Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The essay of emotional development
Shakespeare drama literary analysis
Shakespeare drama literary analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The essay of emotional development
Kenneth Branagh’s version of the ‘to be or not to be’ soliloquy, although slightly overdramatic, was superior in delivery and setting. First, Hamlet’s tone held a faint aggressiveness, which helped emphasize his growing dissatisfaction with his current disposition. The other films’ depictions of the scene were dull and lacked the proper emotion required to give life to Hamlet’s internal debate. In addition, the mirror Hamlet faces as he speaks alludes to the derivative and folly of his, and his father’s, vengeful pursuits. Hamlet’s obligation to fulfill his father's demands causes him to self loathe, which leads him to question his existence. As Hamlet approached the mirror with his sword drawn, both Polonius and Claudius flinched in fear,
Branagh is in a foyer of a palace, with bright lighting and mirrors everywhere. Behind one of the mirrors is Poloius and Claudius. In this version, Hamlet is dressed in a dressier attire, black suit with white shirt and cleaner fashion. Hamlet walks up to the mirror, the other two men are behind and starts the "To be or not to be," speech.
During class we have reviewed many versions of the play Hamlet. The two movie versions that I chose to compare on the play Hamlet are the David Tennant version and the Kenneth Branagh version. I chose these two versions because these were the two that most interested me. I believe that some scenes from each movie were better than the other, but overall I liked these two versions just as equally. The three main scenes that stood out to me that I will be comparing are ‘Ophelia’s Mad Scene’, the ‘Hamlet Kills Polonius’ scene, and Hamlet’s ‘To be or not to be’ scene.
1. In this specific version of Hamlet there are various characters that demonstrate an exaggerative and dramatic persona; Brain Blessed chose to interpret the role of the ghost in the traditional eerie, spooky, and mysterious manner. He does this by being portrayed as a reoccurring pale figure that is only visible to certain people (the traditional characteristics for a ghost). Also he does this by deepening his voice to sound more frightening. In my opinion, I do not think that the performance of the apparition was believable in any scenes in which it appeared simply because I do not think that something that does not exist in reality can be displayed realistically. Moreover and in contrast, I believe
The “To be or not to be” soliloquy should demonstrate that Hamlet is trying to push himself to commit the act of murder. Moreover, this is because he does not have the courage to commit murder, but he has to, to avenge his father. With this in mind, Richard Burton played the most compelling Hamlet out of the three options. Richard displays the typical human response effortlessly which is to push oneself to do something they do not desire to do. His portrayal is believable as it appears he battles with the emotions that a person would endure in a similar situation. Richards Hamlet exhibits more strength and energy than the other actors. He made the character’s actions believable by focusing on the inner turmoil he struggled with for having not had the courage to commit his premeditated murder of Claudius.
The interpretation of Hamlet’s, To Be or Not to Be soliloquy, from the Shakespearean classic of the same name, is an important part of the way that the audience understands an interpretation of the play. Although the words are the same, the scene is presented by the actors who portray Hamlet can vary between versions of the play. These differences, no matter how seemingly miniscule, affect the way in which someone watching the play connects with the title character. For example, one way that the Kenneth Branagh and David Tennant interpretations differ is in the speed and inflection of the soliloquys, as well as the ambient audio or lack of, in Tennant’s case, during the respective scenes. During the Kenneth Branagh portrayal of Hamlet, the speech is fast and in a forceful tone that gives a feeling that Hamlet is trying to make a point rather than understand the complexity of the situation in his own right.
“To be or not to be, that is the question,” the quote claimed by Shakespeare seems to have revolutionized the way people thought in the 17th century. After the death of his father, the king, Prince Hamlet takes up a vulnerable role in the text. Not only does Hamlet face the challenges of society by no longer having a father role and giving up his position to inherit the throne, but he also finds himself trapped at a loss of willpower when it comes to avenging himself for what Claudius has done. Although he seems to handle his situation well, his sanity is questioned after a series of murders at the finale of the text when Hamlet acts out on the anger that has been cooped up throughout the play. It seems that because of the lack courtesy on Claudius’ behalf, Hamlet is empowered to act. Hamlet’s indecision to act on avenging himself with King Claudius seems to be delayed and influenced by a cornucopia of factors that Shakespeare expresses throughout the text.
