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Analysing tone in poetry
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Etheridge Knight’s “Hard Rock Returns to Prison from the Hospital for the Criminal Insane” (1968) effectively illustrates the devastation a group of prisoners’ feel as the state of their hero, Hard Rock, is realized. Though he was once the most fearless of the inmates, he is no longer the man he once was due a lobotomy performed by the doctors. Hard Rock is no typical hero, however, he still represents the hope for a future that all the inmates admire. The loss of hope that comes with the destruction of the inmates’ hero is artfully communicated through Knight’s use of tonal shifts representing the shifts in the inmates’ reaction to this situation, the use of diction in the deification of Hard Rock, and the use of similes to avoid the acceptance …show more content…
The first stanza opens with descriptions of Hard Rock that serve as a foundation for the readers to base their understanding of who Hard Rock is. He is “‘known not to take no shit / From nobody,’ and had the scars to prove it” (1-2). After describing his menacing physical qualities, the poem transitions into stanza two with a slight shift in tone that leaves the reader with a feeling that something has changed: “The WORD was that Hard Rock wasn’t a mean nigger / Anymore” (7). This helps set the stage to anticipate how Hard Rock’s transformation; however, stanza two ends with no clarification of what the new Hard Rock is like. Then in the first line of stanza three the tone shifts yet again, “As we waited we wrapped ourselves in the cloak / Of his exploits” (15). They talk of how “he / Smacked the captain with his dinner tray” (17-18) and how “He set / The record for time in the Hole---67 straight days!” (18-19). This shift to a nostalgic tone shows the inmates reluctance to accept the possibility that Hard Rock may have changed. The reader is then quickly thrust back into reality at the open of the fourth stanza when there is yet another tonal shift that parallels that of stanza two. In anticipation the inmates watch as their hero is tested for the first time; “A hillbilly called him a black son of a bitch” (24) and “a screw who knew Hard Rock / From before shook him down and barked …show more content…
In the past, they had scares that Hard Rock would be softened, that the screws would finally crack him. However, up until now their hero has remained resilient even while spending 67 days in the Hole. If that could not tame him, then what could? Hard Rock, though not the traditional “hero,” is still very clearly a hero to those present within the prison. Without his bravery and charisma, though violent it may be, the inmates would be left without a person who represents the possibility of hope in the prison. Twice in stanza two, Knight had the word “WORD” fully capitalized. In various translations of the Bible, “word” is capitalized when it is referring to the word of God. In this instance, it is fully capitalized because the things they have heard deal with their Messiah figure and are of high importance. Shortly after hearing the rumors, the inmates revel in the stories they know where their mighty hero has withstood the harsh oppression put on by the guards. They talk of how it took “‘eight / Screws to put him in the Hole’” (16-17) and how “‘he / Smacked the captain with his dinner tray’” (17-18). These stories are legends all the inmates know that help to preserve their memories and immortalize their hero. Soon after reflecting on these triumphs, their hero gets tested, only to fail, revealing to the
One of the ways the author does this is by using enjambment to make the title and the first line of the poem flow into one single line. This symbolizes how when you are in jail there is no real beginning; one day flows to the next. His extensive use of figurative language, allows for the reader to paint a picture in his or her mind. “... to a dark stage, I lie there awake in my prison bunk.” This line can be interpreted literally and figuratively; he is really in prison in his bunk or it feels so much like a dream that it is as if he were on a stage. However, his diction shows that he has does this often. “...through illimitable tun...
In the third stanza, the language becomes much darker, words like: anger, explode, and against make this stanza seem even more warlike than the first stanza.
