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Culture Norms Impact Society
Culture Norms Impact Society
The impact of culture in society
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The ‘Buzz’ on Vibrators
Suppressed sexuality and coy, coquettish femininity are nothing new to the world of women. Women are told to be polite, appreciative, and at all costs, protect their ‘womanhood,’ also known as their sexuality. Yet, women for ages have been fighting this oppression and pushing the limits of their physical roles as sexual beings; ancient Greek women used sex toys to illicit pleasure, and Asian women have been doing the same for a thousand years. There have been vast improvements in women’s sex toys, but exposure of them has been continually stifled by the overwhelming tone of patriarchy. By analyzing the vibrator in Wendy Griswold’s cultural diamond I will show how the agents of the vibrator patented women’s needs as a “disease,” how the receivers gratefully welcomed the new invention, and how the social world views women’s sexual independence.
The vibrator became widely used with the exposure of an “epidemic” among women. This “epidemic” entailed constant frustration, lack of concentration, and, among the seedy details, “excessive vaginal lubrication.” This was what physicians of the late 1800s coined as Hysteria. Hysteria, the root of the word stemming from the Greek notion of a “wandering womb,” was simply the plight of being a sexually frustrated woman. Yet, physicians did not see that as the case; they seemed to not want to identify sex drive with femininity (therefore, it had to be overtly medical). Rachel Maines, author of The Technology of Orgasm: Hysteria, the Vibrator and Women’s Sexual Satisfaction, through her “androcentric model of sexuality,” believes that physicians were quick to deny the sexual nature of the treatment (which, at the time, involved manual massage of the genita...
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...fter the publication of her book Good Vibrations: The Complete Guide to Vibrators. Blank has a fully operational website, complete with an online store, historical information (plus pictures of latter-day vibrators from her museum in San Francisco), and information on sex workshops, which discuss safe sex issues.
So, according to Griswold’s cultural diamond model, our cultural object is the vibrator, our agents are physicians as inventors/creators/designers, our receivers are women afflicted with Hysteria, and our social world stifles women’s sexuality through the facets of patriarchy and motherly influence. Yet, times are changing, and with entrepreneurs like Dodson and Blank, and authors like Maines, perhaps women will realize their roles as sexual beings and the world will identify femininity not with submission and weakness, but with power and assertiveness.
Each chapter contains numerous sources which complement the aforementioned themes, to create a new study on cultural history in general but women specifically. Her approach is reminiscent of Foucault, with a poststructural outlook on social definitions and similar ideas on sexuality and agency. Power cannot be absolute and is difficult to control, however Victorian men and women were able to grasp command of the sexual narrative. She includes the inequalities of class and gender, incorporating socioeconomic rhetic into the
At the beginning of the 1900s, there was a “sexual revolution” in New York City. During this time, sexual acts and desires were not hidden, but instead they were openl...
The values and rules of traditional community add great pressure on an individual 's shoulder while choosing their identity. While women 's have relatively more freedom then before but however values of traditional communities creates an invisible fence between their choices. It put the young women in a disconcerting situation about their sexual freedom. Bell demonstrates the how the contradiction messages are delivered to the young woman 's, she writes that “Their peers, television shows such as Sex and the City, and movies seem to encourage sexual experimentation... But at the same time, books, such as Unhooked and A Return to Modesty advise them to return to courtship practices from the early 1900s”(27).
Mary Pipher goes on to say that the problem faced by girls is a ‘problem without a name’ and that the girls of today deserve a different kind of society in which all their gifts can be developed and appreciated. (Pipher,M). It’s clear that cultures and individual personalities intersect through the period of adolescence. Adolescence is a time in a young girl’s life that shapes them into the woman they become. I think it begins earlier than teen years because even the clothing that is being sold for younger girls says sexuality. Bras for girls just beginning in every store are now padded with matching bikini underwear, Barbie dolls are glamour up in such away that these girls believ...
Accordingly, I decided the purposes behind women 's resistance neither renamed sexual introduction parts nor overcame money related dependence. I recalled why their yearning for the trappings of progression could darken into a self-compelling consumerism. I evaluated how a conviction arrangement of feeling could end in sexual danger or a married woman 's troublesome twofold day. None of that, regardless, ought to cloud an era 's legacy. I comprehend prerequisites for a standard of female open work, another style of sexual expressiveness, the area of women into open space and political fights previously cornered by men all these pushed against ordinary restrictions even as they made new susceptibilities.
