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Consider the dramatic importance of Shakespeare's presentation of the relations
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Twelfth Night, written by Shakespeare between the years of 1599 and 1601 (“Shakespeare-Online”), is easily one of his most well-known plays. A year after the assumed date of publication, on February the 2nd of 1602, Twelfth Night was performed for the first time (“William-Shakespeare)”. The location of the production is thought to have taken place in the Middle Temple, which was one of four law schools within London that were known as the Inns of Court (“Shakespeare-Online”). Though some would classify Twelfth Night as generic, it is laced with a sharp sense of humor and controversial concerns that can easily be applied to the issues of present day. Many of these issues, such as marriage, gender identity, sex, homosexuality, and social ambition, are relevant in today’s society, making them easy to relate to. The central theme of the play is romance. The characters all experience love, in one way or another, whether it be unrequited or shared between more than one person. The plot is intricately woven, sometimes confusingly so, between twists and turns throughout the multiple acts, but it never strays too far from the subject of adoration. Despite the hardships, misperception and deceit the characters experience, six individuals are brought together in the name of holy matrimony in three distinct nuptials.
Sebastian, the twin brother of Viola who was lost at sea after a shipwreck, and Lady Olivia are the first to marry, but things are not as they seem. During the weeks leading up to matrimony, Olivia fell madly in love with Cesario, who though looks and sounds just as Sebastian, is truly Viola dressed as a man. Sebastian does not realize this as he meets Olivia for the first time. He is amazed that a woman of her statue and beaut...
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...volio declares revenge on the lot before exiting, giving the floor to Orsino. He speaks to Viola, before Feste, Olivia’s Jester, sings to signal the ending. “Cesario, come – For so you shall be while you are a man; But when in other habits you are seen Orsino’s mistress and his fancy’s queen.”
The characters in Twelfth Night each play an important and specific role, especially when it comes to interfering or setting fate for romantic interests. Not all characters get a happy ending, and a particular character’s husband turned out to be someone much different than who she believed to be marrying. Through dishonesty, confusion, and chicanery, each character had a helping hand in dishing out each other’s fate, but nonetheless, the relationships that resulted in a law binding marriage beat destiny and overcame every hardship standing in the way of love and happiness.
Olivia’s public status shows her as a caring and high-class lady, a persona with a stark contrast to her inner self as a bold and tenacious woman. When Olivia pines for Cesario, she takes action and confesses, “But, would you undertake another suit, / I had rather hear you to solicit that/ Than music from the spheres” (3.1.108-110). This confession shows Olivia’s yearning for Cesario to woo her, revealing a bold inner character and desire that doesn’t align with how others perceive her. Another example is after Cesario denies having married her and redirects the topic back to Duke Orsino, Olivia replies, “If it be aught to the old tune, my lord/ It is as fat and fulsome to mine ear/ As howling after music” (5.1.104-106). Olivia dismisses the Duke’s affections and rebukes him as a man would, saying his courting is gross and disgusting. This shows she is not the fragile and polite woman one may perceive her to be, but an abrasive woman who can speak her mind. Olivia breaks out of her social identity as a frail, polite, and proper Elizabethan lady and reveals her true inner character as a strong and empowered woman.
In stark contrast to the dark and tragic "Othello," is one of Shakespeare’s lightest and funniest comedies, "Twelfth Night." The theme of love is presented in a highly comical manner. Shakespeare, however, once again proves himself a master by interweaving serious elements into humorous situations. "Twelfth Night" consists of many love triangles, however many of the characters who are tangled up in the web of love are blind to see that their emotions and feelings toward other characters are untrue. They are being deceived by themselves and/or the others around them.
