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Greek and roman literature alike
Literary analysis of romans
Greek myths in the Roman empire
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Recommended: Greek and roman literature alike
Commentary Assignment 1 Text 2: From Vergil’s Georgics B1 (A.S. Kline 2001 translation) Vergil, a Roman author, wrote a number of textual sources during the Roman period; while other authors tended to focus on the myths themselves, Vergil wrote the Georgics to show the implementation of agriculture on the land and the challenges the people at that time faced. The text begins with a peaceful chthonic time, before Jupiter’s (Zeus) time, until the ‘Father’ decides to test mankind, thus describing the creation of obstacles for men so that “thoughtful practice[s] might develop various skills.” The “Father” the reader would have to assume means Ouranos. Before the “Father” made his changes, farming was not used; this was also before the creation …show more content…
BCE Zeus is depicted in the image after birthing Dionysus from his thigh. Zeus carries a thyrsus (staff), and Dionysus carries a vine and a wine cup. Two goddesses are depicted in this image; Aphrodite (far left) holding flowers and Eileithyia (far right) The additional depictions of the goddesses in this image are different from the other visual sources, where only Hermes is present (Jan. 18). The depiction of Aphrodite at the birth is because she and Dionysus are both asexually birthed; Aphrodite was born out of sea foam. In the image, Eileithyia is praising or blessing the newborn god, as she is the goddess of childbirth. After birthing Dionysus, the young god already has abilities; the image shows that Dionysus is able to influence people he is close to; Zeus’ animal pelts and sceptre. This image also represents the repetition of the past; similar to when Rhea gives Cronos a stone in disguise as a child, Zeus gives Hera a piece of the sky in disguise as Dionysus. Dionysus is known as the god of wine, emotional freedom, and ecstasy; patron of wine festivals. His image often incorporates his symbols; the grape vine and the actor’s mask, but the mask is not represented in this …show more content…
BCE This image shows Heracles and Apollo fighting over the Delphic Tripod while two goddesses, Athene and Artemis, watch them. Heracles (second from right) wears the lion skin he is often identified with and appears to be holding a club. Apollo (second from left) wears his bow and quiver of arrows over his shoulder. Athene (far right) wears a cloak of snakes and Artemis (far left) is accompanied with a quiver of arrows and crown. There are several sources for this story in the Anthology of Classical Myth. According to Apollodorus, this scene is located in Delphi when Heracles wished to find a way to end his disease of guilt (41). However, when the Pythia (Oracle of Delphi) refused to give him a prophesy Heracles tried to take the Delphic Oracle to establish his own oracle (41). Apollo is identified as the patron of the Delphic Oracle, so when Heracles tried to steal it, Apollo had to fight him, only to be separated by a thunderbolt from Zeus, who then provided Heracles with a prophesy (42). Apollo’s traits include healing and disease, so this battle may not be a coincidence considering Heracles diseased mind. According to Apollodorus, there is no mention of the goddesses depicted in the image. Artemis is likely only included in the image since she is Apollo’s twin sister and they are rarely separated during fights; they were also together when they murdered Niobe’s children. Athene (Athena) is depicted in the image because
sculpture of Dionysos, it tells us about a little bit of culture. The unclothed Dionysos indicate a common
Dionysos, also known as Dionysus, is an Olympian god of many things such as festivity, pleasure, wine, and vegetation. Dionysos is the god of wilderness and one of his attributes are large cats, helping me recognize the statue of him wearing clothes made of animal skin. According to Metropolitan Museum, it stated that, Dionysos wore panther skin over his skirt like clothes and animal head shaped like a huge cat on his high sandals that look like boots” (MET). Also, despite being a male figure, Dionysos has a petite face and is often attractive or even beautiful because he represents youth. Looking at the statue, another attribute that I recognized was that his face looked pretty and had long hair, making him look very young and feminine while having a masculine body.
...t is also important to notice that every character seems to have wide eyes and dark circles drawn under their eyes. This is perhaps one of the most important aspects because the eyes show the underlying theme of complete inebriation. This in turn, proves the impact that Dionysus had on his followers as well as those who he conquered. Wine brought great power to its creator, and made a lasting impact on history. With these devices of communication, we are able to see that the follower wanted to capture Dionysus’s legacy by creating a sarcophagus of remembrance in his honor.
