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Changing in character in Hamlet Essay
Changing in character in Hamlet Essay
Shakespeare literary analysis
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The two versions of Hamlet, that I compared for Act III, Scene i are Hamlet starring Mel Gibson released in 1990 and Hamlet staring Kennith Branagh released in 1996. Theses two were interpreted differently even though they followed the play written by William Shakespeare somewhere between 1599 and 1602. Both of these recreations were set in Denmark in a royal palace. However, scenery was different and so was costume design.
In Act III, scene i of Hamlet starring Mel Gibson, Gibson is in a dark dungeon looking area where his father's sarcophagus is. Hamlet is dressed in all black, almost in a knightly attire. The background shows skeletons and dirt floors with stone walls. Gibson moves about the stage and speaks as though he is confused and tormented during his soloquey. He kneels next to the sacophagus of his father during the speech about dreaming in death. There is a sense of empathy from the audiance because is is so torn from his thoughts. He meets with Ophelia and she wants to return belongings of his, he denies giving them to her and states he
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Branagh is in a foyer of a palace, with bright lighting and mirrors everywhere. Behind one of the mirrors is Poloius and Claudius. In this version, Hamlet is dressed in a dressier attire, black suit with white shirt and cleaner fashion. Hamlet walks up to the mirror, the other two men are behind and starts the "To be or not to be," speech. He speaks in a harsher tone than Gibson, and the camera play is though Hamlet is preaching the speech to himself, all the while knowing the other two men are behind the mirror. This in one way Hamlet can take his claim on acting crazy. He even pulls out the dagger and points it at the mirror in a threatening fashion. After his speech he also meets up with Ophelia and this version follows the play. He is much more forceful and harsh to Ophelia than in the Gibson
Both the Tennant and the Branagh version repeat the same soliloquy from the original Hamlet. However they are in different settings with different characters present. They also both speak in a slightly different tone in this speech. In Tennant’s version, Hamlet seemed more sad when giving the speech compared to Branagh’s version, who seemed more calm and relaxed. The Hamlet in Branagh’s version was holding a knife up to the mirror, looking as if he was debating or not to end his life, while the Hamlet in Tennant’s version was just staring off into the distance. They were both in a room, but the Hamlet in Branagh was looking into a mirror. Hamlet in Tennant’s version was by himself, while in Branagh’s version, there were two characters present behind the two-way mirror. I liked Branagh’s version more than Tennant’s version in this scene, because Hamlet’s character I feel fit the speech. It made it seem more interesting to me. With Tennant’s version, I feel it was a little boring because he was not really doing anything, just looking from behind a wall. This is why I like Branagh’s version better in this
The difference between the setting shows how modern the Kenneth Branagh version of Hamlet is compared to the Mel Gibson version of Hamlet. One of the difference between the two films is the setting and time period. Mel Gibson version of Hamlet is set in a dark and medieval time castle during the 19th century. Kenneth Branagh's movie of Hamlet was set in 19th century making the setting of the castle more of a luxurious modern palace. For instance, In Act 4 Scene 4 during Hamlet’s soliloquy, Hamlet is seen in a setting full of snow in which he emphasize his anger towards the world and Claudius, “How all occasions do inform against me, And spur my dull revenge! What is a man if his chief good and market of his time be but to sleep and feed? A beast, no more.”(4.4. 31-34). The lighting of the movie plays a major role in the production of the film because it demonstrates emotions and feelings from the characters. For instance, in Hamlet starring Mel Gibson the lighting was adjusted to make the scenes darker to show sadness and grief. However in the Branagh version of hamlet the lighting was fairly bri...
In the play,”Hamlet, Act 3 scene 1” the target audiences between both plays were to a wide variety of people. Back when Hamlet was first written, it was made to be viewed by a wide variety of audiences. Typically during the renaissance era, plays were made more common to the lower part of society; this being why Hamlet was written. Although both plays are to the same audience, the first one is more distinct into who it wants viewed. It had elegance, and was more formal and professional. You could see in the audience people were wearing suits a formal attire. As to the second one, it was smaller scale, and the audience had people in shorts and sweats.
Her encounter with the Prince left her scared about his real intentions. She says that he looks like he has been,"loosed out of hell/ To speak of horrors". II,i 83-4) The very fact that Hamlet does not speak one word to Ophelia makes him look even more intimidating.
...as been treating Ophelia very poorly, and her death must be hitting him even harder knowing that she died without his love.
Hamlet – one of William Shakespeare's longest and finest pieces of literary work. Hamlets play hones in on characteristics such as, sadness, madness, insanity, morbidity, and mortality. While many scenes depict many of these characteristic’s, if not more than one, Act 5 Scene 1 is renownedly known for exhibiting all five of these characteristics in just a few paragraphs. With Shakespeare’s writing technique, imagery, repetition, and metaphors expressed throughout this scene, it allows for the reader to receive a clear image of what is going through Hamlets mind. In Act 5 Scene 1, Shakespeare uses imagery to express what Hamlet is thinking at that moment.
