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Analyse twelfth night
Shakespeare analysis essay introduction
Shakespeare analysis essay introduction
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Recommended: Analyse twelfth night
In Shakespeare’s play Twelfth Night, many characters feel overwhelming emotions of love which adds to confusion as all the characters gather in front of Olivia’s house. This over exaggerated love distracts the characters so much so that they turn their backs on the importance of other things in their lives. Lady Olivia halts her mourning because of her sudden love for Cesario, the Duke overlooks Cesario’s (Viola’s) feelings because he continually pursues Olivia, and Malvolio throws away all manners and dignity to gain Olivia's attention. closing ?
Olivia has been grieving the loss of her brother for a while and has decided to swear off men for seven years until she no longer feels her grief. Cesario is sent to Olivia by the Duke to convince her of his
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She is comparing her love for Cesario to a disease because it came about so fast and will soon be the most pressing matter in her life. Olivia almost immediately unveils herself for Cesario breaking the oath she took to mourn her brother. She is aware that she has fallen in love too quickly and as a result has changed her mind about staying away from men. If she can not control her feelings her love will also eventually take over all the time she must spend tending to her responsibilities as a leader. After this she calls in Malvolio and sends him to give Cesario a ring that she claims he gave to her. Once he leaves she again speaks to herself and says: “I do I know not what, and fear to find/ Mine eye too great a flatter for my mind./ Fate, show thy force;” (I.v.309-312). Olivia is saying she has no clue what she is doing, and she wants fate to decide. She knows that she is not using her head yet continues to contemplate the outcomes of her interactions with Cesario. Not once has she mentioned the fact that she has
Olivia’s public status shows her as a caring and high-class lady, a persona with a stark contrast to her inner self as a bold and tenacious woman. When Olivia pines for Cesario, she takes action and confesses, “But, would you undertake another suit, / I had rather hear you to solicit that/ Than music from the spheres” (3.1.108-110). This confession shows Olivia’s yearning for Cesario to woo her, revealing a bold inner character and desire that doesn’t align with how others perceive her. Another example is after Cesario denies having married her and redirects the topic back to Duke Orsino, Olivia replies, “If it be aught to the old tune, my lord/ It is as fat and fulsome to mine ear/ As howling after music” (5.1.104-106). Olivia dismisses the Duke’s affections and rebukes him as a man would, saying his courting is gross and disgusting. This shows she is not the fragile and polite woman one may perceive her to be, but an abrasive woman who can speak her mind. Olivia breaks out of her social identity as a frail, polite, and proper Elizabethan lady and reveals her true inner character as a strong and empowered woman.
During the weeks leading up to matrimony, Olivia fell madly in love with Cesario, who though looks and sounds just like Sebastian, is truly Viola dressed as a man. Sebastian does not realize this as he meets Olivia for the first time. He is amazed that a woman of her statue and beauty would feel so strong for him and he wastes no time.... ... middle of paper ...
The plot deepens as Cesario proceeds to woo Olivia for the Duke. It is only the second time that Cesario appears at Olivia’s home when Olivia openly declares her love for Cesario. Throughout this time, Sir Andrew has been nursing a hope to win Olivia’s love. When he plans to give up hope of her love, Sir Toby suggests that Sir Andrew fight with Cesario to impress Olivia. Cesario, however, refuses to fight. At the same time, Viola’s brother, Sebastian, who is also shipwrecked, makes his way to safe lodging in Illyria with Antonio the sea captain. After the fight between Cesario and Sir Andrew begins, Antonio intervenes to save Cesario, whom he takes for Sebastian. But the Duke’s officers promptly arrest Antonio for a past offense. Then, Olivia later comes upon Sir Andrew and Sebastian bickering at her home. Olivia, thinking Sebastian is Cesario, leads Sebastian to marriage in a nearby chapel. Finally, Cesario inevitably reveals that he is Viola and Sebastian recognizes her as his sister. The Duke reciprocates Viola’s love offerings and proposes to her. Olivia assures Malvolio...
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
...h the idea of being in love and enjoys making a spectacle of himself. His attraction to the ostensibly male Cesario injects sexual ambiguity into his character, and reveals that genuine love does exist within his character because he allows himself for that brief scene to be exposed and vulnerable. Olivia, like Orsino likes to wallow I her own misery, and also acts absurdly by falling for Cesario within a matter of a few moments of dialogue. Olivia seems to have no difficulty transporting her affections from one love interest to the next, however, suggesting that her romantic feelings, like most emotions in the play, are not profound. In all, Shakespeare used Twelfth Night to reveal that love can be found in unlikely places; in order for love to be a genuine act it must be a selfless; and love undoubtedly requires patience and endurance through times of absurdity,.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
For such disguise as haply shall become the form of my intent, ill serve this duke. " She faces the next problem almost straight away Orsino gets Cesario to go to Olivia and get her to go out with him but Fancied by Olivia although she is really a woman a woman, In Act 2 Scene 2 she says to Olivia: "For she did speak In starts distractedly she loves me sure;" This problem is not solved to the end of the play when Sebastian (Viola/ Cesario's twin brother) meets Olivia and without knowing her marries her freeing his sister from upset and obligation when her true identity is known. Sebstain says ... ... middle of paper ... ... efore you took me from the breach of the sea was my sister drowned."
