Out of the many performances of Hamlet’s “To Be or Not To Be” speech in William Shakespeare’s Hamlet, Andrew Scott gives the best performance. One of the reasons why Andrew Scott’s performance is the best is because he provokes the appropriate emotions of Hamlet. With the lines, “Ay there’s the rub: for in that sleep of death what dreams may come when we have shuffled off this mortal coil.” (3.1.73-75). Hamlet begins to question if he should end his life because he is wrecked by grief. Andrew Scott accurately portrays Hamlet’s emotions because he genuinely seems like he’s in pain and is confused about what decision to make. He stares off for a few seconds contemplating if death is really what he wants, portraying confusion. If you look closely …show more content…
Andrew Scott performs this famous speech, so that the audience can easily comprehend the meaning behind the speech. Within the lines, “That patient merit of the unworthy takes when he himself might his quietus make with a bare bodkin?” (3.1.82-84). Through the use of Scott's hand gestures, the audience can understand what the word “bodkin” might mean. He pretends to stab himself in the chest, making it seem like he is holding a knife. The way that Andrew Scott is acting makes Shakespeare's language much less distant. It’s like he is teaching the audience these words in an amusing way that is easy to digest. The way that Andrew Scott speaks very slowly with pauses, makes the audience want to keep watching. A great example of this is when Scott says these lines, “But that the dread of something after death, the undiscovered country, from whose bourn.” (3.1.86-87). After saying, “But that the dread,” Scott pauses in his sentence, making what he is saying very powerful. This is just one example of the many pauses he makes throughout the speech. By doing this, there is an apparent anticipation where the audience clings to his words, waiting to see what he’ll say or do
Kenneth Branagh’s version of the ‘to be or not to be’ soliloquy, although slightly overdramatic, was superior in delivery and setting. First, Hamlet’s tone held a faint aggressiveness, which helped emphasize his growing dissatisfaction with his current disposition. The other films’ depictions of the scene were dull and lacked the proper emotion required to give life to Hamlet’s internal debate. In addition, the mirror Hamlet faces as he speaks alludes to the derivative and folly of his, and his father’s, vengeful pursuits. Hamlet’s obligation to fulfill his father's demands causes him to self loathe, which leads him to question his existence. As Hamlet approached the mirror with his sword drawn, both Polonius and Claudius flinched in fear,
Hamlet is self centered and irrational throughout most of the play. He goes through various stages of suicidal thoughts that all revolve around a multitude of selfish reasons because he can not deal with his problems. His outbursts, mood swings, and constantly changing character have led to a multitude of reasons for his decisions to not kill himself. Think of this, it is much easier to die for a cause than to live for a cause, and yet all Hamlet wants to do is take the easy way out. There are three major soliloquies that Hamlet has that prove as major turning points of his emotions. Hamlet’s suicidal thoughts ring loud and clear for most of the play, however they do change constantly and play key pieces that provide well written and thought provoking soliques.
This famous soliloquy offers a dark and deep contemplation of the nature of life and death. Hamlet’s contemplative, philosophical, and angry tones demonstrate the emotions all people feel throughout their lifetimes.
In Shakespeare’s Hamlet, Act III scene 1, Hamlet’s soliloquy of “To be or not to be” is full of metaphors that bring the various themes of the play together. One of the primary themes of the play is Hamlet’s uncertainty of action and inability to decide how to cope with the problems he faces. In Hamlet’s soliloquy, Hamlet metaphorically discusses his indecisiveness about the importance of continuing his life and asks himself “whether ‘tis nobler of the mind to suffer the slings and arrows of outrageous fortune or to take arms against a sea of troubles, and, by opposing them, end them.” Hamlet wonders whether it is worth facing all his problems (“slings and arrows of outrageous fortune”) or to commit suicide (“and by opposing them, end them.”) Hamlet metaphorically comp...
