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Essay on the outsiders who is the outsider
The literary analysis of the outsider by Albert Camus
Analysis of the outsiders
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In the novel ¬¬The Outsider, Camus uses first person point of view. Therefore, the only character that one really gets to know on a deeper level is Meursault, the narrator and the protagonist. From the use of this point of view, several effects were created, including the revelation of Meursault’s character, as well as the explanation of the concept of absurdism. In addition, through this point of view, the reader is made to feel more open and sympathetic towards Meursault, as the concept of absurdism is a difficult one to see objectively rather than in a negative light, however, the use of first person point of view in the novel engages connection, thus helps a reader to be open to the idea. Through reading the inner thoughts of Meursault, …show more content…
The use of first person point of view greatly improved the understanding of this characteristic, as one is able to read his complete lack of emotion, and his complete lack of compassion. For example, soon after he is told his mother is dead, Meursault says, “The woman kept on crying. I wished I didn’t have to listen to her anymore, But I didn’t dare say anything.” This quote showed that Meursault did not care about the woman, nor was he sad himself about the death of his mother. Other expressions of sadness served to simply annoy him. Here, Meursault is revealed to be isolated, as though everyone else cares, he does not. This would not be revealed with another point of view, as here, one is able to read Meursault’s inner thoughts, thus revealing him as emotionless. This is evident again when Meursault speaks of possibly marrying Marie. He said, “That evening Marie came by to see me and asked me if I wanted to marry her. I said it didn’t make any difference to me and that we could if she wanted to. Then she wanted to know if I loved her. I answered the same way I had the last time, that it didn’t mean anything but that I probably didn’t love her. ‘So why marry me, then?’ she said. I explained to her that it didn’t really matter and that if she wanted to, we could get married. […] Then she pointed out that marriage was a serious …show more content…
Absurdism is the belief that life has no deeper meaning, thus through looking into Meursault’s character, Meursault is revealed as an absurdist, and thus this concept is effectively portrayed. In the novel, Meursault does not engage in much dialogue, but rather internally thinks about his own desires. However, on the occasion of his mother’s funeral, Meursault quotes the nurse, saying she was correct in saying that “If you go slowly, you risk getting sunstroke. But if you go too fast, you perspire and then in church you catch a chill”. Meursault was a character who did not dive into the deeper meaning of another’s rambles, however, he reflected on this statement on two occasions. Towards the end of the novel, in the courtroom, he reflects, and thinks to himself “She was right. There was no way out.” By being able to read Meursault’s thoughts on this statement, the concept of absurdism was shown. He understood this statement from the nurse as there was no way to win in the game of life; no matter what you do, there will be consequence since everybody is made equal by death, thus there was no point in trying to find a deeper meaning in something superficial. Towards the end of part one, when Meursault is talking to Masson, Meursault describes him as having a strange habit, of “finishing off every statement with an ‘and what’s more’, even when,
Meursault resists being typecast into an archetypal moral category in many of his deeds and actions. Many of his actions in Part One of the novel help contribute to the fuzzy picture of the character. For example, at his mother's funeral, Meursault does not cry or weep in the typical mourning fashion, but rather sleeps during the vigil and entices one of the other mourners present to smoke a cigarette with him. This would be typically considered "evil" behavior, in the context of the story. He could easily been seen as disrespectful and seditious toward his mother and the established procedures of mourning, which seem to be fairly definite at that era in France. However, this "evil" mold can easily be shaken if one considers that Meursault may be more shaken than anyone else present at the funeral. Considering the other events in the novel, it seems as though he does not have a large capacity for emotion. Based on this, it is not unreasonable to assume that the events leading up to and including his mother's death may have overtaxed his limited scope of emotion, and he was therefore nearly incapable of mourning in the "normal" or expected way for his mother, but rather had to resort to his own, more c...
Every character that revolves around Meursault seems to be in direct contrast to him. Meursault is an amoral person who does not seem to care passionately about anything. He acts in accordance with physical desires. In other words, Meursault is a sensualist person. At this particular time in his life, his path crosses with his neighbor, Raymond, who feels as though his girlfriend is cheating on him. He decides to take revenge with minor aid form Meursault. Meursault helps him only because he thinks he has nothing to lose if he does. As things lead into one another, the first major violent act of the book is committed.
Meursault shows very little love or sorrow at the fact of his mother's death. A normal man would feel pain and regret for not being by her side while Meursault does not even care much about the date she passed away. Immediately on the first page in the novel, we confront the situation where Meursault's mother dies, and he does not care about it. "Maman died today. Or yesterday maybe, I don't know. I got a telegram from the home: `Mother deceased. Funeral tomorrow. Faithfully yours.' That doesn't mean anything. Maybe it was yesterday" (3). Meursault does not bother to call back and find information about his mother. Meursault shows no emotion or care for his mother because he sends her away for someone else to take care of her. During the last years of an elder person's life, they are invited to stay with the family in order to become closer with one another. Meursault could care less as he shows no sign of pain, and goes off to do something else. He resembles a figure where an issue as important as death does come as a priority. "We are the hollow men/ We are the stuffed men/ Leaning together/ Headpiece filled with straw" (Lines 1-4).