Orsino sends Cesario expresses his affection for Olivia, which Cesario/Viola is not thrilled about. with.
Claiming his ‘desires, like fell and cruel hounds, e’ver since pursue’ him (1.1.21). However, he is afraid of denial and sends Cesario as his messenger but as Cesario gives the message to Olivia, she suddenly fancies Cesario as he tries to court her for the Count. Him not going up to Olivia, face-to-face, indicated he didn’t have a great heart. By not going up to speak to her, he did push her away rather than convincing Olivia more, matter-of-fact he actually sent the one entity that caused Olivia to look the other way completely. He didn’t have the heart to pick up the rose.
Each of them felt that they could trust her to complete important tasks. Orsino thought that since she looked more feminine and young that she could talk to Olivia and get her to fall in love with him. As Valentine is talking with Viola, he is telling her, “If the Duke continues these favors towards you, Cesario, you are like to be much advanced. He hath known you but three days, and already you are no stranger.” (1.4.250).
Then Cesario sates “’Tis beauty truly blent, whose red and white nature’s own sweet and cunning hand laid on”. Meaning that she is stunning and that Mother Nature painted her skin so white and your lips so white”. We can compare Olivia’s beauty to the second Verse. “Oh you know I would never ask you to change if perfect is what you’re searching for then just stay the same”, this verse explains how Cesario thinks how amazing her looks are. Even though Cesario is not attracted to Olivia, she admires her, that she has true beauty and that mother nature made her the way she is and should not change. She has an attractiveness that Orsino, is in love with and since Cesario (who is secretly Viola), is in love with Duke Orsino, she admires how perfect she is. Cesario isn’t jealous though she just in a way looks at her admiration, the same way Mars admires his lover in the
Viola disguises herself as a man with the name, Cesario. Within Countess Olivia’s estate, we are introduced to a multitude of new characters: Sir Toby Belch (Olivia’s cousin), Sir Andrew Aguecheek (her wooer), Feste (the fool) and Maria (her chambermaid). Olivia has fallen in love with Cesario
Cesario she was living like a nun. Dressing all black and mouring behind his dead brother all the time. When she sees Cesario she suddenly forgets her suffer and pain. Olivia turns into an obsessed woman who wants to sink her claws into "Cesario. " she literally jumps on him or her.
For most of the play, Olivia loves Cesario, but when she discovers that she had not married Cesario but his brother instead, she does not object in any way. In fact, when she first discovers that there are two people who look like Cesario, she does not feel anger or confusion, she just exclaims, “Most wonderful!”(1.5.236). Even though she claims to love Cesario, when she finds out that she had wedded his twin brother instead, she only feels happiness. The way she is able to suddenly switch from loving Cesario to loving Sebastian illustrates how one can fall in love effortlessly. In addition, Olivia’s happiness towards the event in which there are two Cesarios demonstrates that her love is only based on outer appearances and other superficial reasons.
Love however, is the source of much confusion and complication in another of Shakespeare’s comedies, Twelfth Night. Men and women were seen as very different from each other at the time the play was written, they were therefore also treated in very different ways. Because of this Viola conceals her identity and adopts the role of a man, in order to better her safety whilst being alone on the island, and to get a job at Count Orsino’s court. In the play Shakespeare uses the gender confusion he has created from obscuring characters identities to explore the limits of female power and control within courtship, and their dominance within society. Violas frustration surrounding her inability to express her feelings to the Count because she is a woman is an example of the limiting rules of courtship which were upheld at the time. (Aside) ‘yet, a barful strife! Whoe'er I woo, myself would be his wife.’ Here she is already expressing her anxiety and emotion at being a woman, and having to keep her emotions hidden from those around her. She longs to be able to express her love as a man could, and in her disguise as Cesario she finds an opportunity to vent her feelings for the Count, but concealed as his words and towards Olivia. Viola is unaware of how her words may sound to Olivia because she is aware of their gender boundaries however Olivia isn’t and soon falls for Cesario. Because Olivia is a Lady and head of the household, and especially how she lacks a father figure, she has a lot more freedom in courtship. Duisinberre comments on this saying, ‘...Viola and Beatrice are women set free from their fathers, and their voice is that of the adult world.’ This is seen when Olivia immediately takes the dominant role in her and Cesarios relat...