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The stranger albert camus lifes meaning
The stranger albert camus lifes meaning
The stranger albert camus lifes meaning
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Meursault’s boss offers him a position in a new office he plans to open in Paris. Meursault replies that it is all the same to him, and his boss becomes angry at his lack of ambition. Meursault muses that he used to have ambition as a student, but then realized that none of it really mattered. Meursault lives his life almost unconsciously, nearly sleepwalking through a ready-made structure that his society provides him.
Salamano is one of Meursault’s neighbors, who I feel plays an important part in this story. Salamano says that he initially had human companionship in his wife, but she died and he had to settle for the animal companionship of his dog. As time has passed, Salamano’s dog has become increasingly ugly and sick, until the point where it, too, has left
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him. Physical decay represents a marker and reminder of Camus’s philosophy of the absurd, which asserts that humans are thrust into a life that inevitably ends in death. At the beginning of the novel, the indifference Meursault feels is located exclusively within himself, in his own heart and mind. By this point, however, Meursault has come to realize how similar the universe, or at least Camus’s conception of it is to his own personality. He begins to understand that not only does he not care what happens, but that the world does not care either. Reflecting on the moment when Raymond gave him the gun, Meursault says, “It was then that I realized you could either shoot or not shoot.” His comment implies that no difference exists between the two alternatives. Now when the Arab returned to Meursault later in the chapter he still had the knife and came after him and Meursault shot him 5 times and killed him. He was then thrown in prison, and it was there where he began to emerge self-awareness and self-consciousness. The news article that Meursault studies about the Czechoslovakian man who was disguised and murdered by his mother and sister because of his wealth serves to expand and enlighten us upon the themes of absurdism that Camus illustrates in The Stranger.
Camus’s absurd philosophy asserts that the events of the world have no rational order or visible meaning. The story of the returning son murdered by his mother and sister is a perfect example of what he is trying to show us in The Stranger. There is no reason for the son to have died. His terrible, ironic fate is not compatible with any logical or ordered system governing human existence. Like Meursault’s killing of the Arab, the son’s death is a purposeless, meaningless tragedy that defies rationalization or justification. Now because of the murder Meursault is put on trial the following summer and while he is on trial, Meursault comes to understand that his failure to interpret or find meaning in his own life has left him vulnerable to others, who will impose such meaning for him. Until this point, Meursault has unthinkingly drifted from moment to moment, lacking the motivation or ability to examine his life as a narrative with a past, present, and
future. Meursault is sentenced to death by guillotine. He awaits everyday waiting for the footsteps of the men to come and execute him. During this time Meursault has done much thinking and begins to think to himself that death is inevitable. This realization of death’s inevitability constitutes Meursault’s triumph over society. Expressing remorse over his crime would implicitly acknowledge the murder as wrong, and Meursault’s punishment as justified. The chaplain tries to come to him and speak to him about God, but he still is unwillingly to accept that there is a God. After reading The Stranger I personally feel that Meursault is an absurd hero. My first example is Meursault is sentenced to death and while awaiting execution, is a metaphor for the human condition. Meursault perfectly exemplifies the absurd characteristics of revolt, freedom, and passion outlined by Camus in The Myth of Sisyphus. Meursault refuses to accord himself with custom, and asserts his freedom by doing what strikes him as appropriate at any given moment. This includes smoking and showing indifference at the vigil for his dead mother, going to the beach and sleeping with a woman the day after his mother's funeral, and forging a letter for his friend Raymond, who is said to be a pimp and beats his mistress. This exercise of freedom also represents a revolt against any attempt to place restrictions on his life. His passion is evident in his enthusiastic pursuit of new pleasures and new experiences: he loves being alive.
