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Gender roles in the 1950's
Sylvia Plath' s poetry
Sylvia Plath' s poetry
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The poem “The Applicant,” by Sylvia Plath, was written in 1962, a year before her suicide. It provides a harsh yet realistic view of gender roles in the 1950s. Women were expected to be housewives who served their husband’s every wish, while men were expected to provide for their family. Society was not open to women who supported the family or men who stayed home and cared for the children. Plath phrases the poem as if it is an interview. The interviewer seems as if he is trying to sell something to the applicant, namely a wife.
The poem starts with the line “First, are you our sort of a person?” This introduces an abrupt tone which continues throughout the entire poem. The tone may be abrupt, but it stays true to Plath’s typical style. It is depressing, but it is not morbid. It is calm, albeit hasty and rushed. Sentences are brief and concise, adding to the abrupt feeling throughout the poem. Plath also makes an interesting word choice in this sentence. Instead of having the interviewer use
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Plath presents the submissive view of the women of the 1950s with lines like, “Here is a hand to fill it and willing to bring teacups and roll away headaches and do whatever you tell it.” With this sentence, Plath demonstrates that women were pressured by society to be no more than a housewife who cares to their husband’s every whim. This is also shown by the following line. ‘A living doll, everywhere you look. It can sew, it can cook, It can talk, talk, talk.” This line also demonstrates the use of “it” when referring to the woman who the applicant is being offered. This makes the reader think of the woman as an object instead of a person which reinforces the idea that women at the time were simply there to serve their
Though the idea becoming a wife and mother was the most common occupation for women in the 1950’s and by no means was it simple. Women experienced immense pressure to act and be a certain way. The conformity of the 1950’s frowned upon things that weren’t apart of the established way of doing things. In the movie The Man in the Gray Flannel S...
In the short story “Initiation” author Sylvia Plath suggests that conformity, although the societal norm, is not always as grand as it is made out to be, while also suggesting that even though conformity typically hinders one’s self growth, there are times when the fear of conforming can make one’s sense of self stronger. These two ideas together show that Plath uses this short story to convey the message that even though conformity is not inherently a positive thing, it can drive a person to look in on themselves and develop a unique identity. Plath uses symbolism, and character introspection to assert this idea.
During the 1950‘s suburbs such as Levitown were springing up all across the country, and the so-called American dream was easier to achieve for everyday Americans than ever before. They had just come out of two decades dominated by The Great Depression and World War Two, and finally prosperity was in sight. The need for women to work out of the home that was present during the war was no more, and women were overwhelmingly relegated to female-dominated professions like nursing, secretaries, and teachers, if they worked at all. Televisions became very popular, and quickly became part of the American cultural canon of entertainment. Leave It To Beaver is a classic American television show, encompassing values such as respect, responsibility and learning from your mistakes. But, at least in the episode used for this essay, it is also shockingly sexist to a modern viewer. This begs the question, what does the episode The Blind Date Committee1 say about the gender expectations of the 1950’s?
In the 1900’s women were thought of as if there only respectable job was that, at home cooking, cleaning and looking after the welfare of the family. It was unthinkable that they should be allowed to vote and work as l...
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
The world was a very different place sixty years ago. The men came home from the war to take back the work force from the women and sent the women back into the home to follow traditional domestic roles. All aspects of life had to be cookie cutter perfect, to include the gender roles. The roles of both genders have been portrayed by the BBC Television show, Call the Midwife, as they use to be in the 1950’s. The men were the breadwinners of their family by working arduous hours, protect their family and home, and have zero contact with feminine things and activities; the women were expected to get married early, always look their best, and never indulge in their aspirations for a career outside of the home unless they were single.
Women and men are not equal. Never have been, and it is hard to believe that they ever will be. Sexism permeates the lives of women from the day they are born. Women are either trying to fit into the “Act Like a Lady” box, they are actively resisting the same box, or sometimes both. The experience of fitting in the box and resisting the box can be observed in two plays: Lorraine Hansberry’s “A Raisin in the Sun” and Henrick Ibsen’s “A Doll House”. In Hansberry’s play, initially, Beneatha seems uncontrolled and independent, but by the end she is controlled and dependent; whereas, in Ibsen’s play Nora seems controlled and dependent at the beginning of the play, but by the end she is independent and free.
In society, there has always been a gap between men and women. Women are generally expected to be homebodies, and seen as inferior to their husbands. The man is always correct, as he is more educated, and a woman must respect the man as they provide for the woman’s life. During the Victorian Era, women were very accommodating to fit the “house wife” stereotype. Women were to be a representation of love, purity and family; abandoning this stereotype would be seen as churlish living and a depredation of family status. Charlotte Perkins Gilman’s short story "The Yellow Wallpaper" and Henry Isben’s play A Doll's House depict women in the Victorian Era who were very much menial to their husbands. Nora Helmer, the protagonist in A Doll’s House and the narrator in “The Yellow Wallpaper” both prove that living in complete inferiority to others is unhealthy as one must live for them self. However, attempts to obtain such desired freedom during the Victorian Era only end in complications.
... to the domesticated woman urging her to care for her family providing food for the body but to also care for herself in providing food for her mind: A house is no home unless it contain food and fire for the mind as well as for the body” (602). Murray, also makes suggestion for reform, encouraging women not to abandon their familial roles, but, rather tend to their family’s domestic needs dynamically saying “while we are pursuing the needle, or the superintendency of the family, I repeat, that our minds are at full liberty for reflection; that imagination may exert itself in full vigor” (405). In saying this she encourages women not to be passive but to be active and dynamic in their supposed roles as women, to defy the notion of the archetypal woman who tends to her family and has nothing that pertains to her solely and enrich the mind and subsequently herself.
...Sink wrote a very in-depth analysis of the feminist movement in this essay. The general ideas behind feminism helped to organize a basic understanding of how the women’s movement affected Sylvia Plath.
In the 1950s, the stereotypical female was expected to fill a role that was awfully repressive and constrictive. Many standards were placed on women
The prejudice the women tolerate is evidenced by their tendency to dress in men’s clothing in order to be heard or considered (Olson). As women, their voices are inhibited or disregarded; they are overshadowed and overlooked by society. Portia, for example, has little choice but to consent to being the prize in her “loving” late father’s lottery. All decisions are made in regard to her future and life is influenced by men. The fact that the father is deceased does not diminish his power. In fact, his status a...
Sylvia Plath was born October 27, 1932 in Boston Massachusetts. She was raised by her mother Aurelia Schober who married Otto Plath. Sylvia was a poet and a short story writer. She studied at Smith College in the University of Cambridge. Plath had two children, Frieda Hughes and Nicholas Hughes after marrying her husband Ted Hughes in 1956. They settled in an English country village Devon, England for a short period of time. Throughout much of her life Sylvia had suffered a great amount of depression which took a huge toll on her and her family.
In conclusion, David Lodge managed to embody the concrete term of feminism. Through the character of Robyn Penrose, he creates the breakup of the traditional Victorian image of woman.“ `There are lots of things I wouldn 't do. I wouldn 't work in a factory. I wouldn 't work in a bank. I wouldn 't be a housewife. When I think of most people 's lives, especially women 's lives, I don 't know how they bear it. ' `Someone has to do those jobs, ' said Vic. `That 's what 's so depressing. ' ”(Lodge
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.