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Japanese society and culture
Japanese society and culture
Japanese society and culture
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Underground combines two collection of interviews. Part one is a grouping of interviews with victims of the sarin gas attack. Part two is a collection of interviews with former and current members of the religious sect that perpetuated the attack. The author, Murakami Haruki, took up the assignment in part to understand his own cultural identity after almost a decade of living abroad. While the book is made up of narratives from individuals of widely varying backgrounds, the stories share common themes, and together, they reveal many intriguing aspects of the Japanese psyche and the values of Japanese society and culture as a whole. Ie (家), Gakkō (学校), and Shigoto (仕事) means family, school, and work, all which are important to Japanese society and culture. One of the most prominent theme was the value and importance which the interviewees placed on their jobs. Education is an important key in order to getting a good job and that graduating from a top-ranking university is regarded as an essential requirement for a high-level position. Working extra time appeared to be typical for the …show more content…
interviewees – numerous talked about waking up early so they could arrive at work up to 90 minutes prior it officially began. Despite the fact that they were experiencing compelling physical symptoms from breathing in sarin, a large portion of the interviewees proceeded on their way to work, or under the insistence of a colleague or superior. A few of the interviewees came back to work quite soon after the attack, regardless of not being completely recuperated. One salesman, who caught an unidentified train at Kodemmacho Station, named Ken’ichi Yamazaki, age 25, said, “Honestly, it would have been better for me to take some time off with sick pay, but the company wasn’t that generous. It was nine to five, plus overtime just like always” (188). Also significant was the disconnection and isolation between the commuters. “Keeping quiet is a bad Japanese habit” (169). In spite of the observable inconvenience brought on by the gas, the vast majority of the interviewees did not try to ask other passengers what was going on, preferring to wait until the next stop to change trains and distance themselves from the situation. One interviewee, who was in her 30s was Ikuko Nakayama, who caught the Tokyo Metropolitan Subway: Marunouchi Line (Destination: Ikebukuro) on train B801/B901, said, “No one said a thing, everyone was so quiet. No response, no communication. I lived in America for a year, and believe me, if the same thing had happened in America there would have been a real scene. With everyone shouting, “What’s going on here?” and coming together to find the cause” (114). Additionally, passengers that lost consciousness stayed lying on the floor for quite a while. Commuters, with a few notable exceptions, did not endeavor to help them, rather waiting for employees whose power permitted them to intervene. Many of the interviewees also expressed a level of disillusionment with Japanese society and its emphasis on the material, often at the expense of the spiritual or moral side of the society.
One interviewee, on a Marunouchi Line bounded for the Destination Ogikubo on Train A777, Mitsuo Arima, was age 41, assessed the situation, saying, “we’ve lost any sense of crisis and material things are all that matters. The idea that it’s wrong to harm other has gradually disappeared” (65). Another interviewee Toshiaki Toyoda, a subway worker, who was 52 at the time, caught the Chiyoda Line on Train A725K, said, “I already knew society had gotten to the point where something like Aum had to happen … It’s a question of morals” (38). A few interviewees likewise voiced criticism of the media, specifically because of the way it misrepresented and sensationalized the sarin
attacks. Not only did the victims express a level of disillusionment with Japanese society and its emphasis on the material, often at the expense of the spiritual or moral side of society, but the former and current members of the religious Aum movement also did too. The emergence of new religious movements, like Aum Shinrikyo, in the 1980s reflects “the increasing dissatisfactions of modern people with the apparent spiritual desolation of a modern society that appears capable of inflicting increasing levels of stress and hard work on its members compensated only by material rewards, which themselves are tenuous and at risk of economic downturns and recessions,” said by Ian Reader. Murakami also adds “for people who are outside the main system of Japanese society (the young in particular), there remains no effective