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Gender role stereotypes in literature
Essay about gender stereotypes in literature
Indian society and the status of women
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Lal’s observation is important to focus on Indian social matrix where women discriminations still exists. Though Indians are westernized externally, they are very Indian by psychology. They cannot consider women as separate and central part of humanity. The woman’s existence beyond man is still denied in Indian patriarchy. Manju Kapur has aptly caught the thread through the novel. She has depicted the woman’s yearning for self-autonomy and individual identity on the canvas of male dominated society. She has aptly depicted Virmati’s conflict, her dilemma whether to choose the psychological or sociological existence. Virmati combusts on each level of life, gains little, and lose much in journey. She struggles for education, love, individual space …show more content…
The novel depicts the triumph of the women’s spirit, her longing to beat the odds, to conquer weaknesses and to move forward. (Agarwal 245-246).
Manju Kapur has portrayed Virmati's life as an example of the quest for psychological fulfilment than physical freedom. She was looking for love in the institution of marriage that is mandatory for long lasting man-woman relationship in Indian society. Her journey of endeavors against social odds remained endless. In “Women’s Odyssey of Liberation in Manju Kapur’s Difficult Daughters” Sangeeta Mehta appropriately remarks:
Like Anita Desai, Manju Kapur’s main foothold is the exploration of the deep recesses of human psyche, going beyond the skin into the constant struggles raging the soul of human beings at the conscious level and describing the atmosphere of the mind. She is the pointer of moods and wills of desires and dreams of conflicting choices and inner experiences. She believes that woman needs something more than just food, clothes and accommodation. (Mehta
She wants the readers, whoever it is, old, young, men and especially women to understand that this attitude to women as a whole, is wrong and should be changed. She also encourages the readers to take action against this treatment of women and also wants the husbands to stop unfair treatment of their wives, including their attitude of demanding too much from their wives. She also tried to encourage women who are unconscious of such activities and being quite against the treatment of their husband, thinking this as the part of the traditional “home wife”. The author also wants people, especially women to get angry and feel emotional, with this She made her essay more like manly.
Nonetheless, the way feminism is portrayed is not the “traditional” way people perceive it, but it incorporates all of Chimamanda’s perceptions of this term. The story discusses the affair between a wealthy man and an unnamed female character, which in the middle of a traffic jam in Lagos, Nigeria imagines that the woman in the car next to her can be the wife of the man she’s seeing. The story is considered feminist because the narrator is a strong female. The main character has two choices: she can take her friend’s Chikwado path and find a husband or she can take her own choices and be happy in a non-conventional kind of relationship. The narrator has pressures from her lover who says to her “You’ll want to settle down soon,” he said.
"What peculiarly signalizes the situation of woman is that She--a free and autonomous being like all other human creatures--nevertheless finds herself living in a world where men compel her to assume the status of the 'Other'"
Women are bound to their oppression, "by male control of the dominant institutions and the dominant ideology..." Bartky, Sandra Lee. 1998, "Body Politics." A Companion to Feminist Philosophy. Oxford: Blackwell. p.85. Hence, in order both to gain equality and to realize their human potential, women must transcend their distinctive femaleness to lead the kind of life men do, in other words, they must be autonomous. Beauvoir exhorts women to achieve autonomy, to discover and nurture their authentic self through lived experience for self-realization. This argument may apply in case of Manjari, as she negotiates many opposed discourses and moves forward in a quest to know who and what she
The culture and society in which the female person dwells defines woman as Other, as the inessential correlate to man, as mere object and immanence.
...rom the confines of gender and social inequality, there must be an equal freeing of men. The limits that we place on the lives of both women and men must dissolve together in order to achieve equality. The social construct of 'woman' was built in the context of the construct of 'man'. To change one without the other would be impossible. The politics, laws, economics and sociocultural systems that prop up inequality must also be renovated and/or dissolved somehow in order for anyone, man or woman, to be free of deeply ingrained systems of inequality. There can be no shift toward equality without recognition and recalibration of the power structures that enable and perpetuate imbalance. If we can solve all that, then equality is feasible. If not, or if only in a far and distant future, it is absolutely necessary to believe that it will always be worth striving toward.