The sexual lifestyle of women during the medieval time period was quite different among married and single women. Medieval women were not accurately informed of their sexual organs due to bad medical research. They thought they must perform sexual acts on a regular basis to preserve themselves. The third-century writer Galen was looked upon as an authority for medical information on sexual activities. Galen stated that, “a woman’s womb was ‘cold’ and needed constant warming by ‘hot’ sperm” (Time Traveler’s 55). One would assume that hu...
Shmoop Editorial Team. "Brave New World Theme of Sex" Shmoop.com. Shmoop University, Inc., 11 Nov. 2008.
Governed under the principles of male supremacy and superiority, it is comprehensible as to why female sexuality has been coined a “dangerous mechanism”
The 19th-Century was a period in which the expression of sexuality and sexual compulsion was firmly repressed. Charles E. Rosenberg explores the typical behaviors of the sexes, and how they related to the expression, or repression, of sexuality in “Sexuality, Class and Role in 19th-Century America.” Medical and biological literature tended to adopt very sex-negative attitudes, condemning sexual desires and activity. This literature was often ambivalent and self-contradicting. Initially, people viewed sex as a normal human behavior: they believed sexual excess was bad, but thought it was natural and necessary after puberty because horniness left unsatisfied and untreated could cause disease. However, in the 1830s, the previous sex-neutral attitude was quickly replaced by a harsher, more negative view of sexuality. “Quacks,” or charlatans, tried to instill people with a crippling fear of sex by warning them of
Gender identities and gender relations are determined by the culture of a society. Culture makes gender roles meet certain inescapable beliefs, assumptions, expectations, and obligations. Gender politics camouflaged by cultural norms and governed by patriarchal interests and manifested in cultural practices like female genital mutilation, make the life of women difficult and burdensome. Alice Walker’s fifth novel Possessing the Secret of Joy (1992) discusses a tabooed cultural practice called female genital mutilation, camouflaged by gender politics, that is used to subjugate women, to protect the interests of men. Female Genital Mutilation is a painful procedure considered to be a mark of true womanhood in certain cultures. The procedure
...of sexuality in the public arena. As they left the hallowed domestic sphere, women increasingly perceived sexuality as a political, and not simply a private, issue. (4)
However, the stigma of openly sexual women was not eliminated therefore marking down women's sexual freedom because of the stigma they carry in society.In conclusion, chapter by chapter hooks highlights how feminist theory repeatedly excluded non-white and working class women by ignoring white supremacy as a racial problem and by disregarding the highly psychological impact of class in their political and social status all while, in the case of black women, facing three classes of oppression in a racist, sexist and capitalist state. Throughout the book the author defines feminism, the meaning of sisterhood, what feminism is to men in addition to brushing upon power, work, violence and education. Although I found some elements of this book problematic hooks' critiques of feminist theory and the movement are well-presented, piercingly direct and remain relevant.
The sexualization of women in the 21st century has led many to wonder whether or not the feminist movement actually resulted in more harm than good. Although the progress and reform that came out of the feminist movement is indisputable, things such as equal rights under the law, equal status and equal pay, the reality is that the subjugation of female roles in society still exist, and the most surprising part about this is that now women are just as much as at fault for this as men are. Ariel Levy defines female chauvinist pigs as “women who make sex objects of other women and of ourselves” (Levy 11). This raunch culture is mistakenly assumed to be empowering and even liberating to women when it is in fact degrading and corrupting to the modern feminist movement and makes it more difficult for women to be taken seriously in society. The shift in the nature of the feminist movement is in Levy’s opinion attributed to by the massive industry now profiting off of the sexualization of women, the reverse mindset now adopted by post-feminists and women in power roles in our society, and ultimately the women who further their own objectification as sex objects and thus, so by association, deem themselves lesser than man.
There has been a long and on going discourse on the battle of the sexes, and Simone De Beauvoir’s The Second Sex reconfigures the social relation that defines man and women, and how far women has evolved from the second position given to them. In order for us to define what a woman is, we first need to clarify what a man is, for this is said to be the point of derivation (De Beauvoir). And this notion presents to us the concept of duality, which states that women will always be treated as the second sex, the dominated and lacking one. Woman as the sexed being that differs from men, in which they are simply placed in the others category. As men treat their bodies as a concrete connection to the world that they inhabit; women are simply treated as bodies to be objectified and used for pleasure, pleasure that arise from the beauty that the bodies behold. This draws us to form the statement that beauty is a powerful means of objectification that every woman aims to attain in order to consequently attain acceptance and approval from the patriarchal society. The society that set up the vague standard of beauty based on satisfaction of sexual drives. Here, women constantly seek to be the center of attention and inevitably the medium of erection.
"People and Events: The Pill and the Sexual Revolution." PBS. PBS, n.d. Web. 12 May 2014.