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Essays about The Outsiders
The outsiders essay who are the outsiders
Essays about The Outsiders
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In his novel The Outsider, Albert Camus portrays the philosophy of the absurd through his existentialist main character, Meursault. ~theory of absurdism~ Camus develops Meursault not as a traditional hero, but rather as an absurd one to encourage the idea of being abnormal from normal society. Detached and apathetic, Meursault is unable to identify with people and his environment. His indifferent attitude towards the world results in his label of an ‘outsider’ to society. Meursault does not wish for another fate, but accepts his upcoming death and does nothing about it. He has an existentialist view of life and refuses to lie. Therefore in The Outsider, Camus portrays Meursault as the perfect example of an absurd man, demonstrating that life is not only absurd but meaningless as well. Meursault’s character is understood through his relationships with other people. The first thing that the readers notice about Camus’ protagonist is his abrupt, seemingly unemotional approach to people in his life. He is often interested in trivial details instead of seeing the true meaning of …show more content…
He attends his mother’s funeral, but yet refuses to see his mother’s body and finds it interesting to think about the correlation between heat and the rate of decay of a human body (pg ~). During the procession of the funeral, he is cold, distanced from the people around, and gives an impression that he doesn’t care about his own mother’s death as he “hardly remember any details” about the funeral (pg. 26). It is evident that he is unaffected by the death of his mother and that it has little significance for him: “Really, nothing in my life had changed.” (pg. 33). Meursault shows an example of his existentialist traits through the fact that he does not know his mother’s age when asked by ~ (pg. ~). He is an absurd man because he does not have the smallest amount of care toward a family
In Part I, Meursault is spending the night next to his mother's coffin at a sort of pre-funeral vigil. With him are several old people who were friends of his mother at the home in which she had been living at the time of her death. Meursault has the strange feeling that he can see all of their faces really clearly, that he can observe every detail of their clothing and that they will be indelibly impr...
Meursault, an unemotional, a moral, sensory-orientated character at the beginning of the book, turns into an emotional, happy man who understands the "meaninglessness" and absurdity of life by the end of the book. Meursault realizes that the universe is indifferent to man's life and this realization makes him happy. He realizes that there is no God and that the old codes of religious authoritarianism are not enough to suffice man's spiritual needs. One has to create one's won meaning in an absurd, meaningless world.
The main character Meursault is literally a stranger, a stranger to the reader. He is a stranger in many ways. Meursault does not act as we would say a normal person would. Being as he did not shed a tear at his own mothers funeral. Meursault also shot and killed an Arab at the beach and showed no regrets. Throughout the novel Meursault kept himself isolated himself mentally,
Meursault in the book tries to overcome his emotional indifference within himself. One example shows Meursault emotional indifference against Marie. In this quote, “A minute later she asked me if I loved her. I told her it didn’t mean anything but that I didn’t think so.” The quote explains how Meursault doesn’t really think about the consequences of other people’s emotions. When he said in the quote it didn’t mean anything to him, it shows he believes human life and emotions are meaningless. He also says I didn’t think so, showing he struggles to comprehend and make his own interpretations on human emotions from Marie and other people. Another example shown is Meursault against his mother’s funeral. In this quote ‘Maman died today. Or yesterday maybe, I don’t know. I got a telegram from the home: “Mother deceased. Funeral tomorrow. Faithfully yours.” That doesn’t mean anything. Maybe it was yesterday.’ This quote also shows Meursault idea of human life is meaningless. This shows that Meursault believes it doesn’t really matter if his mother died, he’s probably implying that his mother was dying soon...
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
Firstly, Camus juxtaposes the stories of Meursault and the Czechoslovakian man to create a presage of the denouement of Meursault. The Czechoslovakian man undergoes major life changes, and this ultimately leads to his demise. He goes to make a better life for himself, and he returns to his village with riches in wealth and in family. Unrecognizable to them, the Czechoslovakian man returns to his mother and sister, and he decides to play a simple joke “of taking a room” and “he had shown off his money” (80). This trick ends when “during the night his mother and sister had beaten him to death…in order to rob him” (80). The Czechoslovakian man’s newfound courage results in obstinacy. Contrastingly, until Meursault commits his crime of murder, his life appears nearly painfully simple. ...
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
The book that I read was called The Stranger written by Albert Camus. The book is globally famous and was translated to many different languages and texts. The original was called L’Étranger which was written in French in 1942. The plot of this story involved a man in his late twenties or early thirties. The man's name is Meursault. In the beginning of the novel, Meursault is notified that his mother had passed away in the nursing home that he occupied her to. Meursault’s income could not afford to take care of his mother any longer; therefore, he put her in a nursing home. Meursault took off of work and went to the nursing home where she passed away to pay his respects and attend the funeral ceremonies. When he arrived at the nursing home, the funeral director brought Meursault to his mother’s coffin. The director asked if he wanted to see her and he quickly replied to keep the coffin shut. Meursault sat in the room and nearly went through an entire pack of cigarettes while blankly watching his mother’s coffin. At the actual funeral, Meursault shows no signs of normal emotion which would normally be induced at such an event.
Meursault and Daru are both “strangers” because they are not able to understand the other characters, which are each indirectly associated with an aspect of society. Camus uses the actions and words of seemingly unimportant characters to allude to the shortcomings of society. In both texts the protagonists view the other characters in the story from an outsider view, allowing for a new perspective in which society and its problems can be assessed. By making the protagonists detached from society, the underlying issues within society can be explored from an objective viewpoint.
“But from the moment he knows, his tragedy begins.” Meursault is not unlike Sisyphus. In the novel, The Stranger, by Albert Camus, we watch this character change from a carefree man who loves being alive and free to a man who is imprisoned for a meaningless murder he commits but who eventually finds happiness in his fate.
In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as post-modernists viewed the world. Rather than living as one gear in the ‘machine’ of society, Meursault defies this unwritten law in the lackluster relationships between he and other females, as well as his seemingly blissful eye to society itself. In The Stranger, males, not females, truly bring out the side of Meursault that has the capacity for compassion and a general, mutual feeling relationship. For example, Marie and Meursault’s relationship only demonstrate Meursault’s lack of an emotional appetite for her. Also, with the death of Maman, Meursault remains virtually unchanged in his thoughts and desires.
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
Albert Camus’s novel The Outsider is a fictional narrative that presents strong philosophical themes such as the irrationality of the universe and meaningless of human life. Throughout the novel it is clear that the narrator and protagonist – a young man named Meursault – is the only character that is able to understand and appreciate these ideas or philosophical truths. It is for this reason that he is an outsider. Accordingly, other social groups, including women, are represented as shallow as they constantly attempt to identify or create rational structure and meaning in their lives – Camus’s notion of absurdity. Women are a social group that show attributes of attachment, hope and ambition all of which in the novel are a futile attempt to impose rationality when none exists. Thus, Camus implies that women are shallow — lacking the deeper understanding of the universe.
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.