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False love in shakespeare twelfth night
Theme of love in Shakespeare plays
The main themes concerning love in Shakespeare's twelfth night
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In William Shakespeare’s illustrious and comedic play, Twelfth Night, there is a continuous theme of love which plays a very prominent role in the characters’ lives throughout. One of the main concepts within this theme, however, is that love can be deceiving and lead to misunderstandings and even possible repercussions. This is portrayed in the main plotline, but it is also very blatant in the subplot in regards to Malvolio, Olivia’s steward, and the unequivocally cruel trick performed on him. Malvolio’s character can be described as rather serious and strict. Nevertheless, his otherwise stern persona changes drastically when Maria, Sir Toby, and Sir Andrew conspire to write a letter that will trick the steward into think that Olivia has romantic …show more content…
A trick that is played on Malvolio is what ultimately leads to his consequences in the end. Prior to the fooling of the steward at the hands of Maria, Sir Toby and Sir Andrew, he is essentially misleading himself without realization. He strolls through the gardens, caught in delusional reveries about life as the husband of Olivia, fundamentally dreaming up fantasies in his mind that are unrealistic. Because of this, when Malvolio primarily notices the letter, sealed with Olivia’s official stamp and addressed carefully by the steady hand of Maria, he instantaneously believes this to be straight from the hands of his unrequited love. Malvolio is too caught up in his own musings that he leads himself straight into their cruel trick, which is principally what triggers the tipping point in his downfall. Upon examining the letter, he finds slight connections that would surely be unfathomable to most other characters. Maria writes in Olivia’s handwriting, “M.O.A.I. doth sway my heart,” (II.v.110) to which Malvolio says aloud, “M.O.A.I. [...] it would bow to me, for every one of those letters are in my name,” (II.v.143 – 45). With barely any evidence at all, aside from four letters that happen to be within the
In The Twelfth Night Maria (Olivia’s clever servant) plays and awful trick on Malvolio (Olivia's steward). According to the play, Maria devilishly states, “...I will drop in his way some obscure epistles of love… I can write very like my lady...” (2.3.143-147).
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by almost everyone in the play. He doesn’t act the same way that any of the other characters act, in that he doesn’t participate in any of their activities, he enforces rules that the others could care less about, and he is just overall a socially awkward guy. Malvolio not only claims to adhere to the rules of the household himself, but uses his relations with Olivia to try and help make the others follow the rules as well. This upsets certain characters more than others. For instance Sir Toby, Sir Andrew and Maria find his behavior particularly detestable. But Malvolio’s strict coherence to the rules allows him to have a rather high position in Olivia’s household. While Malvolio may be considered a social outcast to most of the characters in the play, Olivia considers Malvolio to be a very trusted steward of her household. For these reasons Malvolio is not only a social outcast, but an outcast that Shakespeare uses to keep people interested in his play.
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by everyone else in the play except Olivia. He doesn’t act the same way that any of the other characters act, and he seems to be a real stickler for the rules, which upsets certain characters more than others. But it is this strict coherence to the rules that allows Malvolio to have such a high position in Olivia’s household. While Malvolio may be considered an outcast to most of the characters in the play, Olivia shows concern for Malvolio and his well-being.
Specifically, how Malvolio’s narcissism gives him the false belief that everyone loves him. As an act of revenge, a letter listing what Olivia loves about him, including how he wears his yellow stockings cross-gartered, is sent to Malvolio with the intention of embarrassing him by making him wear hideous fashions in front of the countess. Even though the letter is addressed to ‘MOAI’, not Malvolio, his egotism makes him believe that the letter is meant for him, “‘M.O.A.I.’ This simulation is not as the former: and yet, to crush this a little, it would bow to me, for every one of the letters are in my name” (2.5.128-130). This example of how he twists the facts, proves that his narcissism clouds his reasoning of the evidence presented to him. Misinterpreting the words of others appears again within the conversations between Olivia and a disguised Viola. Olivia, infatuated with who she thinks is a young gentlemen, convinces herself blindy that Viola pity towards her is “ a degree to love” (3.1.120). Olivia’s misinterpretation about what Viola’s means by pity shows how Olivia is only believing what she wills and fails to perceive things the way they are. Sir Andrew Aguecheek, too, has flaws that lead to misconceptions of reality. When the knight begins to realize that Olivia is more interested in Viola than him, Sir Toby and Fabian, who are already taking advantage of him, convince Sir Andrew that the Countess is simply trying to make him jealous, by claiming, “She did show favour to the youth in your sight only to exasperate you” (3.2.15-16). Sir Andrew is then persuaded by his ‘friends’ to write Viola a letter of challenge, which proves he is naive because he believes that the intentions of others are always sincere. These examples from the play show how characters such as Malvolio, Olivia, and Sir Andrew’s flaws lead to misinterpretations and errors in
After Malvolio establishes that "Olivia" writes the letter he then begins to interpret the letter to suit his situation. "`M'--Malvolio! `M'! Why, that begins my name" It is humorous because he believes the letters "M.O.A.I" is an acronym for his name. However the audience knows that it is a device cleverly thought up by Maria that has obviously succeeded in its purpose to trick Malvolio.