The main character, Hard Rock as a kind of “Superman” to other penal patients is recognized immediately in the poem through a repeating of the accounts that are strewed about him; the forthright narrative of the poem sets up the vagueness of how he will respond after his "treatment" in the sanatorium. The poem associates with those who anticipate his return; they are confident that Hard Rock's essence has not been shattered by a surgical “treatment” or shock therapy, and the lines slither nearly to a halt with dissatisfaction in verse four. The "nothing" (line 27) of Hard Rock's reaction to mockery and provoking and the hollowness of his eyes, "1ike knot holes in a fence," (James 194-195) decrease the valiant expectations and delusions to desolation. The final section recounts the spectators' efforts to reinterpret, to grasp onto faith that their idol of heroism could counter against the greatest determinations to dominate him, but the spirit has disappeared out of the hero-worshipers too, and the poem reports them as hammered, submitted, denied of their inner self as Hard Rock has been of his. The poem expresses the anguish of the despondent and it rallies against the implementation of power that can restrain even as fractious a character as Hard Rock.
Morley Callaghan’s novel More Joy in Heaven follows the short life of notorious bank robber and gunman Kip Caley. Callaghan's novel is based off and follows Red Ryan's now forgotten story almost word for word. Red Ryan and the fictional Kip Caley both face the effects of a being an outsider in a forceful, high-class society. Individuals and organizations play a huge responsibility role to ex-convicts; readers of More Joy in Heaven unfortunately see the side effects when selfishness and thirst for glory play into this important, delicate role. Nonetheless that readers see what the wrong individuals will do to an ex-convict, readers will also see what kinder individuals can do to someone trying to reform. Yet what the public does and does not do is not to be blamed systematically; Red Ryan and Kip Caley crave societies attention and even begin to depend on it before their story is over. Their craving for attention makes them vulnerable to being abused by society. Both society and parolees want to live the upstanding lives, but neither takes into account what the others wants and needs are, so who’s fault is it when a parolee fails to meet societies precast expectations?
...from the dullness of schoolwork to many possibilities. The next lines poke fun at the value of education and celebrate their street learning. ?Lurk late,? ?Strike straight,? ?Sing sin,? and ?Thin gin,? contradict any possibility for mental growth. Symbolism comes in the picture in the next line, ?We Jazz June,? which has many meanings. The word ?Jazz? signifies sexual intercourse. Then the word ?June? becomes a female. The tone of the poem dramatically changes when the reader learns the dropouts die soon. The group end in the last line, ?Die soon,? the final consequence of trying to be cool. Seemingly having fun in the beginning being cool, they are now completely powerless because they are dead. The poem really gives an obvious picture of what young African-American males are driven to do under the impression of trying to be cool. Since their minds are headed straight to corruption, they have no clue because they are having so much fun being cool. Leaving school, staying out late, singing sin, drinking alcohol, and having sex apparently are the only things that are important to them. With this mentality, more and more inner city males while continue hastening toward their death.
Ken Kesey presents his masterpiece, One Flew Over The Cuckoo's Nest, with popular culture symbolism of the 1960s. This strategy helps paint a vivid picture in the reader's mind. Music and cartoons of the times are often referred to in the novel. These help to exaggerate the characters and the state of the mental institution.
More of Knight’s notable use of diction and tone is found in this stanza, where he writes, “A hillbilly called him a black son of a bitch/ And didn’t lose his teeth, a screw who knew Hard Rock/ From before shook him down and barked in his face./ And Hard Rock did nothing” (lines 24-27). It can be felt from Knight’s use of tone that this type of action is uncharacteristic of Hard Rock. The second stanza details Hard Rock’s lobotomy, with Knight writing, “...the doctors had bored a hole in his head,/ Cut out part of his brain, and shot electricity/ Through the rest” (lines 8-10). This leaves the inmate with an intruding presence of hopelessness. The imagery and diction is the last stanza of the poem drives home the motif of disheartenment that the black prison inmates felt after realizing that Hard Rock is forever changed. Similar to the movie One Flew Over The Cuckoo’s Nest, the central, nonconformist character Randle McMurphy, who gave the inmates a sense of hope, is lobotomized, leaving the prisoners afraid and unable to challenge authority in the way they could have if McMurphy was still his full, original self. This is the same way that Etheridge Knight and his fellow prisoners felt after Hard Rock’s return. The one person who was brave enough to stand back was now made into a martyr for the prisoners as well as an example made for the prisoners on what would happen if
Authors use figurative language to express nuanced ideas, those that beggar literal description. Such language provides the author an opportunity to play with his reader’s imagination and sense. A piece of literature that uses figurative language is more intriguing and engaging than a writing that aims only to explain. Ralph Ellison’s use of figurative language in “The Battle Royal” paints a powerful and unique story of oppression and the struggle for self-discovery. His juxtaposition of literal and figural language gave the story a dream like quality, all while creating a profound and vivid image.
