Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Ancient greek art ap art history
Ap art history greek quizlet
Ap art history greek quizlet
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Ancient greek art ap art history
The Winnipeg Art Gallery hosted Olympus, an exhibition on Greek art. One of the many artworks that were displayed was a Statuette of Youthful Dionysos, god of wine and theatre.
This particular marble sculpture s is one of the thirteen pieces that were showcased in the Gods
Among Us display. This formal description will proceed in describing the physical description, the condition of the work, stylistic description and my personal reaction to the work.
The marble Statuette of Youthful Dionysos stands about 30 inches tall. The arms, legs, nose, and the private part are all hacked, and the entire sculpture is supported by two metal rods that connect from the legs to the base. Long locks of hair are falling onto the shoulders and the
…show more content…
Hellenistic and Classical portrayals usually depicted him as a feminine and pretty youth with soft curvy body, and holding a bunch of grapes. He was sometimes depicted drunk, leaning his body on an escort. Lastly, some depictions portrayed him as an infant or child in the arms of either Seilenos or
Hermes.
Like any other Greek sculptures, the Statuette of Dionysos is damaged in many ways, as it is obvious that these damages indicate the work surviving through time, but there are other factors that made the work look as it is today. Most sculptures were seen as symbols of politics during their era. Hacking those sculptures was a way to show political opposition or protest, and the statuette was one of the unfortunate sculptures that were affected by these acts. This particular statuette of Dionysos has had a few noticeable damages. Parts of the two legs are cut off; the right leg cut from below the kneecap and the left with the knee also cut off. Other parts such as the arms, the nose, and the genitalia are also cut off. The entire piece is also covered with stain spots. The most noticeable part is the discoloration from the top left part of the head, to the right shoulder, all the way down to the right part of the
…show more content…
The damages already tell us that that the work went through different tests through time, but the the style tell us something else. Apart from it telling us that it’s a sculpture of Dionysos, it tells us about a little bit of culture. The unclothed Dionysos indicate a common practice amongst the men, which is nudity. The sculptor depicted Dionysos with a slightly S-shaped body to show elegance and poise. But this image of elegance and poise seems to contrast with the true personality of Dionysos. As I was perusing around the exhibition, I took the chance of finding out which god’s
True nature is similar to mine by taking a quick quiz that matches a person’s personality with a god’s personality. I ended up being matched with Dionysos’, who apparently has an exuberant, opulent, and extravagant nature, which I can definitely be most of the time. But I didn’t quite get that vibe from the first time I saw the statuette of him, as god’s sculptures were made to exude elegance, poise, power, and overall perfection, which is really the recurring theme in every Greek and Roman sculptures. Therefore, the sculptor was successful at interpreting
Dionysos in his own perspective or making him appear in a way that he’s supposed to
The difference between an archaic statue such as Kroisos (fig. 5-11) and a classical statue such as Doryphoros (fig. 5-42) may not seem very great in a single glance. In fact, you may not notice any differences in that one glance. Yet, if you were to look at them closely, you can see that these two statues actually have very little in common.
It can be seen that the anatomy was handled quite ruggedly. There is much damage done on the knees, hands and forearms. Only these areas of the sculpture seem to be damaged most severely. The edges of her headdress and throne are also broken off. There are so many scars and broken areas all around. The parts of the face such as the nose and the side of her left eyebrow are chipped off. Her headdress is damaged especially on the top and along the side edges. Additionally, a huge chunk on the front left side of the throne has broken off as well. Despite the amount of damage on this piece, there is only one restoration made on her left eye by the Museum conservators (Hayter). Everything is left, as it is, remaining untouched and damaged. There are also hieroglyphics on the front and some on the sides of the throne Hatshepsut is seated on.
The Statue of a kouros represents a Greek male. With one foot forward, the statue at the same time, represents movement and is able to stand on it own. This also gives the over life size figure, visible weight. In this early figure, geometric forms seem to predominate, and anatomical details, such as the chest muscles and pelvic arch, are presented with somewhat of exaggerated lines. Although the exaggerated lines show where these muscles belong, the detail is still missing. Looking up and down this nude body, at this miss proportioned and lacking of detail body, the hair is what grabs my attention. The hair is carved with detail not noticeable in the rest of the body. As well, although the fists are clinched and still bonded to the body, the legs and elbows are separated. The ability to move around and inspect the statue makes a big difference than if it was up against a wall, or just looking at its picture. The legs, which support the weight of the statue, have a visible strength which is seen in the knees. The head is what carried the most detail, the ears although to far back, are intricately designed. It is the ability to walk around the entire statue that allows me to see the different aspects and places where attention to detail was placed. However, he does not expand into three dimensional space; he has a closed-off, column-like appearance
...t is also important to notice that every character seems to have wide eyes and dark circles drawn under their eyes. This is perhaps one of the most important aspects because the eyes show the underlying theme of complete inebriation. This in turn, proves the impact that Dionysus had on his followers as well as those who he conquered. Wine brought great power to its creator, and made a lasting impact on history. With these devices of communication, we are able to see that the follower wanted to capture Dionysus’s legacy by creating a sarcophagus of remembrance in his honor.