Although, he is the god of wine who gives festivities and tranquil state of mind. He causes people lose control of their sanity which leads to negative consequences. These actions contradict the norms of society, specifically targeting the role of women who are supposed to be civil. Instead, they dance and worship Dionysus out of their own will. He has a wicked way of punishing those who denied his existence as a god by driving them crazy. His powers lead from being peaceful to destructive. If Dionysus was concerned with morality he will not lead others to lose their sanity or control them against their own will. His actions of seeking revenge are viewed as cruel for murdering those who claim he is not a god. The way he sought revenge to punish those who believed he was not a god shows that he is not concerned with
Athena was a goddess of war who preferred peace to fighting (Lies 47). The deity was depicted in full wartime armor, including a helmet and spear. However, despite her rough accessories, Athena also showed off extreme femininity in her clothing as well as features (Buxton 79). Athena was Zeus’s favorite daughter. Zeus, the king of the gods, allowed her to dress in his Aegis (Lies 47).
Before unraveling the scene of Ambrosio and the fallen angle it is necessary to give a short general history of Dionysus, as it relates to this passage. Dionysus was born to a human mother Semele, who burns after seeing Zeus in his true form (Hamilton 65). Zeus saves the child and places him to be raised among nymphs, associated with “the stars which bring rain when they near the horizon” (65) and in this way Dionysus was “born of fire and nursed by rain” (65). Imagery of the vine also helps perpetuate the God’s yearly death, causing him to be torn apart every winter, as well as influencing the Maenads, a group of frenzied woman who run tearing apart anything in their path. While wine can bring joy, these sinister aspects ...
Dionysus, son of Zues and Semele and Apollo, son of Zues and Leto, both were born under strange conditions. Dionysus was born from the thigh of Zues after being fully grown, and Apollo's mother, Leto, was in labor for nine days with him because Hera did not want him to be born and would not give Leto a safe place for the child to be delivered. Both these Gods have the need for power and a very creative drive. They spent their youth recruiting new worshipers for their respective cults in which they started, each cult showing their divinity. They are both associated with the phenomenon of ecstasy, meaning to stand outside oneself. In one such case, Apollo's priestess Pythia was overcome by his spirit and began speaking in tongues. Also when possessed by Dionysus, his followers similarly changed there normal actions, breaking into wild dances and "experienced a rapturous sense of union with their God." This shows how they made contact with humans, but in very different ways.
I decided to analyze the similarities and differences between the two gods: Zeus and his son Dionysus. Even though Dionysus is of the same lineage of Zeus, this does not mean they share all of the same characteristics of one another. They differ greatly in attitude, appearance and morals. Zeus is considered the king of all gods, and he proudly uses his powers for his own amusement and pleasure, often at the expense of others lives. Whereas, Dionysus is the god of wine and fertility and he uses his powers to bring both pleasure and an escape from the grief that plagues ones mind but this can come at a cost leading the consumer to become unpredictable and easily influenced through overindulgence and addiction.
Aphrodite is one of the most famous figures of Greek mythology, because Aphrodite was the Greek goddess of love, beauty, and sexual rapture. She was desired by nearly all of the Greek gods. Aphrodite was one of the twelve main gods on Mt. Olympus, and she was the most powerful goddess when it came to members of the opposite sex. There are many origins to Aphrodite's birth. Some of them are: She arose full-grown out of the foam of the sea, She is the daughter of Zeus and Dionne, She is the daughter of Uranus and Gaia, which would make her a Titaness, or She is the daughter of Titans Oceanus and Tethys, making her an Oceanid. (Dittus 34-35) “The most common origin of her birth is her being foam-born, which is what her name means” (Parin 45). This origin says that Aphrodite arose nude and full-grown out of the foam of the sea and riding into the shore of Cythera on a scallop shell. She found Cythera to be too small of an island, so she went to live in Paphos, in Cyprus, which is still the principal seat of her worship.