Jamaica Kincaid’s “Girl” shows in society how a woman should be placed and what it means to be a woman. A women doesn’t question her partner, instead she is subservient to him. A woman’s duties include staying at home taking care of the children and cooking; while the man works and brings home the money. A feministic approach to Kincaid’s “Girl” points to the idea of the stereotypes that women can only be what they do in the home, they should only be pure and virtuous, and their main focus should be satisfying their husband.
Women, not only in India but throughout the world, in the more recent years have gained enough power to raise their voice and become independent. When discussing a Hindu woman’s status and role in society, one can conclude that until recently, women have been burdened and suppressed by the patriarchal and marital power. “The society depicted in doctrinaire literature reflects a strong system of patriarchal values and a rigid code of conduct for women.” A society expects a great deal from its women and forces upon unbreakable rules, which come with unbearable consequences that both the family and individual female would have to face if...
Many of Manto’s stories derive conflict from one source- the partition of India. In his stories, Manto explores the theme of communal conflict and many of his characters face extreme situations of ruthlessness, which are generally expressed through murder, rape or other forms of violent conduct. Women are most of the times the victims of the onslaught of communalist madness that Manto brings to the fore but there are times when they rise up against the hypocrisy of gender beliefs and show defiance in different forms. They at times are righteous and not easily dominated. Today in my presentation I will examine the defiant positions that women take up in different ways in stories of Manto in times of conflict.
Right from the ancient epics and legends to modern fiction, the most characteristic and powerful form of literary expression in modern time, literary endeavour has been to portray this relationship along with its concomitants. Twentieth century novelists treat this subject in a different manner from those of earlier writers. They portray the relationship between man and woman as it is, whereas earlier writers concentrated on as it should be. Now-a-days this theme is developing more important due to rapid industrialization and growing awareness among women of their rights to individuality, empowerment, employment and marriage by choice etc. The contemporary Indian novelists in English like Anita Desai, Sashi Deshpande, Sashi Tharoor, Salman Rusdie, Shobha De, Manju Kapoor, Amitav Ghosh etc. deal with this theme minutely in Indian social milieu.
In this story, Rukumani, the protagonist faces a number of external conflicts; the conflict between her and her traditional Ceylonese Tamil family, the conflict between her and her mother, the conflict she has with her younger brother who messes up things for her, to name a few.
Mahasweta Devi, always writes for deprived section of people. She is a loving daughter, a clerk, a lecturer, a journalist, an editor, a novelist, a dramatist and above all an ardent social activist. Her stories bring to the surface not only the misery of the completely ignored tribal people, but also articulate the oppression of w...
Her women behave in their own style assigned to them by Kapur. All women protagonists in her novels are married one. Her all protagonists belongs to urban middle class. Manju Kapur has never depicted an illiterate character in her novel. No character of her wonders in the rural area or farm as she has never depicted any character that has from rural background. Sudarshan Sharma writes, Manju Kapur is one of the great women writers from India whose protagonists are women trying to keep balance constantly. Their hardships have made them strong and they struggle to set themselves free from the shackles of convention and various prejudices (Sharma
Gender inequality refers to different analysis or perceptions of individuals based on their gender. It arises from differences in socially complete gender roles. Gender systems are generally angled and hierarchical; gender binary systems may reflect the inequalities that apparent in abundant ambit of circadian life. Gender inequality stems from distinctions, whether empirically ashore or socially constructed. Shashi Despande’s A Matter of Time revolves about four women Manorama, Kalyani, Sumi and Aru who are victims of animosity adapted by patriarchal society where the measure of woman’s successful her married life, without which her all other accomplishments are considered worthless warm association area the admeasurement of woman’s acknowledged her affiliated life, after which her all added accomplishments are advised worthless. The accomplished atypical portrays the silent, absorption women, black yet accomplished adhering to tradition, admitting alive in the present. Admitting men do not play an active role they are the basis could cause of a lot of the adversity of women.
Throughout her book, she has written about women as nurtures and sharing special bond with ‘prakriti’ and doubtlessly supportive. She describes a deeper meaning of feminity with the nature but her equating every woman with nurturing, life-sustaining feminine principles is a bit exaggerated. She assumes that nature and women share a lot in common, therefore women understands nature best and always work in a way which is supportive to nature. Also, she believes that it has always been men indulged in science, development and exploitation. If women are given opportunity, they are also achieve success in the ‘male dominated’ world of machines and