Laurence Olivier’s interpretation of the soliloquy portrays Hamlet as a confused individual, searching for the answer in life. Olivier uses a variety of movie techniques such as tone, setting and character portrayal to carry his perception of the famous soliloquy to his viewers. In the opening of the scene, Hamlet speaks the words, “To be or not to be”(3:19-3:33) as he stares out to the ocean in front of him. This initial shot of the scene gives the viewer a look into what is going on in Hamlet’s mind. His head, like the ocean, is filled with vast confusion as he tries to mull whether to live or to take his own life. There are a variety of instances throughou...
The interpretation of Hamlet’s, To Be or Not to Be soliloquy, from the Shakespearean classic of the same name, is an important part of the way that the audience understands an interpretation of the play. Although the words are the same, the scene is presented by the actors who portray Hamlet can vary between versions of the play. These differences, no matter how seemingly miniscule, affect the way in which someone watching the play connects with the title character. For example, one way that the Kenneth Branagh and David Tennant interpretations differ is in the speed and inflection of the soliloquys, as well as the ambient audio or lack of, in Tennant’s case, during the respective scenes. During the Kenneth Branagh portrayal of Hamlet, the speech is fast and in a forceful tone that gives a feeling that Hamlet is trying to make a point rather than understand the complexity of the situation in his own right.
"The major question in 'To be or not to be' cannot be suicide. If it were, as many have noted, it would be dramatically irrelevant. Hamlet is no longer sunk in the depths of melancholy, as he was in his first soliloquy. He has been roused to action and has just discovered how to test the Ghost's words. When we last saw him, only five minutes before, he was anticipating the night's performance, and in only a few moments we shall see him eagerly instructing the players and excitedly telling Horatio of his plan. To have him enter at this point debating whether or not to kill himself would be completely inconsistent with both the character and the movement of the plot. The metaphors all suggest that Hamlet's choice is betw...
Hamlet commences off the verbalization with darkness and despair. Hamlet is contemplating life or death.
Hamlet contemplates the pros and cons of life and death during his struggle. Hamlet breaks down when he learns of his
William Shakespeare intended for Hamlet to be a tragic play of a hero: Hamlet. He does exactly that by allowing Hamlet to be exposed to suffering and being able to endure it without committing suicide. Although if one was to analyze the content of Hamlet’s “To be or not to be…” soliloquy once would realize that Hamlet is not really all that suicidal. However, there are moments throughout the play that arise the suspicion of Hamlet to no longer be able to endure the suffering and pain in his life. Hamlet’s judgment can be distorted when he does not act using reason but rather emotional impulse. His ability to accept and embrace suffering and pain, allows him to realize how valuable his life truly is.
Hamlet’s “To be or not to be” Soliloquy in act 3, scene 1, reveals that Hamlet is a thoughtful and calculating character attempting to be cautious. Hamlet is looking at the prospect of killing himself from all viewpoints. In Hamlet’s soliloquy shakespeare strikes home with a pivotal human conc...
William Shakespeare is a famous English playwright. His play Hamlet centers around Hamlet's decision on how to seek revenge for his father’s death. However, Hamlet is unsure of what course of action he wants to take to exact his revenge. He discusses the idea of suicide as a possible option in his “To be or not to be” soliloquy. In this soliloquy, Shakespeare uses metaphors, rhetorical questions, and repetition to express Hamlet’s indecision regarding what he should do.
People all around the world are familiar with the “To be or not to be” speech. Although some might not realize it is a speech by Hamlet, they do realize how powerful those lines are. Those lines show the mark of a great philosopher, and this is precisely what Hamlet is. Because Hamlet is such a fantastic philosopher at the start of the play, it leads him to what some believe is his downfall. The fact that perhaps he thinks too much on the people and incidents surrounding him is really what pulls him down. He spends an excessive amount of his day thinking about every aspect of every event.
Hamlet’s psychological influence demonstrates his dread of both death and life. In Hamlet’s famous soliloquy, “To be or not to be” (3.1.64), he refers the “be” to life and further asks “whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune” (3.1.65.66). By this, Hamlet is asking himself the question of whether to live or die.
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.