Hamlet -- “To be or not to be” Soliloquy. When the Bard of Avon created Hamlet, he simultaneously created the famous soliloquy ever uttered by English-speaking men. Thus it is that literary critics rank Hamlet’s fourth soliloquy as the most notable ever penned. Let’s examine in this essay how such a high ranking is deserved, and what the soliloquy means.
This soliloquy takes place right after the first play Hamlet sees. Rosencrantz and Guildenstern bring him to that play to cheer him up. These two are sent my Claudius and Gertrude to see the cause of his pain. Gertrude suspects that it is because of their rushed marriage and his fathers death, but no one is curtain. They hope he will at least see the play and get out of his depression/craziness. After watching the play he does not have a change of heart. Hamlet at this time is still pretending to be crazy, but his friends and family are not aware. Hamlet is also unpleased with Rosencrantz and Guildenstern because he knows they are not truly there to comfort him;their alliance is to the king, the new king Claudius. Polonius also attended, still
In William Shakespeare’s Hamlet, Act III, Scene I, the title character, Hamlet, performs his most famous soliloquy, started “To be, or not to be….” This speech comes in the midpoint of the main action of the play. In the conclusion of Act II, Hamlet purveyed a more rational attitude and outlook, and this soliloquy contradicts such a persona. He seems to have reverted to his dark, contemplative state.
The soliloquy includes lines such as, “Oh, that this too, too sullied flesh would melt, / Thaw, and resolve itself into a dew,” which inform the reader that Hamlet has developed a low regard for living (1.2.32-33). The film was able to emulate this by physically having the camera angle of Hamlet be from beneath him. Hamlet’s thoughts of mortality are not the only subject of the soliloquy, as he also tells the reader of the anguish he feels towards his mother and the new king. As an effective acting choice, Kenneth elected to have dramatic shifts in facial expressions throughout the soliloquy, to make it clear when he was muttering to himself, or addressing the King and Queen. Another effective moment in the scene was Kenneth Branagh's brushing off of the confetti that rested on his shoulder. When the King and Queen entered there were cheers, and the confetti fell, so this moment represents how Hamlet wants to remove any aspects of his mother and the king’s lives together from his own. The coupling of successful technical elements and a clear performance brought the soliloquy to life, while clearly delivering the important information included in
Different adaptations of William Shakespeare’s works have taken various forms. Through the creative license that artists, directors, and actors take, diverse incarnations of his classic works continue to arise. Gregory Doran’s Hamlet and Kenneth Branagh’s Hamlet bring William Shakespeare’s work by the same title to the screen. These two film adaptations take different approaches in presenting the turmoil of Hamlet. From the diverging takes on atmosphere to the characterization of the characters themselves, the many possible readings of Hamlet create the ability for the modification of the presentation and the meaning of the play itself. Doran presents David Tenant as Hamlet in a dark, eerie, and minimal setting; his direction highlighting the
In this particular soliloquy in Act 4, Scene 4, your character Hamlet is reflecting on the reason as to why he is unable to take action against his enemy who killed his father and married his mother, like he is paralysed in doing so, when there is an army who is willing to die over a non profit piece of land that means exactly nothing to either side, risking there lives and leaving the comfort pf their homes.
In the first scene of the third act, Hamlet utters a thoughtful soliloquy regarding the matters of life and suicide. This soliloquy seems to be one of the most believable moments in a Shakespearean play, as every person faces at least one such dramatic, self-contemplative moment in a lifetime. The reader or audience is able to understand Hamlet's thoughts despite Shakespeare's thick and lengthy writing style. Hamlet here begins with the famous line, "To be or not to be - that is the question" (III, i, 64), a line quite often copied or even satired due to its candor and depth. Hamlet immediat...
Continuing with the idea of madness is knowing the truth then one can determine that fighting against the falsities would make one even more mad. Emily Dickinson thought this as well in the poem when she wrote, “Demur-- you’re straightway dangerous - And handled with a chain”(Dickinson line 7-8). Dickinson described demurring from the majority would result in one being “straightway dangerous” and “handled with a chain.” Shakespeare shared this idea that people who are considered to be mad are handled differently, and perceived as more dangerous, than those who are not seen as so. Shakespeare shows this idea of danger throughout Hamlet’s fourth soliloquy. Within this soliloquy Shakespeare takes a different approach to illustrating this idea,
“The central dilemma in Hamlet is the character and life’s journey of a man whose mind is in paralysis.