Camus’s absurd philosophy asserts that the events of the world have no rational order or visible meaning. The story of the returning son murdered by his mother and sister is a perfect example of what he is trying to show us in The Stranger. There is no reason for the son to have died. His terrible, ironic fate is not compatible with any logical or ordered system governing human existence. Like Meursault’s killing of the Arab, the son’s death is a purposeless, meaningless tragedy that defies rationalization or justification. Now because of the murder Meursault is put on trial the following summer and while he is on trial, Meursault comes to understand that his failure to interpret or find meaning in his own life has left him vulnerable to others, who will impose such meaning for him. Until this point, Meursault has unthinkingly drifted from moment to moment, lacking the motivation or ability to examine his life as a narrative with a past, present, and
Meursault's actions reflect his inner self in many ways. He is the protagonist in the story. He emotionally really doesn't care about other people like is mother and Marie. Many events end up leading to the his murder of an Arab.
To begin, the outside observer of Meursault would find him a distressingly hardened criminal. Most notable, of course, is his cold-blooded murder of the Arab. When he declares that it was “because of the sun,” he is labeled “a monster,” by the prosecutor, and our minds. His other so-called crime is being found guilty of indifference. All throughout the book, Meursault refuses to open any part of his self to the emotional world. “Maman died today. Or maybe yesterday,” symbolizes his lack of regard for the people in his life. Later, when he sheds no tears at the funeral and answers nonchalantly to Marie’s talk of marraige, we come to realize that he is without the vital passion that fuels human existence.
...ed by the court and then executed on the chaplain. Camus underlines the idea of the actual certainty in life, which according to Meursault is death itself. Before being executed, Meursault explains the main idea of novel – the absurd worldview, where our relevance in this world is almost negligible, we all live and all of us die and that at the end none of what we did with our life really has any significant value. Albert Camus effectively translates the concept of absurdity to the novel, proving the original contradiction to the human desire to rationalize the world and universe. To consolidate his ideas and transmit better his thoughts through the novel, he uses symbolism, through which he successfully strengthens the main theme. With the help of vivid symbolism he shows that life is fundamentally absurd, irrational and without any certain order in the universe.
. Throughout the book he uses Meursault as a vessel to transfer his thoughts and viewpoints into the reader. This causes the reader to become alienated from the main character not understanding what or why they are doing what they are doing, something that most readers aren’t used to. Meursault’s lack of caring and amoral attitude about life eventually leads to his demise.
Meursault’s character is understood through his relationships with other people. The first thing that the readers notice about Camus’ protagonist is his abrupt, seemingly unemotional approach to people in his life. He is often interested in trivial details instead of seeing the true meaning of
In the opening scene of the book, we find out that his mother has just died. The first page alone gives many hints about Meursault's character and it shows him to be almost unaware of his emotions. He feels the need to apologize for things that are out of his control and to thank people for things that they had nothing to do with. He basically apologizes to his boss when he asks for two days off of work to go the funeral for his dead mother. He goes through the entire funeral without displaying any external emotions, saying that he doesn't want to see the body and that he doesn't want to pay his last respects. Mersault’s' mothers funeral Meursault does not cry or behave the way that society expects him to act. This is because Meursault is an existentialist, and does not act in the appropriate manner in which society expects, which makes him a stranger from the people around him
Initially, we are brought to believe that Meursault is an uncaring, selfish man. The first few sentences of that he speaks to the readers are, “Maman died today. Or yesterday maybe, I don’t know.” He has no remorse for his deceased mother, Meursault truly believes that all lives are equal and death
Meursault saw the purpose of life as meaningless. That is “Absurdity”. Absurdity, how does that word sound? Pretty bad, eh? Absurdity, when used like “that’s absurd!”, gives the feeling of negative judgment and a sense of finality.
Efforts to engage Meursault in secular structures of meaning are equally futile. When Meursault's boss offers Meursault a position in Paris, he expects Meursault to embrace the opportunity for career advancement. Meursault, though, lacks all ambition and turns down the boss' offer without considering it. As a student, Meursault recalls, "I had lots of ambitions…But when I had to give up my studies I learned very quickly that none of it really mattered." When Marie asks Meursault whether he wants to marry her, she expects him to take the institution of marriage seriously. Yet Meursault is indifferent towards it, thinks "it didn't mean anything" to love a person, and agrees to marry Marie simply because she wants to marry him. Though he grows fond of her, he doesn't cultivate any attachment to her more meaningful than superficial attraction. Throughout his trial, Meursault is equally bemused by the meaninglessness of the justice system and finds its attempts to impose rational, meaningful structure on his actions ridiculous. He considers the guilty verdict he eventually receives entirely arbitrary, and describes its "certainty" as "arrogant."
When a loved one dies, a normal reaction is to cry and grieve. Meursault gave off the perception of having no feelings about the
According to Jean Sartre, the absurd is both a 'state of fact' and what people obtain from this 'state of fact'. He is also the man who does not hesistate to draw the inevitable conclusions from a fundamental absurdity.The writer shows us that Meursault, the protagonist, is rather absurd because unlike any other rational person, he does not regret his mother's death and instead of mourning he goes to watch a comedy movie and befriends Marie and goes on living as if nothing has happened. In addition, Mearsault is also happy after killing the Arab and after going to jail which made people further believe he is a "poor fool", but on the other hand people with a greater insight say, "He's innocent." He believes that God does not exist, and therefore life is meaningless. Thus life is absurd and additionally Meursault's connections and his relationships with human beings becomes absurd. Meursault's absurd behaviour shocks people because he does not do what he is expected to do, but detaches himself from reality and goes against social conventions and disobeys social code. For example, he did not cry on his mother's death although people are expecting him to behave differently in such a situation.