He, however, seemed question his presence because the death of his mom or even from the absence of his father—the fairly dynamic that every child should have (both parents present). In chapter two Meursault found himself alone in his apartment as Marie had left for work earlier that morning. In this section he explains that, “After lunch I was a little bored and I wandered around the apartment” (21). In this quote, Meursault demonstrates just how meaningless is life is. To have nothing more to do with his time than walk around his apartment shows that Meursault is questioning his place in this world. He is a man with virtually only two friends—Raymond and Marie—and a neighbor that he associates with on occasion about his dog. As he wanders the apartment he explains that he lives, “in just one room now” (21), one that he literally put his dining table in so that he could eat in his room. This quote symbolizes his loneliness as a person. Not only is the apartment too big for him, the world is too, and his is basically alone in both. For some reason—maybe a tragedy or trauma that he faced in earlier years—Meursault has closed himself off from the world and does not express love for anyone or anything. In fact, Meursault made a statement about the death of his mother saying that, “at one time or another, all normal people have wished their loved ones were dead" (65). At this point in the story, I think that Meursault may not have had the best family dynamic. He does not speak of anyone else but Maman, and mentions a father that he does not know. So, he may not feel like he belongs or does not know how to. He also explains that, “it was one of Maman’s ideas, and she often repeated it, that after a while you could get used to anything” (77). This quote could explain the fact that Meursault is closed off—he has gotten so used to not having anyone around that truly cares for him (his
Meursault is a fairly average individual who is distinctive more in his apathy and passive pessimism than in anything else. He rarely talks because he generally has nothing to say, and he does what is requested of him because he feels that resisting commands is more of a bother than it is worth. Meursault never did anything notable or distinctive in his life: a fact which makes the events of the book all the more intriguing.
The Stranger written by Albert Camus is an absurdist novel revolving around the protagonist, Meursault. A major motif in the novel is violence. There are various places where violence takes place and they lead to the major violent act, which relates directly to the theme of the book. The major violent act of killing an Arab committed by Meursault leads to the complete metamorphosis of his character and he realizes the absurdity of life.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
One of the most absurd things of all is how upset Salamano is when he looses his dog. He doesn’t treat the dog well or appreciate it when it’s there, but is distressed when it is missing. When Meursault suggests that he get a new dog, Salamano replies that he “was used to this one.” It’s not about loving the dog, it was about feeling comfortable and “used to” the routine that they had together.
This passage is set before Meursault’s execution with the chaplain entering the scene, and telling Meursault that his “heart is blind”, leading to Meursault to yell and delve into his rant, and moment of consciousness. The passage has a calm in the beginning as if Meursault catches his breath from yelling previously, and he starts to reassure himself that he is not wrong for expressing his views as it went against the public’s religious beliefs, and states that this moment was so important to him that it was if his life was merely leading up to it. Why this particular scene is important to Meursault is that this is an instance where he successfully detaches himself from the world, and begins to deconstruct the world’s ideals as his rant shifts on to focusing on how nothing in life mattered. Meursault describes his gripes with the chaplain’s words as he explains his reasoning as to why the concept of a god is flawed as Meursault saw that everyone was inherently the same, with equal privileges just how often people could express them separated them. The passage continues with Meursault arguing that everyone would be faced with judgment or punishment one day, and explains why his own situation was not significant as it was no different. After that explanation the passage ends with Meursault posing the concept of everything in the world being equal both in wrongdoing and life in general, evident in his example of saying “Sala¬mano's dog was worth just as much as his wife.” Although the passage shows Meursault challenging the ethics and morals that the world around him follows, it does have instances like the end in which we see that the rant is still expression of Meursault's complex emotions, as it is unclear whether it is fear or a...
Life has been defined as the property or quality that distinguishes living organisms from dead organisms and inanimate matter, manifested in functions such as metabolism, growth, reproduction, and response to stimuli or adaptation to the environment originating from within the organism. Further, that very definition from the Webster's dictionary says nothing when it comes to the everyday experiences one faces throughout a lifetime. The experiences one faces makes, breaks, and shapes us into how we act and live. T.S. Eliot's poem "The Hollow Men" portrays a world in which humans lack connections to each other and to G-d. Similarly, the main character, Meursault, from the short novel The Stranger, by Albert Camus, represents a man who does not feel any condition to anyone or anything. Meursault seems not to have a sense of emotion for the occurring actions in his life, and as a result, Camus pictures him as a senseless man. Many people in society go through life-breaking crisis that takes them several weeks even months to get over, meanwhile Meursault goes through some of the most immense problems during his life, yet he shows little emotion to ward his reality.