In Twelfth Night, Malvolio is a servant. Granted, he is a higher-level servant; he is responsible for Olivia's finances. When we begin the play, it seems, even through Malvolio's melancholy personality, that he is content with his social standing. He enjoys the little social power he possesses but is not seeking a higher social standing. However, after he finds the letter, he "becomes" a new individual. His cross-gartering himself with yellow stockings, his incessant smiling, and his eager compliance with the anonymous show us the lengths Malvolio is willing to go to now to increase his social standing. His quickness to direct the letter to himself also shows us that the attitude he appeared to show at the beginning, his melancholy satisfaction with his social standing, may have been...
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
Malvolio is deeply in love with Olivia who is head of the house and has also been mourning for her dead brother for a long time. Malvolio is her servant and would love to raise his social status. In Act II, Scene V Sir Toby a... ... middle of paper ... ... by playing with his mind, hopes and dreams.
Malvolio, who has pursued Olivia, must ultimately face the realization that he is a fool, socially unworthy of his noble mistress. Antonio is in a more difficult situation, as social norms do not allow for the gratification of his apparently sexual attraction to Sebastian. Love, thus, cannot conquer all obstacles, and those whose desires go unfulfilled remain no less in love but feel the sting of its absence all the more severely. Love plays a major role in "Twelfth Night," and Shakespeare addresses true love, self love and friendship in a very compelling and interesting way. Love is great to read about because everyone deserves a little love.
Thus, it wouldn’t be hard to convince Malvolio someone is in love him, even if it is my lady Olivia. I hate the way he treats others, as if like he is better than everyone else. I wanted him to make a fool of himself in front of
In Twelfth Night the relationships are anything but romantic. Shakespeare writes from the male point of view which implies an un-easy split between love and physical charm. In Twelfth night the romance is falsely produced by selfish desire. Duke Orsino and Viola stand out from the other relationships. By questioning the relationships between the other couples, Shakespeare highlights the true love between Viola and Orsino and the fake relationship of Malvolio and Olivia which is truly based on Malvolio’s desire of a higher status , despite his status and his personality , Malvolio tries to impress Olivia by dressing up in ridiculous clothes , which does far from his aim , and repulses Olivia.
She is comparing her love for Cesario to a disease because it came about so fast and will soon be the most pressing matter in her life. Olivia almost immediately unveils herself for Cesario breaking the oath she took to mourn her brother. She is aware that she has fallen in love too quickly and as a result has changed her mind about staying away from men. If she can not control her feelings her love will also eventually take over all the time she must spend tending to her responsibilities as a leader. After this she calls in Malvolio and sends him to give Cesario a ring that she claims he gave to her.
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...
William Shakespeare's, Twelfth Night has many themes, but appearance vs. reality is the theme that illustrates a different picture from two perspectives, there are many characters behind their masks and disguises. Some are hiding love behind these disguises and some are trying to show their love through a different disguise. They both still being servants are using disguise differently. Malvolio, servant of Olivia, falls in love with the trap (the letter) thinking his lady likes him, and to show his love he uses a different appearance to express it. Viola, servant of Orsino, falls in love with him, but secretly, not wanting to express her love for him, because of her disguise as her barrier for that case. Viola/Ceasario is wearing a disguise and secretly loves Orsino. Malvolio, on the other hand, is also a servant but still changes his appearance to express love for the great lady Olivia. This essay will prove that disguises and appearances are symbolic of the characters named Viola and Malvolio and are differently used for both.
(II.iii.77-82). Sir Toby and Maria retaliate to his scolding by planting a ‘love letter’ from Olivia, addressed to Malvolio. As can be expected, Malvolio was overjoyed, and did exactly what the letter asked him to do - wear a pair of yellow cross gartered stockings. However, when Olivia sees Malvolio, she believes that he has become insane and imprisons him for being a lunatic. Malvolio’s ambitious love, rather than winning the lady’s hand in marriage, has caused him much suffering and humiliation.