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Shakespeare's ideas of love
Shakespeare's ideas of love
Twelfth night analysis gender roles
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People often dream of the one day they find their true love, but the constant treachery and adultery that haunts the modern world are causing them to increasingly ponder the existence of this elusive creature and whether something so pure can truly exist. Shakespeare, a masterful playwright, geniusly demonstrates his doubts under the guise of a light-hearted play. Shakespeare wrote a comedic play Twelfth Night that initially focuses on the Duke Orsino’s love for an Illyrian countess Olivia. However, Olivia falls in love with Viola, disguised as a male named Cesario, while Viola falls in love with Orsino. Moreover, the love triangle becomes a love rectangle when Sebastian, Viola’s twin brother, comes to town, meeting and falling in love with …show more content…
For instance, before Orsino discovers Viola’s true identity, he declares that his “love [for Olivia] can give no place [and] bide no denay” (2.4.137). Although he claims that he could love none other than Olivia and would never give up on her, he unexpectedly falls in love with Viola the moment he realizes she is a girl. The scant amount of time that it takes for him to shift his affections from one woman to the next establishes the ease at which one falls in love. Consequently, the short amount of time that it takes for them to fall in love suggests that his desire for both Olivia and Viola is based on their looks alone. The abrupt shift in feelings exemplifies Shakespeare’s criticizing assessment regarding how easily people fall in love as a result of the feeling’s already shallow beginnings. Furthermore, during the time that Orsino remains ignorant of Viola’s femininity, he occasionally behaves in a hostile and impolite manner. In fact, when he discovers that Olivia has been wedded to who she thinks is Cesario, Orsino angrily commands Cesario to “direct [his] feet/ Where [they] henceforth may never meet” (5.1.177-78). Despite the reality that Orsino is not the most understanding person, Viola continues to harbor feelings for this boorish man, as displayed when she accepts his marriage proposal. The …show more content…
For most of the play, Olivia loves Cesario, but when she discovers that she had not married Cesario but his brother instead, she does not object in any way. In fact, when she first discovers that there are two people who look like Cesario, she does not feel anger or confusion, she just exclaims, “Most wonderful!”(1.5.236). Even though she claims to love Cesario, when she finds out that she had wedded his twin brother instead, she only feels happiness. The way she is able to suddenly switch from loving Cesario to loving Sebastian illustrates how one can fall in love effortlessly. In addition, Olivia’s happiness towards the event in which there are two Cesarios demonstrates that her love is only based on outer appearances and other superficial reasons. This signifies Shakespeare’s forlorn conviction that one becomes infatuated too easily and that love is dependent on one’s physical nature along with many other surface factors. Shakespeare’s ideas are also presented in the way Sebastian falls in love with Olivia. When he arrives in Illyria and is being doted on by Olivia, having mistaken him for Cesario, he does not correct her, only saying that “if it be [a] dream, still let [him] sleep”(4.2.66). Sebastian does not question this strange woman’s affection towards him, only deciding that he somehow got lucky.
During the weeks leading up to matrimony, Olivia fell madly in love with Cesario, who though looks and sounds just like Sebastian, is truly Viola dressed as a man. Sebastian does not realize this as he meets Olivia for the first time. He is amazed that a woman of her statue and beauty would feel so strong for him and he wastes no time.... ... middle of paper ...
Orsino too realises his love for Viola and so Orsino and Viola are, at last, joined together. However, because Viola has done this, Olivia now realises that she has, in fact, married Sebastian rather than Viola or Caesario as she first thought. This, at first causes a problem, but then Olivia and Sebastian realize that they really do love each other. Viola then explains that her women's clothes are with the captain that brought her ashore and helped her after the shipwreck.
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
Naturally, one of the most reoccurring themes in Shakespeare is romantic love. It is perhaps not a coincidence that he put so much emphasis on this elusive and enigmatic emotion. In the Elizabethan age when he was writing, the arts were being explored more fervently, and thus raw human emotions began to surface in the mainstream culture. In Twelfth Night, love is a confusing and fickle thing, as demonstrated in the relationships between Duke Orsino and Olivia; Olivia and Viola/Curio; Malvolio and Olivia (she certainly has an effect on men doesn't she?); Duke Orsino and Viola/Curio. However, the characters seem to have a love-hate relationship with Cupid. Within the first line of the play, it is glorified: "If music be the food of love, play on..." (Duke Orsino, I:I). And while Olivia is annoyed with Orsino's affection, she craves Curio's.
