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Meursault as an anti hero in The Stranger
Media influence in society
News and journalism and ethics
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The Stranger by Albert Camus tells a story of a man who is wrongly accused and convicted of premeditated murder. The leads the main character, Meursault, to question his existence on Earth and what it really means to himself and those around him. “It is not true that life is one damn thing after another—it’s one damn thing over and over.” This quote by Edna St. Vincent Millay clearly expresses the idea that Meursault feels so strongly about. Initially, we are brought to believe that Meursault is an uncaring, selfish man. The first few sentences of that he speaks to the readers are, “Maman died today. Or yesterday maybe, I don’t know.” He has no remorse for his deceased mother, Meursault truly believes that all lives are equal and death …show more content…
is inevitable thus one should not concern themselves with it so much. It is this kind of outlook that later becomes Meursault’s downfall. The events of the funeral are used as key evidence for the trial and ultimately what convinces the jury to sacrifice Meursault to the guillotine. Meursault acts very nonchalantly during the wake, even going as far as smoking in front of his dead mother. During the span of the funeral, he seemed much more concerned over the heat of the sun rather than anything else. Meursault in this instance acts as a foil to Thomas Perez, a man Maman had become inseparable with during her time at the retirement home. Perez, although and old and sickly man, refuses to have the funeral go on without him. Even though Perez and Maman had known for such a short while, Perez is much more influenced over her death than Maman’s own son. Meursault is brought in for questioning by the police soon after he kills the Arab.
Meursault’s lawyer asked if he had felt sadness during the day of the funeral, to which Meursault responded, “I probably did love Maman, but that didn’t mean anything.” The lawyer then made Meursault promise to not utter a word of this during the trial as it would only hurt him. Meursault displays complete apathy in this scene and many others. It is very similar to how Millay feels about life. It is one thing over and over, life is a cycle that will never end. Meursault understands that death is inevitable and at one point everyone’s existence in the world will disappear. He does not value his life or anyone else’s. Meursault runs into further hiccups when he refuses to turn to God for forgiveness as advised by the magistrate. The magistrate goes as far as calling Meursault, “Monsieur …show more content…
Antichrist”. There is a large amount of media on the day of Meursault's trial.
The reporter's reasoning for this is that news is quite slow during the summer season and so they have to get the most out of the few cases that they have, even if that means exaggerating a few things here and there. The media does not value Meursault’s life in the least, to them it is just another scoop that will quickly be forgotten. The prosecutor spends most, if not the whole trial talking about Meursault’s behaviour towards his deceased mother. How could a man be so soulless to not even cry during his own mother’s funeral. The prosecutor states that Meursault's dark abyss of a soul would any influence others to commit crimes. The trial ends and a decision is made. Meursault is to be beheaded by guillotine. Meursault spends a bit of time in disbelief, going through all the possibilities in which he would be able to survive. He soon accepts his fate, that he will die and no one around him care. They will all move on with their lives as if he had not even existed in the first place. All beings are worth the same regardless of what society believes. Meursault’s only wish is that there would be a large group of spectators at his execution greeting him with words of hate. This last line in The Stranger shows that Meursault only wants to be acknowledged by the world one last time before he is completely
forgotten.
Meursault resists being typecast into an archetypal moral category in many of his deeds and actions. Many of his actions in Part One of the novel help contribute to the fuzzy picture of the character. For example, at his mother's funeral, Meursault does not cry or weep in the typical mourning fashion, but rather sleeps during the vigil and entices one of the other mourners present to smoke a cigarette with him. This would be typically considered "evil" behavior, in the context of the story. He could easily been seen as disrespectful and seditious toward his mother and the established procedures of mourning, which seem to be fairly definite at that era in France. However, this "evil" mold can easily be shaken if one considers that Meursault may be more shaken than anyone else present at the funeral. Considering the other events in the novel, it seems as though he does not have a large capacity for emotion. Based on this, it is not unreasonable to assume that the events leading up to and including his mother's death may have overtaxed his limited scope of emotion, and he was therefore nearly incapable of mourning in the "normal" or expected way for his mother, but rather had to resort to his own, more c...
...ough Maman’s funeral and the impact of Maman’s death on Meursault. In the first chapter, Meursault is disconnected from the world around him; only responding to the social customs set in place and showing awareness in why they should be followed, but he does not understand why that is the case. In the last chapter, the inevitable arrival of Meursault’s own death makes him aware that the life he lived meant nothing because things would be the same at the end despite what choies he made. This acceptance is reached because Meursault was guided through death. Thus, Maman’s funeral links Meursault and Maman together as two individuals who accept their despair-filled truth but demonstrate the willingness to live again because they carry that acceptance with them.
At first glance, Meursault could be seen as an evil man. He shows no grief at his mother’s funeral, worrying more about the heat. His first reaction to his mother’s death is not sadness, it is a matter-of-fact, unemotional acceptance of the situation. “Maman died today. Or yesterday maybe, I don’t know.” Later on in the story, Meursault kills an Arab on the beach, and his only concern is that he has ruined the calm, pleasant day he was having. When he is in jail, the magistrate comes in an attempt to save Meursault’s soul, but instead of cooperating, Meursault simply confounds the magistrate by refusing to believe in God. Even at his trial, Meursault doesn’t show any remorse for having killed the Arab. Based on this evidence alone, how can we not see Meursault as evil?
