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Hamlet psychological analysis
Hamlet psychological analysis
Shakespeare influences on society
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Hamlet: Social and Psychological Influences In Shakespeare’s Hamlet, the influence of Hamlet’s psychological and social states display his dread of death as well as his need to avenge his father’s death. In turn, these influences illuminate the meaning of the play by revealing Hamlet’s innermost thoughts on life, death and the effect of religion. Despite the fact that Hamlet’s first instincts were reluctance and hesitation, he knows that he must avenge his father’s death. While Hamlet is conscious of avenging his father’s death, he is contemplating all the aspects of death itself. Hamlet’s decision to avenge his father is affected by social, psychological and religious influences. Once Hamlet has learned of his father’s death, he is faced with a difficult question: should he succumb to the social influence of avenging his father’s death? The Ghost tells Hamlet to “revenge his foul and most unnatural murder” (1.5.31) upon which Hamlet swears to “remember” (1.5.118). Hamlet’s immediate response to this command of avenging his father’s death is reluctance. Hamlet displays his reluctance by deciding to test the validity of what the Ghost has told him by setting up a “play something like the murder of (his) father’s” (2.2.624) for Claudius. Hamlet will then “observe his looks” (2.2.625) and “if he do blench” (2.2.626) Hamlet will know that he must avenge his father’s death. In the course of Hamlet avenging his father’s death, he is very hesitant, “thinking too precisely on the event” (4.4.43). “Now might I do it…and he goes to heaven…No” (3.3.77-79) and Hamlet decides to kill Claudius while “he is drunk asleep, or in his rage, or in th’ incestuous pleasure of his bed” (3.3.94-95). As seen here, Hamlet’s contradicting thought that Claudius “goes to heaven” (3.3.79) influences him to change his plans for revenge. Hamlet eventually realizes that he must avenge his father’s death and states “from this time forth my thoughts be bloody or be nothing worth” (4.4.69). From this, Hamlet has succumbed to the social influence and has vowed to avenge his father’s death. Hamlet’s psychological influence demonstrates his dread of both death and life. In Hamlet’s famous soliloquy, “To be or not to be” (3.1.64), he refers the “be” to life and further asks “whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune” (3.1.65.66). By this, Hamlet is asking himself the question of whether to live or die.
The Catcher in the Rye revolves around Holden Caulfield, the protagonist of the novel, and his disillusionment. Holden’s disillusionment illustrates that he has a problem accepting such. Aforesaid is based upon multiple factors, most which have brought Holden lasting traumas. A remedy is required for Holden to accept his disillusionment and enable an improvement of his situation. For Holden’s remedy, the consultation of psychologists, and additional specialized health professionals would be the core of an apt remedy for Holden’s psychological and physiological state based upon the numerous causes of such and the everlasting trauma of some of the determinants of aforesaid situation. The origins of Holden’s disillusionment revolved mainly around the death of his younger brother Allie three years ago, of which he still experiences the trauma to this day. His disillusionment is caused by both
Jacobs, Harriet A.. Incidents in the life of a slave girl. New York: Oxford University Press, 1988
In 1861, Harriet Jacobs published her book “Incidents in the Life of a Slave Girl.” The story is based in Southern United States of America during the time before Jacob escaped from slavery in 1835 (Reilly 649). Jacobs uses the name Linda Brent as a pseudonym (Reilly 649) and describes her experience as a female slave through a first person narration. The purpose of the selections featured in Kevin Reilly's, “Worlds of History,” is to show the victimization and emotional suffering female slaves feel against their white masters vs. the physical pain a male slave endures.
When one finds themselves in a reader’s position, they search for things in the novel that they can relate to. J. D. Salinger wrote a story that contained countless topics that people, past, present and future, can relate to in several ways. The novel follows the story of a troubled boy named Holden who leaves school due to his poor academic performance, an altercation with his roommate, and complications with his emotions due to the traumatic loss of his brother. He quickly understands how his narrow view of the world will lead him into trouble when he finds himself alone. The reader accompanies Holden through his stressful experiences over a period of three days through which we learn of his pain-filled past and negative outlook on the future. Some of the barriers Holden came upon during the time period of the novel are themes of everyday life. In The Catcher in the Rye J.D. Salinger intends to grab his audience’s attention with the story of a young teen named Holden Caulfield who must face emotional damage, hidden truths, and accepting responsibility
William Golding once said, “The only choice that really matters, is the interpretation of the story, is your own. Not your teacher 's, not your professor 's”. Holden Caulfield’s evolving circumstances and troubled past allows the reader to have strong cathartic moments whilst reading the story. In J.D Salinger’s novel The Catcher in the Rye, Holden Caulfield’s innocence causes the reader to feel appreciative towards his personality and attitude through his coming of `age. Comparably, Holden’s troubled past which he has presented throughout the story allows the reader to feel sympathy emotions towards what he’s been through as a person (mortalities). In addition to the sympathetic emotions, Holden’s dynamic personality makes us feel contemplative
Ever since its publication in 1951, J.D. Salinger's The Catcher in the Rye has served as a firestorm for controversy and debate. Salinger's portrayal of Holden, which includes incidents of depression, nervous breakdown, impulsive spending, sexual exploration, crudeness, and other erratic behavior, have all ascribed to the controversial nature of the novel. Holden embarks on a journey and through every turn in the road, he deals with conflicts within himself searching for the truth in a society full of falsity. Holden is by far the most complex character in the book. His role is surrounded by 2 main themes that serve as his inner conflicts: a critic towards society and an adolescent stuck between the world of childhood and adulthood. Both these themes are related to him through the two children in his life he respects most his brother Allie and his little sister Phoebe. They play the biggest role in Holden's self-realization.