As prescient and insightful as this evaluation may seem after considering the outcome of Twelfth Night’s romantic pairings, it reads as a very shallow perspective rather than any sort of wisdom – to the Duke, love is never permanent, lasting, or constant (just like the nature of the tides, it always changes). Duke Orsino has no concern whatsoever for Olivia’s feelings of grief after the loss of her brother – she is merely an object of his desires at the moment, and as his eventual courtship with Viola proves, he is extremely fickle in his affections. (Even before Viola’s disguise became apparent, Orsino showed some signs of attraction to the male Cesario – this raises a few questions about exactly how far his romantic indecisiveness
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
The protagonist of Twelfth Night is Viola, the central character in the play, a likeable, resourceful and attractive young woman. At the beginning of the story, Viola is shipwrecked with her brother Sabatian. Fearing that Sebastian is dead, she decides to dress like a man in order to get a job with Duke Orsino. Viola, in love with Orsino, is asked by Orsino to court a woman for him. She finds herself in an unusual love triangle.
Orsino sends Cesario expresses his affection for Olivia, which Cesario/Viola is not thrilled about. with.
William Shakespeare’s Twelfth Night, which is commonly believed to criticize society’s romanticized idea of love, demonstrates that even though love may seem unachievable, it is still possible to find it even in the most unlikely places. Shakespeare illustrates this idea in Twelfth Night through the characters Antonio and Sebastian by subtly suggesting that Antonio and Sebastian are more than just friends. It is Sebastian’s physical beauty that attracts Antonio to him, which leads him to devote himself to Sebastian as a sign of love. Antonio’s love for Sebastian grows to obsession; however Sebastian considers their friendship to be completely plutonic. In addition Sebastian generally tries to save Antonio from his own desire; however he does a bad job by leading him on unintentionally due to his passive nature.
Personification is used in this phrase, “O spirit of love, how quick and fresh art thou, that, notwithstanding thy capacity receiveth as the sea, nought enters there,” (1.1.4-7) as a way of addressing love as a person. Orsino claims that love is “quick and fresh,” which is another way of saying that love is keen and eager to devour anything. The phrase also describes love as having the same “capacity” as the “sea”. Shakespeare is trying to say that love can eagerly devour anything that is of any size or capacity. It can also be interpreted that love can devour people as shown in the case of Sebastian and Olivia’s brother. Furthermore, the word “spirit” has a denotation of a supernatural being. The spirit of love might be Shakespeare’s way of referring to God. The addition of God in the play changes the way the play is seen, as God is believed to have the power to influence the fate of men. We see this influence play in the first act of the play where Viola has realized that her brother was devoured by the sea after the shipwreck. This sets the play in motion when viola disguises herself and interacted with other characters living in Illyria. In the end of the play, we see that the intrusion has changed the fate of Viola when she marries Orsino. God also has a part in influencing Olivia when he allowed death to devour her brother, leaving her with a lack of desire for men. This lack of
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
Each of them felt that they could trust her to complete important tasks. Orsino thought that since she looked more feminine and young that she could talk to Olivia and get her to fall in love with him. As Valentine is talking with Viola, he is telling her, “If the Duke continues these favors towards you, Cesario, you are like to be much advanced. He hath known you but three days, and already you are no stranger.” (1.4.250).
In one of Shakespeare's play called Twelfth Night, Orsino is the Duke of Illyria and he is a wealthy man who is respected by many people. Throughout the course of the play, the readers can see that the character shows little changes, and even when Orsino was still in love with Olivia, when he found out that ‘Cesario’ (Viola) turns out to be a female, he became in love with her and asked her to marry him immediately. Orsino is a really passionate and desperate character and it can be seen when he always relates his love to Olivia with music. In the play, Orsino is really passionate about the idea of love and that is probably one of the reasons why he tries so hard to get Olivia to love him.
Love however, is the source of much confusion and complication in another of Shakespeare’s comedies, Twelfth Night. Men and women were seen as very different from each other at the time the play was written, they were therefore also treated in very different ways. Because of this Viola conceals her identity and adopts the role of a man, in order to better her safety whilst being alone on the island, and to get a job at Count Orsino’s court. In the play Shakespeare uses the gender confusion he has created from obscuring characters identities to explore the limits of female power and control within courtship, and their dominance within society. Violas frustration surrounding her inability to express her feelings to the Count because she is a woman is an example of the limiting rules of courtship which were upheld at the time. (Aside) ‘yet, a barful strife! Whoe'er I woo, myself would be his wife.’ Here she is already expressing her anxiety and emotion at being a woman, and having to keep her emotions hidden from those around her. She longs to be able to express her love as a man could, and in her disguise as Cesario she finds an opportunity to vent her feelings for the Count, but concealed as his words and towards Olivia. Viola is unaware of how her words may sound to Olivia because she is aware of their gender boundaries however Olivia isn’t and soon falls for Cesario. Because Olivia is a Lady and head of the household, and especially how she lacks a father figure, she has a lot more freedom in courtship. Duisinberre comments on this saying, ‘...Viola and Beatrice are women set free from their fathers, and their voice is that of the adult world.’ This is seen when Olivia immediately takes the dominant role in her and Cesarios relat...
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...