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Love is only two extremes, destructive or delightful. The definition of love is known as a strong feeling of affection towards something or someone. The play Twelfth Night by William Shakespeare, which is set in the make believe place of Illyria, explores the different emotions that love can give. Shakespeare shows the happy side of love and the more sad effects that love can have on people. The main theme in the play is all about the different parts of love, which are portrayed by the character using real love relationships, the absence of love and effect of love on the audience.
In Twelfth Night it seems that most of the characters love is artificial, many characters switch their love interest and are hypocrites to themselves. There are
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The love drives the production and all the elements such as humour, happiness and tension, to make the play successful and entertaining. Most actions in the play are driven by love, for example Malvolio being tricked into believing that Olivia is in love with him. Malvolio believes the fake letter because he has made himself believe that he is in love with the countess, Olivia. Malvolio would do anything for Olivia, in viewing of the fact the he loves her: Not black in my mind, though yellow in my legs. It did come to his hands, and commands shall be executed. (iii.iv.24-5) Malvolio is convinced that the letter he found is true and from Olivia, he dresses in yellow stockings that are cross-gartered and does not stop smiling. He acts like an idiot just for Olivia to fall in love with him even more. This scene adds a comedic twist onto the confusion and deception of love. The whole play is based on the famous love triangle between Orsino, Olivia and Viola. The confusion in the love adds tension to the play, making the audience really think about all the character personalities and the feelings they have for each other. The love triangle adds mystery and uncertainty to the ending of Twelfth Night. The love confusion keeps the theatergoers interested with the question how will it end and who will end up together? The location is a big part of the romance, Illyria is a make believe place. The illusion of Illyria adds to the magic and happiness of the play. The setting is warm and exotic, which brings more of a enchanted and a secure vibe to the play. The secure feeling in the play lets the audience know that even though there is a cloud of confusion above their heads during most of the play that in the end everything will work out. The certainty that everything will be happy foreshadows the actions of brothers finding sisters and lovers marrying. Overall the theme of love affects the
His inflated ego has lead him to misinterpret Lady Olivia’s feelings for him-or rather, her lack of feelings. Although he already has the notion that he should end up with the Lady, he is fooled by Sir Toby, Maria, and Sir Andrew, believing Olivia feels the same for him. The tricksters deliberately write a letter indirectly addressed to Malvolio, divulging “Olivia’s” hidden love for the steward. Without giving much thought to the credibility of this discovered letter, Malvolio follows its enclosed instructions, unwittingly earning the real Lady Olivia’s disfavor (2.5.91-195). “This and his continuous disapproval of Sir Toby and Sir Andrew's drinking, earn him their hatred and he quickly becomes their pawn in a complex romantic ruse” (Review at Absolute
The central theme of the play is romance. The characters all experience love, in one way or another, whether it be unrequited or shared between more than one person. The plot is intricately woven, sometimes confusingly so, between twists and turns throughout the multiple acts, but it never strays too far from the subject of adoration. Despite the hardships, misperception and deceit the characters experience, six individuals are brought together in the name of holy matrimony in three distinct nuptials. Sebastian, the twin brother of Viola who was lost at sea after a shipwreck, and Lady Olivia are the first to marry, but things are not as they seem.
However, another sympathetic interpretation displays Malvolio as a hardworking steward, loyal to his household, creating an impression that his treatment is essentially torture and unjustifiable. This further raises the question of whether Malvolio’s ‘torture’ has darker undertones beyond the jovial nature of the play, or whether it is understandable. Malvolio can easily be seen as a victim of his own affection and loyalty towards Olivia. During her time of bereavement, he attempts to help her. The affection is clearly not unrequited as Olivia, ‘would not have him miscarry for half of my dowry’, which implies that Malvolio goes beyond his role in her eyes.
In stark contrast to the dark and tragic "Othello," is one of Shakespeare’s lightest and funniest comedies, "Twelfth Night." The theme of love is presented in a highly comical manner. Shakespeare, however, once again proves himself a master by interweaving serious elements into humorous situations. "Twelfth Night" consists of many love triangles, however many of the characters who are tangled up in the web of love are blind to see that their emotions and feelings toward other characters are untrue. They are being deceived by themselves and/or the others around them.
The play opens with Orsino, the Duke of Illyria, expressing his deep love for the Countess Olivia. Meanwhile, the shipwrecked Viola disguises herself as a man and endeavors to enter the Duke’s service. Although she has rejected his suit, the Duke then employs Viola, who takes the name of Cesario, to woo Olivia for him. As the play continues, Cesario falls in love with the Duke, and Olivia falls in love with Cesario, who is really Viola disguised. Maria, Olivia’s servant woman, desires to seek revenge on Malvolio, Olivia’s steward. “To the delight of Sir Toby, Olivia’s uncle, and his friend Sir Andrew, Maria comes up with a plot to drop love letters supposedly written by Olivia in Malvolio’s path. When she does, they observe him, along with Fabian, another servant, as Malvolio falls for the bait. Believing that Olivia loves him, he makes a fool of himself” (Napierkowski 3).
