Walt Disney Research Paper

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Walt Disney’s initial principle of “Thinking tomorrow” lead Walt Disney to secure animation at the forefront of American entertainment by gathering the leading filmmakers, architects, and actors to create a short film that combined live-action movement with animation to produce his first big hit, the Alice Comedies in 1923. Throughout Walt Disney's career, “he always wanted to do something new and different and better,” which Alice Davis, wife of legendary animation artist and Imagineer of Marc Davis, wrote in an early interview. Walt was invariably pushing to create unique bodies of work that in no way emulated the efforts of his competitors in the film industry, for his work displayed unparalleled originality that was continuously evolving …show more content…

In his first few years as an animator, “...Live-action films increasingly played a major role in the success of his studio, so did the inclusion of visual effects. Such memorable films as (the Alice Comedies) began a tradition of combining complex optical effects with miniatures and matte paintings to create rich fantasy worlds on the screen." The Alice Comedies were Walt's first major pieces that established himself as a leader in the film industry by allowing people to merge the two realms of animation and reality into one image that left many of Walt’s earliest customers in …show more content…

Throughout the entirety of Walt's career, his innovative ideas for potential films and characters posed a threat to his business because while "his short films were highly popular, his distributors cheated him on returns and even stole his characters and, at times, his animators." As a product of these incidences, Walt Disney grew to establish the principle in his career, perseverance, as a fundamental method that ensured his company kept evolving with ideas that kept other corporations questioning how Disney employed such innovative practices into their films. Oswald was a character who was Disney's first breakthrough hit, which is why, “when Disney met with executives to negotiate another contract in 1928, the rabbit was still riding high and the animator thought he had the upper hand. Instead, the studio told him that it had hired away all of his employees and retained the rights to Oswald. Universal offered to keep Disney if he took a lower salary, but he refused.” Instead, "(Walt and his team) shortened the ears, added some extra padding around the middle and turned the rabbit into a mouse," ... and "soon he was ready for his debut as Mickey." Despite receiving

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