Meursault shows very little love or sorrow at the fact of his mother's death. A normal man would feel pain and regret for not being by her side while Meursault does not even care much about the date she passed away. Immediately on the first page in the novel, we confront the situation where Meursault's mother dies, and he does not care about it. "Maman died today. Or yesterday maybe, I don't know. I got a telegram from the home: `Mother deceased. Funeral tomorrow. Faithfully yours.' That doesn't mean anything. Maybe it was yesterday" (3). Meursault does not bother to call back and find information about his mother. Meursault shows no emotion or care for his mother because he sends her away for someone else to take care of her. During the last years of an elder person's life, they are invited to stay with the family in order to become closer with one another. Meursault could care less as he shows no sign of pain, and goes off to do something else. He resembles a figure where an issue as important as death does come as a priority. "We are the hollow men/ We are the stuffed men/ Leaning together/ Headpiece filled with straw" (Lines 1-4).
This quote also shows Meursault’s idea of human life is meaningless. This shows that Meursault believes it doesn’t really matter if his mother died, he’s probably implying that his mother was dying anyway.... ... middle of paper ... ... The persecutor compares Meursault emotionless and lacking in remorse for his killing the same as a person killing their own father.
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
After only a few days of trial, the jury in The Stranger declares that the main character, Meursault, is to be executed by guillotine in the town square. The trial and its verdict are one of the important parts of the novel, as Albert Camus uses them as a metaphor to summarize the two main tenets of absurdism. Camus uses the trial and persecution of Meursault to express his belief that the justice system is flawed because of his absurdist ideals that truth does not exist, and human life is precious. In order to reform the justice system, Albert Camus believes that capital punishment needs to be abolished.
Monsieur Meursault speaks when he has something he feels he should say. Otherwise, he remains the receiver of other people's communications. It is this innocent reservedness that begins to build the image of him in the reader's mind. At first he may seem dull, unintelligible, even unfeeling; the reader is soon taken in by his casual persona however, and empathizes deeply with his plight by the end of the novel. Meursault perceives his world as extremely indifferent--he does not believe in God or seem to believe in anything higher than pure human existence, and pure human non-existence when death ends life. Meursault is himself indifferent to all of the things throughout his life, except when he is finally met by the specter of death. However, even this fear and anxiety ceases after he accosts the Chaplain. At the end of the novel this young Frenchman comes to realize his similarities to his universe. He feels things are almost "consummate", only a few ...
Meursault’s emotionless behaviors clearly reveal his nonconformity to society. For example, Meursault could never express any sorrow over his mother’s death. When he first hears about the news, he simply comments, “Maman died today…That doesn’t mean anything” (Camus 3). His remark reveals the shocking extent of his nonconformity because he bluntly expresses his indifference to the situation. According to society’s standards, the death of a mother should tear anyone’s hear...
... mother, he does not react in a way most people do. He does not cry but instead accepts what has happened and realizes that he can not change it. He goes back and does physical things he would do on a normal day. When the caretaker offers him coffee, he accepts it, he smokes a cigarette and has sex with a woman he just met. Meursault also does not lie to escape death. He refuses to conform to society and lie. He would rather be seen as an outsider than do something that he does not believe in. Finally, Meursault, will not believe in G-d or Christianity just because it is the only thing to turn to before he is put to death. When Meursault decides not to cry at his mother’s funeral, he accepts himself as an outsider. When he is considered an outsider, it does not matter if he is guilty or innocent; at the end of the day he guilty just for being different.
This is further evident when Meursault murders a random bystander who he has no connection with him, later proving in trial that he felt apathetic towards the crime he committed. Yet, before the crime was committed, Meursault’s events of life were meaningless and senseless to him. Unlike most prisoners who begin to feel regretful and resentful when being
Meursault begins the novel the discussing the death of his mother and shows little emotion at the funeral, because he does not know if he truly loves his mother; and thinks that it was not significant that she had passed on, therefore, making him an unsympathetic chracter. He is then faced with the decision to shoot or not to shoot the The Arab. He decides to shoot the Arab and realized that he made the dcision for himself, which determined his fate leading to his trial and excecution. To add upon this, during his trials he presents himself as an unsympathetic character because he does not show any remorse or regret from killing the man on the beach. Lastly, for he said to death he inner emotions and thoughts on skating the societal world in entering death ignoring all the people who has loved him and cared for him and disregards how he has negatively impacted himself on to others in explaining that it doesn’t matter because everyone is going to die eventually, therefore making him an unsympathetic chracter.
When asked if he believes in God during his trial he says no. This causes an uproar in people’s opinions of him and they think he is crazy. But people failed to see he is a person who practices absurdism. An absurdist believes that religion is a social construct made to give meaning to something senseless. This is interesting coming from a man who lives in France. The most practiced religion in this area is Christianity. It’s also not that Meursault hates religion, but he doesn’t like it forced upon him. When he gets put in a cell with the, Chaplain he tells the man he is living the life of a dead man. He refuses to spend his last minutes before death on God. Meursault conveys an atheist persona, and in this French culture it appears as though he has a bad personality. Once he says he does not believe in God, people do not see him as a sane man anymore and push him more on the guilty
Meursault quickly moves on from her passing but this conflict is essential to the start of the novel. Meursault also faces the internal battle of facing his own death. After days of waiting and trying to escape, Meursault finally accepts his death, in fact he is excited (Camus 75). He actually makes the decision to yell at the chaplain, “with cries of anger and cries of joy” (Camus 74). Meursault widely changes from cut off and alone to wanting a “large crowd of spectators” for his execution.
Meursault is distant from set plans, ambitions, desires, love, and emotions in general. He has a difficult time with emotions such as regret and compassion. The reader sees the nature of his personality in the first few lines of the novel: "Maman died today. Or yesterday maybe, I don't know." When he hears of the death of his mother through a telegram, he is unattached, and can be considered uncaring.