However, Shakespeare also picks on love. Not only did Malvolio's confusion about his and Olivia's relationship prove to add to the comedy, but it rather showed how one can play with love, and use it for another's harm. Apart from this example, love is depicted as a light and lovely emotion.
...h the idea of being in love and enjoys making a spectacle of himself. His attraction to the ostensibly male Cesario injects sexual ambiguity into his character, and reveals that genuine love does exist within his character because he allows himself for that brief scene to be exposed and vulnerable. Olivia, like Orsino likes to wallow I her own misery, and also acts absurdly by falling for Cesario within a matter of a few moments of dialogue. Olivia seems to have no difficulty transporting her affections from one love interest to the next, however, suggesting that her romantic feelings, like most emotions in the play, are not profound. In all, Shakespeare used Twelfth Night to reveal that love can be found in unlikely places; in order for love to be a genuine act it must be a selfless; and love undoubtedly requires patience and endurance through times of absurdity,.
After Duke Orsino asks Cesario (disguised Viola) to make Olivia love him, although she had stated that she would not marry for seven years due to her sadness from her brother’s death, Cesario tells him “I’ll do my best to woo your lady.” Then Viola tells the audience “(Aside) yet, a barful strife—Whoe'er I woo, myself would be his wife,” meaning that she has to convince another woman to love the man she loves. The exchange of words in this scene exemplifies dramatic irony since the reader now knows that a love road that connects Duke Orsino, Viola, and Olivia has formed while Orsino is clueless about the situation. Situational irony can also be withdrawn from this conversation because it is shocking that Viola is in love with Orsino. Viola’s sudden love for Orsino illustrates a universal truth about life that sometimes people fall in love too quickly without thinking far ahead.
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
In the play Twelfth Night, Shakespeare employs a plot filled with contradictions to portray love as an insurmountable force, and with the use of symbols insinuating deception, along with dolefully forthright metaphors and similes, Shakespeare further demonstrates that deception and suffering are the true fueling entities of this puissant force known as love. The extreme actions of Olivia and Sebastian exemplify the power of love and depict how this force can blind an individual to the point where their actions display high levels...
Because of this confusing love triangle, some of the characters seem to view love as a curse. They also claim to suffer painfully from being in love or from the “pangs” of unrequited love. In Act 1 scene 5, Olivia describes love as a “plague” from which she suffers terribly. In Act 1 scene 1, Orsino depicts love dolefully as an “appetite” that he wants to satisfy and cannot. Another example of the characters not “liking” love is in Act 2 scene 2 when Viola says “My state is desperate for my master’s love.” This quote relates to the violence in Act 5 scene 1 when Orsino threatens to kill Cesario because he thin...
before and during the play. Malvolio is thought to be in love for a small
In Twelfth Night the relationships are anything but romantic. Shakespeare writes from the male point of view which implies an un-easy split between love and physical charm. In Twelfth night the romance is falsely produced by selfish desire. Duke Orsino and Viola stand out from the other relationships. By questioning the relationships between the other couples, Shakespeare highlights the true love between Viola and Orsino and the fake relationship of Malvolio and Olivia which is truly based on Malvolio’s desire of a higher status , despite his status and his personality , Malvolio tries to impress Olivia by dressing up in ridiculous clothes , which does far from his aim , and repulses Olivia.
People often dream of the one day they find their true love, but the constant treachery and adultery that haunts the modern world are causing them to increasingly ponder the existence of this elusive creature and whether something so pure can truly exist. Shakespeare, a masterful playwright, geniusly demonstrates his doubts under the guise of a light-hearted play. Shakespeare wrote a comedic play Twelfth Night that initially focuses on the Duke Orsino’s love for an Illyrian countess Olivia. However, Olivia falls in love with Viola, disguised as a male named Cesario, while Viola falls in love with Orsino. Moreover, the love triangle becomes a love rectangle when Sebastian, Viola’s twin brother, comes to town, meeting and falling in love with
In William Shakespeare’s illustrious and comedic play, Twelfth Night, there is a continuous theme of love which plays a very prominent role in the characters’ lives throughout. One of the main concepts within this theme, however, is that love can be deceiving and lead to misunderstandings and even possible repercussions. This is portrayed in the main plotline, but it is also very blatant in the subplot in regards to Malvolio, Olivia’s steward, and the unequivocally cruel trick performed on him. Malvolio’s character can be described as rather serious and strict. Nevertheless, his otherwise stern persona changes drastically when Maria, Sir Toby, and Sir Andrew conspire to write a letter that will trick the steward into think that Olivia has romantic