alternative or safety net. As long as this crucial gap exists in our society, like a kind of black hole, even if Aum is suppressed, other magnetic force fields—Aum-like groups—will rise up again, and similar incidents are bound to take place” (248). Haruki Murakami interviewed Kanda Miyuki, one of the current members of the cult, said that the reason why she joined Aum was “to concentrate on her ascetic training, she left high school and took vows. . . . Talking to her, I could understand how Aum Shinrikyō was a kind of ideal place. She clearly found ascetic life far more fulfilling than living in ordinary society, where she could find nothing of any spiritual value. Aum was a kind of paradise” (304). The interviews highlight numerous captivating parts of the Japanese mind. Work was a high, if not a central, priority for the vast majority of the interviewees. Isolation, individualism, and absence of correspondence were common throughout many accounts of the attacks. A significant number of the interviewees expressed disillusionment with the materialism in Japanese society and the sensationalistic media, and in addition the inefficiency of the emergency response system dealing with the attack. However, after viewing the sarin attack as an ‘extreme and exceptional crime committed by an isolated lunatic fringe', it was simple for Japanese citizen to avoid facing the darker realities of both Japanese society and culture, and their own particular selves. As one said, “Of course, Tokyo is known as a safe city. The gas attack hasn’t changed my opinion of Japan; there’s no country in the world as safe as Japan” (136). As Murakami discerns the fundamental issues leading to the attack, we achieve a clear vision of an event that could occur anything, anywhere. “After this experience we must make every effort to ensure that this prosperous and peaceful nation, built on the labors of previous generations, is preserved and passed on for generations to come. The most important thing for Japan at this point is to pursue a new spiritual wholeness. I can’t see any future for Japan if we blindy persist with today’s materialistic pursuits” (131). And as though many of the victims would rather forget the whole incident, “we just can’t let it happen again. That’s the main thing. All the more reason why we can’t forget this incident. I just hope that what I’m saying, when it gets into print, will help everyone remember. That’s all” (158). Works Cited Murakami, Haruki, Alfred Birnbaum, and Philip Gabriel. Underground: The Tokyo Gas Attack and the Japanese Psyche. New York: Vintage, 2001. Print.
Peter H. Brothers’ “Japans Nuclear Nightmare” compares the movie Godzilla to a devastating period in Japan’s history: The Atomic Age. The bombing of Hiroshima and Nagasaki by the United States destroyed Japan. In this article, Brothers wants to educate the audience and accomplishes this by using ethos and pathos. He uses ethos by appealing to ethics and to show right and wrong to the Japanese culture and community. He also uses the rhetoric of pathos to appeal to the audience’s emotions. Pathos is one of the easier ways to capture the audience and the author does that by using imagery and symbols. Brothers’ connects
Much of what is considered modern Japan has been fundamentally shaped by its involvement in various wars throughout history. In particular, the events of World War II led to radical changes in Japanese society, both politically and socially. While much focus has been placed on the broad, overarching impacts of war on Japan, it is through careful inspection of literature and art that we can understand war’s impact on the lives of everyday people. The Go Masters, the first collaborative film between China and Japan post-WWII, and “Turtleback Tombs,” a short story by Okinawan author Oshiro Tatsuhiro, both give insight to how war can fundamentally change how a place is perceived, on both an abstract and concrete level.
Szegedy-Maszak, Marianne. "The Abu Ghraib Prison Scandal: Sources of Sadism." Writing and Reading for ACP Composition. Upper Saddle River: Pearson Custom, 2009. 210-12. Print.
Most of us would like to think that history is based on civil negotiations between representatives from around the world. The fact is, war has always been a disease that spreads not only in the battle field, and infects all those who come in contact with it. In the case of nuclear weapons, the United States, like many countries, raced to produce some of the most deadly weapons. Kristen Iversen shares her experiences surrounding a nuclear production facility in Boulder Colorado called Rocky Flats. The events at Rocky Flats are fuelled by secrecy and widespread hazards, it is the integration of these concepts to various aspects of her life that are at the center of Full Body Burden.