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
Albert Camus has his own toolbox of literary devices when it comes to accentuating the theme of The Stranger, one of them being his unique sense and use of secondary characters. Whether major or minor, every character in the book serves a purpose, and corroborates the theme in some form of fashion. Camus describes his secondary characters as foiling Meursault in one aspect or another, and thus, shining light on Meursault’s characteristics. Whether through close connections like familial relationships (Maman) and friendships (Salamano, Raymond, and Marie), or through bonds as distant as people he briefly converses with (Chaplain), or even so much as complete strangers (Perez and unidentified lady at the restaurant), characters that Meursault encounters foil and therefore, emphasize many aspects of his nature. Furthermore, because Meursault aptly embodies Camus’s ideology of Absurdism, emphasizing Meursault through secondary characteristics simply highlights Camus’ doctrine and theme of the book.
The trial and conviction of Meursault represents the main ideals of absurdism, that truth does not exist, and life is precious. The jury’s attempt to place a proper verdict on Meursault is compared to mankind’s futile attempt to find order in an irrational universe. Because there is no real truth in the trial, the verdict was unfair and illogical. Camus uses his beliefs of truth not existing and life being precious to point out the absurdity of the judicial system, and suggest the abolishment of the death penalty.
Choice and Individual Freedom in The Stranger Camus's The Stranger is a grim profession that choice and individual freedom are integral components of human nature, and the commitment and responsibility that accompany these elements are ultimately the deciding factors of the morality of one's existence. Meursault is placed in an indifferent world, a world that embraces absurdity and persecutes reason; such is the nature of existentialist belief, that rationalization and logic are ultimately the essence of humanity, and that societal premonitions and an irrelevant status quo serve only to perpetuate a false sense of truth. Meursault's virtue, as well as his undoing, lies in his unique tendency to choose, and thereby exist, without computing objective standards or universal sentiment. His stoic, de facto existentialism is a catalyst for endless conflict between his rationalization- and logic-based existence and that of others, which focuses on an objective subscription to "the norm" ; such is evident in heated discussions with the magistrate and prison minister, who are seen as paragons of invalid logic and the quixotic, quasi-passionate pursuit of hackneyed conformity. No windmills are slain1 in this simulated existence; absurdity of a different ilk dominates the popular mentality, one which would alienate a man based on his perceived indifference towards the mundane, and try, convict, and execute a man based on his lack of purported empathy towards the irrelevant.
“But from the moment he knows, his tragedy begins.” Meursault is not unlike Sisyphus. In the novel, The Stranger, by Albert Camus, we watch this character change from a carefree man who loves being alive and free to a man who is imprisoned for a meaningless murder he commits but who eventually finds happiness in his fate.
On the way to the funeral Meursault is greatly affected by the sounds and smells of the bus and sleeps the whole way to escape his physical discomfort. When he arrives at the home the caretaker asks him if he would like to see his mother one last time before the casket is closed and he declines. Sitting down near the casket, his attention is focused not on his mother, but rather on his own physical discomfort and the “two hornets buzzing against the glass roof.” After listening listlessly to the caretaker’s endless stream of chatter, Meursault drinks a cup of coffee and smokes a cigarette. Meursault, never shedding a single tear, keeps an all-night vigil at the casket, surrounded by his mother’s sobbing friends. He seems to regard the whole night as somewhat pointless, and comes away feeling very tired.
He does not seem interested in his verdict, gave up, and demonstrated a true lack of empathy. Meursault’s previous absurdist actions regarding his mother’s death caught up to him quickly during the trial, which was evident to Craig Belanger, the author of Camus’ biography. His indifference to her death was a game changer in his sentencing, since it made affected the outcome, “at Meursault's trial, it is apparent that his conviction will be based on, of all things, his inability to show sadness at the death of his mother” (Belanger). His absurdist actions affect not just his previous behavior, but his life in future also. His ability to think life is meaningless may actually make it meaningless for him.