It is well known that Shakespeare’s comedies contain many marriages, some arranged, some spontaneous. During Queen Elizabeth's time, it was considered foolish to marry for love. However, in Shakespeare’s plays, people often marry for love. With a closer look into two of his most famous plays As You Like It and Twelfth Night or What You Will, I found that while marriages are defined and approached differently in these two plays, Shakespeare’s attitudes toward love in both plays share similarities. The marriages in As You Like It’s conform to social expectation, while the marriages are more rebellious in Twelfth Night. Love, in both plays, was defined as
The plot deepens as Cesario proceeds to woo Olivia for the Duke. It is only the second time that Cesario appears at Olivia’s home when Olivia openly declares her love for Cesario. Throughout this time, Sir Andrew has been nursing a hope to win Olivia’s love. When he plans to give up hope of her love, Sir Toby suggests that Sir Andrew fight with Cesario to impress Olivia. Cesario, however, refuses to fight. At the same time, Viola’s brother, Sebastian, who is also shipwrecked, makes his way to safe lodging in Illyria with Antonio the sea captain. After the fight between Cesario and Sir Andrew begins, Antonio intervenes to save Cesario, whom he takes for Sebastian. But the Duke’s officers promptly arrest Antonio for a past offense. Then, Olivia later comes upon Sir Andrew and Sebastian bickering at her home. Olivia, thinking Sebastian is Cesario, leads Sebastian to marriage in a nearby chapel. Finally, Cesario inevitably reveals that he is Viola and Sebastian recognizes her as his sister. The Duke reciprocates Viola’s love offerings and proposes to her. Olivia assures Malvolio...
Shakespeare, William. Twelfth Night. Ed. Roma Gill, OBE M.A. Cantab., and B. Litt. Oxon. Oxford: Oxford University Press, 1986.
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
to get involved in a scuffle, for which Viola is unjustly blamed. Finally Sebastian and Viola are reunited, but only after they have already caused a large amount of chaos and confused everyone. It is only then that everyone begins to discover the extent of Viola's trickery. More disorder is created when Olivia, who Orsino is hopelessly in love with. with, falls for Cesario, who is secretly in love with Orsino.
Complications also arose when viola fell in love with her master, duke orsino, while at the same time had the love interest of orsino, the countess Olivia, trying to woo her. This placed viola in an extremely difficult and complex situation on one hand, she loved the duke and would have liked to do all she could to win his heart. But because she was his servant, she was obliged to serve him and help him win the hand of Olivia. What was a poor girl to do ?
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...
In William Shakespeare’s Twelfth Night there are numerous relationships that form and develop throughout the course of the play. The play itself is deeply rooted in the interactions and misunderstandings of both Viola and Duke Orsino. Their genuine and at times confusing relationship adds to the meaning of the play through the gradual escalation of their relationship from strangers to friends, and then to lovers. Their relationship adds to the meaning of Twelfth Night through the complexity and various stages of Viola and Orsino’s relationship.
Mistaken identity and disguise are important aspects of comedy in Twelfth Night that stand at the forefront of the play’s comedy. Not only are mistaken identities and disguise evident within the main plot of the play but also in various other situations. Sexual confusion amongst characters, subversion of gender roles and farcical elements through stagecraft all effectively contribute to the dramatic comedy genre. However, it can be suggested that certain elements of Twelfth Night are not interpreted to be purely comedic; Shakespeare has incorporated serious and controversial subjects such as the idea of genuine love, the patriarchy of the time and the cruel gulling of Malvolio. Therefore, disguise and mistaken identity are not solely for the purpose of comedy and it could be inferred that it even borders on the genre of tragedy.
Viola disguises herself as Cesario, a male eunuch, and goes to work for the Duke Orsino. Unaware that Cesario is not what he seems, the Duke Orsino becomes very friendly with Cesario after just three of having known each other. Unsuccessful in his pursuit of Olivia, Orsino sends Cesario to gain her affection for him because he thinks she will be taken in by Cesario's youth. Viola, dressed as Cesario, falls in love with the duke Orsino but ... ... middle of paper ... ...was but a toy, For the rain it raineth every day' There are other songs sung by Feste which reveal a darker side to the plot such as songs with lines: 'Come away, come away death, And in sad cypress let me be laid'.