Miles, Rufus E. Jr. “Hiroshima: The Strange Myth of Half a Million American Lives Saved.” International Security (1985): 121-140.
The book “Hiroshima,” written by John Hersey is an alluring piece coupled with an underlining, mind grabbing message. The book is a biographical text about the lives of six people: Miss Sasaki, Dr. Fujii, Mrs. Nakamura, Father Kleinsorge, Dr. Sasaki, and Rev. Tanimoto, in Hiroshima, Japan. It speaks of these aforementioned individuals’ lives, following the dropping of the world’s first atomic bomb on 06 Aug 1945, and how it radically changed them, forever. John Hersey, the author of “Hiroshima,” attempts to expose the monstrosity of the atomic bomb, through his use of outstanding rhetoric, descriptive language, and accounts of survivors. He also attempts to correlate the Japanese civilians of Hiroshima to the American public, in hope that Americans
Japanese Americans underwent different experiences during the Second World War, resulting in a series of changes in the lives of families. One such experience is their relocation into camps. Wakatsuki’s farewell to Manzanar gives an account of the experiences of the Wakatsuki family before, during and after the internment of the Japanese Americans. It is a true story of how the internment affected the Wakatsuki family as narrated by Jeanne Wakatsuki. The internment of the Japanese was their relocation into camps after Pearl Harbor was bombed by the naval forces of Japan in 1941. The step was taken on the assumption that it aimed at improving national security. This paper looks at how internment impacted heavily on Papa’s financial status, emotional condition and authority thus revealing how internment had an overall effect on typical Japanese American families.
In the book Hiroshima, author paints the picture of the city and its residents' break point in life: before and after the drop of the "Fat Boy". Six people - six different lives all shattered by the nuclear explosion. The extraordinary pain and devastation of a hundred thousand are expressed through the prism of six stories as they seen by the author. Lives of Miss Toshiko Sasaki and of Dr. Masakazu Fujii serve as two contrasting examples of the opposite directions the victims' life had taken after the disaster. In her "past life" Toshiko was a personnel department clerk; she had a family, and a fiancé. At a quarter past eight, August 6th 1945, the bombing took her parents and a baby-brother, made her partially invalid, and destroyed her personal life. Dr. Fujii had a small private hospital, and led a peaceful and jolly life quietly enjoying his fruits of the labor. He was reading a newspaper on the porch of his clinic when he saw the bright flash of the explosion almost a mile away from the epicenter. Both these people have gotten through the hell of the A-Bomb, but the catastrophe affected them differently. Somehow, the escape from a certain death made Dr. Fujii much more self-concerned and egotistic. He began to drown in self-indulgence, and completely lost the compassion and responsibility to his patients.
Through his uses of descriptive language Hersey exposes to the reader the physical, emotional, Psychological and structural damage caused by a nuclear attack. He shows the reader how peoples are physically changed but also how emotional psychologically scared by this act of horror. Through Hersey’s graphic detail of the horror after the bomb and the effects years after he shock the reader while also give the message that we shouldn’t let this happen again. In the book Hiroshima the author John Hersey exposes that a nuclear attack is not simply a disaster that fades away when the rubble is removed and buildings are rebuilt but an act of horror that changes the course of people’s live.