In “Gender and Moral Luck,” Claudia Card argues that men and women have very different mindsets that set the two apart from one another. Her argument is that women are caring and inclusive with a weak sense of justice. Women are encouraged to assimilate and because of this, they become extensions in their relationships (206). That is what causes men to hold all the power in society. Men hold the power in the political sense because the majority of the leaders in office are male, but they also hold power in the house holds. Women are also masochistic in the sense that they can’t seem to say “no” in most cases because they are too caring. They tend to stay in bad relationships due to their need to satisfy everyone and their failure to accept
In ancient Greece, Dionysus was the god of wine and ecstasy. "The myth of Dionysus is a
Zeus’s jealous wife, Hera, found out that he was having an affair with Princess Semele and she was not happy so Hera went to Princess Semele in disguise. Hera told Princess Semele that if Zeus truly loved her that he would let her see him in his natural form, a frenzy of lightning bolts. Princess Semele asked Zeus to promise to grant her a wish. He loved her and so he swore to her that he would do whatever she wanted. When she told him that her wish was to have him show himself to her as his natural form he knew it was a mistake but he had promised and could not take it back. He had to go to her as a frenzy of lightning bolts and he knew it would kill her; when he went she was fatally scorched. Princess Semele was pregnant with Dionysus, so Zeus reacted by grabbing the fetus and putting it in his thigh. From there, this is where the fetus grew and where Dionysus was born
Greek tragedies began at a festival in honor of Dionysius, who was the god of wine. At the early festivals, drinking, quarrels, and sexual activity occurred frequently. Later on, tragedies gained much more respect and were taken very seriously. The plays dealt with man's relationship with god(s). These plays also dealt with a specific instance of life. The chorus wore goat-skins and served a great purpose in the tragedies, themselves. Thespis, the father of the tragedy, created an actor who talked with the leader of the chorus to further make the importance of the chorus seen.
Aphrodite leg is creating a V shape. Hera seems to be modeled after Aphrodite of Knidos, with her hand somewhat modestly place to cover the female part and her body shape is also quite similar too Aphrodite of Knidos. Athena on the other hand, is giving the audience her full back. Her body creates “s” shape with gives a sense of motion. All four females depicted in the painting have that ideal female body congruent with Greek ideal at that time, 0.7 waists to hip ratio, unfit, non-muscular body. Same can be said with all the males depicted in the painting, they all adhere to the male ideal body; they are all extremely muscular and ripped, ready to protect their town and women, even Eros, a child has an extremely muscular body. Paris is seen horizontally extending his arm towards to Aphrodite granting her the apple, show casing every arm muscle just like in Discus Thrower, as if the artist just capture the exact moment of motion. There is an implied line, directing the viewer’s eyes towards the focal point, Aphrodite and Paris. All the character’s eye direction in the painting is going towards Paris choice of giving the apple to Aphrodite instead of choosing to give it to Hera or Athena. Furthermore, a dog, next to Paris, is seen horizontally lying down on the floor, which according to Greek culture, dogs were the protectors, they are calm, loyal and devoted to their masters. The viewer based on location and proximity of the dog to Paris can conclude that he will protect Paris from harm, foreshadowing the Trojan War, which Paris escapes alive. There is also iconography in the painting such as Eros, to identify Aphrodite, a peacock to identify Hera, and armor for
The statue showed the goddess Aphrodite preparing for a purity bath, her recently removed garment in hand, torso and legs bent in the contrapposto position assumed by a multitudes of preceding Greek figures. Perhaps the most iconic feature of the Aphrodite at Cnidus, however, is the placement of her right hand over her pubic area, so as to shield herself from view. This detail became the paradigm for the Venus Pudica pose, the most identifiable continuity between later recreations of the statue. Because of the chosen subject (Aphrodite was the goddess of love and sexual desire) and the nearly immediate renown of the piece (both the sculpture and the temple it was housed in became a popular spot for tourism, and many pieces of writing alluded to it) the Aphrodite at Cnidus was and still is the subject of discussion in regards to its role as a sex object and its intended viewership as