misrepresenting the ideals of justice by failing to recognize that personal freedom and choice are "...the essence of individual existence and the deciding factor of one's morality.2" The execution of Meursault at the close of the novel symbolically brings
...ists, Meursault has his own values which are incompatible to the values of the world. Values that would be very significant for most people, such as love for someone or suffering at a parent’s death, do not matter to him, at least not on a sentimental level. He simply does not care that his mother is dead, or that Marie loves him:
.... He wanted to file a legal appeal but he knew they would all get rejected. Meursault was not sentenced to death because he killed the Arab but because of his absence of emotion to his mother’s death. The people wanted him dead because he posed a threat to the morals of the society. But when he accepts the fact that he is going to die he feels a sense of freedom and he looks forward to his execution. By rejecting to believe in God, it shows that he does value any hope of life after death. Then when he accepts his death sentence, he also takes the punishment away from it either. He is neither depressed nor hopeful when it comes to his death, which overall proves how he lacks morality in the story.
Sometimes reading fiction not only makes us pleasure but also brings many knowledge about history and philosophy of life. ‘The Guest’ by the French writer Albert Camus is a short story and reflects the political situation in French North Africa in 1950s. According to this story, we know the issues between the France and the Arab in Algeria, and the protagonist, Daru, refuses to take sides in the colonial conflict in Algeria. This is not a boring story, because Camus uses a suspenseful way to show the character, conflicts and symbol and irony.
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.