Most American citizens remember December 7, 1941 and the significance that the incidents of that day had. The attack on Pearl Harbor was a shock to the United States of America and it engaged our country in the Second World War of that century (Pearl, 2009). Unfortunately, due to that incident, many Americans harbor many negative feelings and attitudes towards the country of Japan. While this is an understandable sentiment, it is unnecessary, because Japan is an influence on not on the United States but the entire world. Throughout this paper, we will look at the country of Japan as many have never viewed them before. Their actions of the past are just that, the past. Japan is a thriving and successful country within our environment and it is in our best interest to understand that country better. Japan, as a culture, is the
A series of shots being fired in the near distance can be heard. A crew of ambulances, police cars, and fire trucks are seen speeding down the streets while blaring their sirens to warn people to move out of the way rapidly. Then, crowds of people are seen running down the street franticly. Sounds of earsplitting yells fill the air. Their eyes are filled with tears of fear and terror. They look as if they were running for their lives. There is a wave of worry and curiosity that washes over everyone’s face as they stand there from a distance watching it take place. There was a sense of wanting to run towards the chaos to see what was going on. But the panic of the people running gave off the feeling of “Warning! Do NOT come this way!” What was happening? Later that night, the news reports that another mass shooting took place earlier on in the day. In the 21st century, many crimes involving mass shootings are the main focus of the public eye in the media. With the technology of the 21st century, investigators are able to look more into depth of the criminal’s background to see if they have a history of mental illness.
There have been many horrible crimes that have been committed by suspected members of certain cults. There have been crime cases such as , murder, kidnapping, assault, and sexual-assault. It has also been reported that there have been terrorist attacks leading to certain cults that made death threats in the past. In the days following the subway gas attack on March 20, 1995, as suspicion fell on the Aum, most people outside of Japan learned for the first time of this rather obscure Japanese religious sect. To most, their criminal actions of March 20th were out of character for a religious group. Yet, a closer review of the Aum's history show that this group's character had a common thread of criminality leading back to almost the date it was legally chartered. They include murder, attempted murder, kidnappings and burglaries. These incidents, most of which only became known to the outside world in the aftermath of the Tokyo attack, have led many to conclude that Japanese authorities should not have been surprised by either the subway attack or its perpetrators.
...omic exploitation. After enduring such injustices and hardships, many are now enjoying the life the Issei dreamed of for their families. Bibliography Work Cited Parillo, Vincent N. Strangers to These Shors: Race and Ethnitc Relations in the United States. Needham Heights, : Massachuchetts: 2000, 287-289. Klimova, Tatiana A. “Internment of Japanese Americans: Military Necessity or Racial Prejudice.” Old Dominion University. 1-9 (5/2/00) Asia, Ask. “Linking The Past to Present: Asian Americans Then and Now.” The Asia Society 1996. 1-3 (5/1/00 Spickard, Paul R. Japanese Americans: The transformation and Formation of an Ethnic Group. New Yourk:1996,93-159 McWilliams, Carey. Prejudice Japanese Americans: Symbol of racial Intolerance. boston: 1945,106-190. Myer, Dillon S. “Joseph Yoshisuke Kurihara.” Upprinted Americans 1971. 1-5 (5/1/00) Asin, Stefanie.”Poignand Memories.” Houston Chronicle 7/31/95.1-3 5/2/00 Reaseach Center.”research on 100th/442nd reginent conbat team.:NJAHS.1-2 5/2/00 Miyoshi, Nubu.:Idenity Crisis of the Sansei.”Sansei legacy project 3/13/98.1-21 5/1/00 Kiang, Peter.” Understanding the Perception of Asian Americans.” Asian Society1997.1-2 5/2/00 Word Count: 1862
Bushido is a Japanese term for the samurai code of behavior that includes the ideal of self-control. Central to this ideal is the consideration that it is "unmanly" for a samurai to display his emotions on his face (Nitobe 94). This traditional aspect of behaviour penetrates deep into contemporary Japanese culture. By examining Fireworks, a Japanese film of the 1990s, we can observe how the idealized image of the samurai transplants itself into a contemporary gangster film (jakuzza-geki). Further, I will argue that Japanese ideal behavior (as descended from Bushido) implicitly calls for the cinematic presentation of emotion at a site other than the face. Using sequences from the film, I will explore how internalized emotion is presented in the form of graphic violence - allowing the main character, Nishi, to preserve his "samurai" dignity.
Gamble, Adam, and Takesato Watanabe. A Public Betrayed: An inside Look at Japanese Media Atrocities and Their Warnings to the West. Washington, D.C.: Regnery Pub., 2004. Print.