During Hamlet’s to be or not to be speech, Hamlet frequently stops and takes pauses as a way to reflect on what he has just said. At first, Hamlet remains relatively calm but as his speech progresses, and he walks around the mortuary visiting different tombs, including his father’s, his anger level elevates. Zeffirelli uses an effective lighting technique that bathes this scene with darkness but a golden glowing light casts on the side of Hamlet’s face, bringing out the contrast between light and dark, and life and death. The way Hamlet’s face is lit from one side and darkened from the other reflects Hamlet’s soliloquy of to be or not to be. It reflects Hamlet’s internal battle within himself to continue to live or to take his life away.
An orchestral background that enters the scene halfway through, as if to add emphasis to the point that Hamlet was driving toward, cheapens the scene even more. David Tennant’s approach to the scene is the opposite of the Branagh interpretation. Tennant’s Hamlet in a manner in which he is isolated and the only audio that the audience hears is the actor’s voice, in addition to a slow, detached speech pattern during the recital of the lines that Branagh seemingly sped through without necessary pause. Tennant’s version connects with the audience in a more real way, making the onlooker feel as if he or she could be in Hamlet’s position and the weight that he feels in that moment.
In this scene the use of the camera was captivating. Once the scene starts the camera is panned behind Hamlet right over his right shoulder, while he stares at himself through a full body mirror. The camera puts us in birds eye view of what Hamlet himself is looking at while he is convincing himself that suicide might be a great decision rather than living in a helpless world. While he stands dressed in all black inside of a grand ball room filled with beautiful trimmings, flooring and mirrors showing the sheer class of what being a prince consists of, we realize that Hamlet is alone and is becoming more of a danger to himself now becoming this beautiful monster. The length of the scene with minimal cuts has to be one of the most impressive attributes of this soliloquy, to memorize the lines perfectly and to look in the eyes of someone who is going mad right before our eyes, to be so close to where it’s almost intrusive making it feel so realistic. This film depicts everything in the text perfectly, from the tone to the setting. I read the text first and when I saw the movie I could not tell if the text had been altered in anyway. It was spot on word for word and the director did a great job delivering that to us from the use of open space to the use of light inside of the
While Prince Hamlet reflects, he contemplates life and death. Hamlet gives a verbalization that gives a sagacious foresight into how his grief overtook his thoughts. While Hamlet is giving this verbalizing there is a portrayal of darkness and solitude. In the play Hamlet is conspicuously verbalizing with himself he does not want the other to know the extent to his thoughts. This is only the commencement of how Hamlet is portrayed as being a perturbed person. Hamlet spend the whole play recollecting his father King Hamlet and then later in the play Ophelia.
Clearly this shows Hamlet grieving his father’s death while showing hostility to the king and queen for being so deathly cold about the previous king’s death. Also the readers can also see in Hamlet’s opening dialogue, it shows that he still has not come to terms with his father’s death and is still in the state of shock when we first see him.
In Lesson 19 of the videotape “Literary Visions';, the actor performs two interpretations of the monologue, “To be or not to be';. As said in the video, there are many ways that an actor can choose to interpret that particular speech in Hamlet. Many actors relish the opportunity to perform Hamlet, because of that particular speech. In a play, the actors’ interpretation of the character is what gives the audience the background and insights into the characters’ feelings, since there is not a narrator, like in a short story. Each actor’s version of Hamlet is different, and therefore the interpretation by the audience will be different. There is not a right or wrong interpretation, but a change in the actor’s tone of voice or facial expressions, can transform the meanings of the words. As seen in the video, the actor’s two interpretations of “To be or not to be'; from the video are very different from each other.
Shakespeare’s Hamlet is one of the most interesting, yet confusing pieces of literature ever to be published. There are quite a few different ways in which someone could interpret this play. In act II, scene ii, a few questions may arouse in the readers head to either the characters or Shakespeare.
Another key way in which Branagh’s captures Shakespeare’s Hamlet is through his body language. The soliloquy begins with Kenneth Branagh leaning onto the arms of one of the thrones, conveying a sentiment of hopelessness and despair, as he contemplates suicide because he cannot bear the sudden death of his father and his mother’s outrageous rapidity in remarrying. Throughout the entire soliloquy we see him staring up at the ceiling as if looking for answers, as well as, there isn’t a single moment when Hamlet is standing still. He paces back and forth nervously, which shows his desperation and anxiety. Lastly, as Hamlet’s character grows increasingly angry at his mother and the world, he repeatedly throws his hands up in the air and significantly raises his tone. Consequently, through
The setting of this scene is not only a metaphor for the internal character of Gertrude, but also functions as the platform on which Hamlet reveals how he feels about all of her transgressions. The use of the mirror as a metaphor is also warped from this point on, as the mirror is cracked and all reflections in the glass are distorted. The very same mirror that is shot in this scene is present when Ophelia gives her final monologue before she dies. She finds the freedom to speak her mind in her insanity and, arguably, the true, mentally fragmented reflection of her character is seen. The reflections and characterizations in the scene in Gertrude’s closet are consistent with Doran’s character driven rendition of Hamlet. Hamlet’s violence towards Gertrude continues, as he holds her head roughly and shows her the newspaper images of the late king and Claudius. This is an interesting part of the scene because Hamlet is describing the differences between the two men, when, in reality, both are played by the same actor, Patrick Stewart. In some ways, the queen marring her deceased husband’s “twin brother” results in an even more incestual feeling. This is troubling, yet keeps the focus upon the family drama of the play. While this scene unfolds, Gertrude is constantly afraid and on the verge of tears. This shows that she too is ashamed of