Sculpture is a medium that artists in ancient Greek commonly used to express spoken truths in an unspoken form. Every piece of ancient Greek sculpture has more than what the eye sees to explain the story behind the [in this case] marble.
The Differences between Apollo and Dionysus are not difficult to see. Though both Gods are associated wi...
I decided to analyze the similarities and differences between the two gods: Zeus and his son Dionysus. Even though Dionysus is of the same lineage of Zeus, this does not mean they share all of the same characteristics of one another. They differ greatly in attitude, appearance and morals. Zeus is considered the king of all gods, and he proudly uses his powers for his own amusement and pleasure, often at the expense of others lives. Whereas, Dionysus is the god of wine and fertility and he uses his powers to bring both pleasure and an escape from the grief that plagues ones mind but this can come at a cost leading the consumer to become unpredictable and easily influenced through overindulgence and addiction.
This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was an enormous size that towered thirty-three feet tall. The costly nature of the materials out of which it was designed was intended to overwhelm the viewer, creating a sense of religious awe.
The Marble Grave Stele is a horizontal piece that was embedded in a larger piece of marble. The inscriptions of the names of who died have long been lost. Thus, we must interpret for ourselves what the full meaning of the piece is. The artist of the piece is unknown, but it was constructed in Greece in around 360 B.C. during the Classical Era and stands at 171.1 centimeters in height. Its original location, as its name suggests, was at a gravesite; currently, it is located in New York City at the Metropolitan Museum of Art. The Stele was carved from marble. Overall, it is in good condition; however, the body of the woman on the left is missing with only her head surviving. Its stone frame in which it was set is also missing. This frame more than lik...
It was found in a shipwreck off Cape Artemision and refurbished to what it may have looked like during its time. (Artemision Zeus or Poseidon). Standing a little over 2 meters high, it is sculpted in the nude fashion whilst being posed in the ready position to pitch an object. The body was made in the idealized image of the Greek’s superior overseers. The eyes of the sculpture likely inlaid with glass but had gone missing as time passed. On the account of the sculpture being found undersea, it had gone through much degradation and was thought to be done in Early Classical Style in bronze and was presumably made around 460 B.C.E (Artemision Zeus or Poseidon). The model of the sculpture closely resembles that of either Zeus or Poseidon, which leaves much confusion and speculation of who the piece represents. Consequently, there have been arguments that the piece may not represent Poseidon, but instead Zeus. The theory came about during the time when the sculpture was first being studied; the right hand grasping an object that would have helped archaeologists to identify the god, but the piece is lost. Most Art Historians believed it to be Zeus for his weapon was a thunder bolt and would not obscure the face of the work (Artemision Zeus or Poseidon). Another possibility is that the sculpture was made of bronze, a form that only gods of high
statue was found in the Hera's Temple. Contained in the Temple of Zeus was one
The theater of Dionysus stands at the foot of the acropolis and its date originates back to the 6th Century, B.C.. Its originally wood seats rise in tiers above one another against the slope of the acropolis, creating a natural setting for the plays (D'ooge, 231). The Greek Theater was built to house a drama which, during the festivals of Dionysus, had evolved from the long tradition of choral hymns which were presented each year. As Greek culture changed and flourished, entertainment transformed from being a series of choral chanting and dancing to placing an emphasis on the actor. As the actors' importance grew, there became a need for a stage from which they could be seen by each of the fourteen thousand spectators the theater housed. The chorus was still a very active part of the entertainment and they resided in the orchestra (Norwich, 64). The orchestra was the oldest part of the Greek theater and thus, when the actor was given
The festival of Dionysus was a big festival in Athens, Greece, honoring the Greek God Dionysus, the God of wine and theatre. The events included during this festival involved theatrical performances of dramatic tragedies and comedies.
The man is standing- naked-with dominant power, and his body is strongly structured and muscles clearly shown. He is holding a sword pointing down against his collarbone, and the pierced skin is shown to be bleeding out of the wound as well. His face is confident and he is wearing what seems to be a wrapping around his neck. The woman is wearing full clothing and is slouched over on the ground, lifeless, and the man is holding one of her arms up. The scene is very dramatic and and intense. The sculpture is said to represent the victory of Attalos I over the Gauls. The Gauls are known to have long and bushy hair with and long neck bands, which I know now, are called Torques. The Gallic chieftain stabs himself with a sword, killing himself, instead of surrendering. He is known to be heroic because he avoided the capture of his wife, who would have been sold to slavery, but instead took her life. In order to look at the whole sculpture , you need to walk around and get a good view of each of the man and woman’s expressions. This sculpture is from the Roman Hellenistic era. Originally, the sculpture was grouped with many others, and is from the acropolis of the kingdom of Pergamon. The men and women were represented as Gauls because the hair on the sculptures did not look nice or healthy, so historians think that they were barbarians at the time. They also believe that the man and
The statue portrays an effeminate man, posed dramatically to depict the pain and anguish of the subject. The man is hunched over with one elbow pointed skyward and it’s hand held protectively over his neck, while the other hand is seemingly pulling at his hair in frustration. On knee is bent and crossed slightly over the other, setting his body in an awkward, pained posture. The overall pose is gestural and flowing, while the integrity of the bronze molding reinforces the poses fluidity, molded and shaped as if the flesh of the man was pulled and wrapped around his skeleton.