One of Hamlet’s flaws is that he over thinks things a lot and it is first shown the most at the prayer scene with Claudius. Once Hamlet sees how Claudius reacts to the play he knows that Claudius killed his father and that the ghost was right, he has a chance to kill him and doesn’t take it . His only proof was the ghost and even though others saw the ghost no one else heard it talk except Hamlet. Hamlet was also considering a lot of other things at this time, like how if he killed Claudius now Claudius would be free of sin and would go to heaven. He was also thinking if his father didn’t get to die free of sin it wouldn’t be fair for Claudius to die free of sin either, which shows how vengeful Hamlet’s character is. At the same time, Hamlet has morals and understands the consequences so that’s why it’s harder for him to perform the act . After a l...
Jacobs, Harriet. Incidents in the Life of a Slave Girl. Ed. Jean Fagan Yellin. Cambridge, Massachusetts: Harvard University Press, 1987.
“The very conveyances of his lands will scarcely lie in this box, and must th’ inheritor himself have no more, ha?” Hamlet’s realization in 5.1.88 is one of great weight and resulted in more deep thought on the concept of death. Throughout Shakespeare’s “Hamlet” the subject is deeply considered and consistent breakthroughs and new realizations are revealed through Hamlet’s character. The primary evolution of Hamlet’s understanding stands with the coping, dealing with the finality of death, conflicts with morality and revenge in its intimate relationship with death as it applies to Hamlet.
Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was forced upon him.Death is something he struggles with as an abstract idea and as relative to himself. He is able to reconcile with the idea of death and reality eventually.
Holden is someone who values innocence in other people but is also scared that it will go away because he has lost his own innocence due to to past tragedies. Out of all of the tragic events Holden has had one of the worst was when his beloved brother Allie passed away of leukemia when he was just 11. Allie was Holden's role model. Holden's describes Allie saying “You'd have liked him. He was two years younger than I was, but he was about fifty times as intelligent. He was terrifically intelligent. Holden also says how we will love him. Saying this shows how He wants Allie to have a legacy. We can also see that Holden was very sad when Allie died because of the way he is describing him. Losing Allie has made Holden’s innocence die. When speaking
As illustrated through his speeches and soliloquies Hamlet has the mind of a true thinker. Reinacting the death of his father in front of Claudius was in itself a wonderful idea. Although he may have conceived shcemes such as this, his mind was holding him back at the same time. His need to analyze and prove everythin certain drew his time of action farther and farther away. Hamlet continuously doubted himself and whether or not the action that he wanted to take was justifiable. The visit that Hamlet recieves from his dead father makes the reader think that it is Hamlet's time to go and seek revenge. This is notthe case. Hamlet does seem eager to try and take the life of Claudius in the name of his father, but before he can do so he has a notion, what if that was not my father, but an evil apparition sending me on the wrong path? This shows that even with substantial evidence of Claudius' deeds, Hamlet's mind is not content.
Tragic death plays a really big role in William Shakespeare’s Hamlet. Hamlet often considers death in many different perspectives, and definitely obsesses with the idea more so after his fathers’ death. Hamlet’s soliloquy is one of the most famous in literature, “To be or not to be, that is the question…” Hamlet’s dilemma is the pain of life that he must endure or the uncertainty of death. From the beginning of the play to the very last scene, the fascination between life and death plays a role throughout. Hamlet is troubled through the play after realizing that his uncle was the one who murdered his father and is now married to his mother. He wants to avenge Hamlet Sr. death and kill Claudius but feels that killing himself would be an easier resolution. After the death of his murdered father and appearance at his funeral, Hamlet will not leave anywhere without making the statement of his all black attire on the inside and out. The turn of events throughout the play only help the reader understand the debt of each character and their specific role to Hamlet and to the story in regards to life and death.
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.
Like all Shakespearean tragedies, Hamlet’s ending is no different in end-result. Hamlet’s separation from society and his self-imposed confusion caused by over-thinking results in the unnecessary deaths of most of the major characters. In turn, Hamlet’s pre-occupation with factors inessential to his mission of revenge slows down his action. It is this internal struggle that illustrates the intensity and complexity of Shakespeare’s revenge tragedy, something that is often looked at from a psychological perspective.