Take for example, One Flew Over the Cuckoo’s Nest by Ken Kesey. There is no doubt in my mind that the mental institution that comprises the primary setting of the narrative is intended as a metaphor of societal oppression. This symbolic novel relays the story of an inmate standing up against the powerful forces that operate a psychiatric hospital, but it represents much more than just a classic case of “man versus the establishment”. The questions raised by Kesey are almost as chilling as his descriptive tales of inmate abuse. Kesey compelled me to ponder just how thin the line is that separates insanity from sanity, and treatment from control. Representing a heroic struggle of personality against an institution of mindless conformity, I found “One Flew Over the Cuckoo’s Nest” to be one powerful piece of literature.
In the first line, the alliteration of the letter w in the words weak and weary adds to the tired drained feeling the narrator is experiencing. The sound w flows through your lips with little effort, almost as easily as a vowel would. The second line repeats the phonetic k sound in quaint and curious which helps make the items he is reading seem peculiar. The hard aspiration draws attention to the words letting us know what the narrator is reading should not to be overlooked. In the third line, the n-n-n in nodded, nearly napping sound feels ominous. The repetition of the n sound feels drawn out and tired but with a little force. Not quite as hard as a d, it feels like someone trying to stay awake.
Oliver Sacks presents this passage as a way of comparing two very stressful and manipulative places, a hospital and a prison. He uses various examples of advanced diction, tone and figurative language to compare these situations. Sacks models these areas by connecting to the audience and placing a comparison into the mind of the reader. All of these aspects of the passage add and connect to the connotation and subject of this literary piece.
In the final stanza, the poet claims that young men whom are of the same mind will look to the criminal for guidance. These young minds will relate to the social-stance of the criminal, and maybe follow in the same footsteps, treating the criminal as their role model.
Not only the words, but the figures of speech and other such elements are important to analyzing the poem. Alliteration is seen throughout the entire poem, as in lines one through four, and seven through eight. The alliteration in one through four (whisky, waltzing, was) flows nicely, contrasting to the negativity of the first stanza, while seven through eight (countenance, could) sound unpleasing to the ear, emphasizing the mother’s disapproval. The imagery of the father beating time on the child’s head with his palm sounds harmful, as well as the image of the father’s bruised hands holding the child’s wrists. It portrays the dad as having an ultimate power over the child, instead of holding his hands, he grabs his wrists.
...s he commits. This fact is only reinforced when Norton discovers Andy's bible in the safe. On the inside of the cover Andy writes, "Dear Warden, you were right. Salvation lay within. Andy Dufresne." As Norton opens the bible to the book of Exodus it is revealed that the bible had held Andy's rock hammer. The book of Exodus lends itself to Andy's own freeing of himself and the truth as Moses freed himself and the slaves. King implements a certain belief in a holy spirit so that it brings into the book that not necessarily everything is in our hands. By using this and the previously mentioned reference to blasphemies, King relates the story back to the reader. He shows that the main character is not someone out of the ordinary but a normal average person. This is what makes his horror novels scary and his other novels almost real, as mentioned in the opening paragraphs.
In William Shakespeare 's Hamlet, Charlotte Gilman 's “The Yellow Wallpaper”, and Ken Kesey 's One Flew Over the Cuckoo 's Nest, the poor treatment of primary characters labeled insane by secondary characters results in the deterioration of the primary characters mental state. All three of these works take place in a time where mental instability is frowned upon. The way in which society views those with mental instabilities influences the view and treatment of the mentally unstable by the people around them.