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The portrayal of women in shakespeare plays
Women in Shakespeare plays
Women in Shakespeare plays
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Twelfth Night
In Shakespeare’s play Twelfth Night, Viola is trying to make a new life for herself. Shakespeare develops her character to be a sentimental, trustworthy, and brave woman. She comes to Illyria on her own because she thinks that she lost her brother at sea. While in Illyria, Vola gets stuck in a love triangle and can not seem to escape it.
From the beginning of the play, the audience gets the sense that Viola is extremely sentimental. When she arrives to the new land she is speaking to the captain about her brother. She says, “My brother he is in Elysium. Perchance he is not drowned. -- What think you, sailors?” (1.2.47). The captain proceeds to tell her that it was a miracle that she herself was saved. Viola responds by saying, “O my poor brother! And so perchance may he be.” (1.2.51). Viola and her brother were extremely close, because growing up they only had each other. So it was a big change for Viola to be alone, and not have her brother to be with her all the time.
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Each of them felt that they could trust her to complete important tasks. Orsino thought that since she looked more feminine and young that she could talk to Olivia and get her to fall in love with him. As Valentine is talking with Viola, he is telling her, “If the Duke continues these favors towards you, Cesario, you are like to be much advanced. He hath known you but three days, and already you are no stranger.” (1.4.250). There was something special about Cesario, so special that Orsino immediately trusted him to talk to Olivia. Most of his men that have been with him for months have never done any big task for Orsino. However, Cesario helped Orsino bathe and talk to Olivia after three days on the
To start the play off, readers and viewers are introduced to a stranded Viola, who has lost her brother during their journey and presumes him dead. Alone in a foreign land, the girl is shaken and unsure what to do. Seeking council, Viola exchanges words with her ship’s captain, who explains to her,
Sebastian, the twin brother of Viola who was lost at sea after a shipwreck, and Lady Olivia are the first to marry, but things are not as they seem. During the weeks leading up to matrimony, Olivia fell madly in love with Cesario, who though looks and sounds just as Sebastian, is truly Viola dressed as a man. Sebastian does not realize this as he meets Olivia for the first time. He is amazed that a woman of her statue and beaut...
Cesario is actually shipwrecked Viola, believing her brother had drowned. dressed up as a man to work for Orsino. Viola consequently falls in. love with Orsino, who believes her to be Cesario. In addition, the adage is a remark.
Unlike the other characters in Shakespeare's "Twelfth Night", Viola's feelings of love are genuine. She is not mistaken about Orsino's true nature and loves him for who he really is, while the other characters in the play seem to be in love with an illusion. Viola's love for Orsino does not alter during the play, nor is it transferred to another person.
This is the case with them because when the shipwreck first happened, Viola was sad that her brother was dead even saying that he is in Elysium which is like heaven. “My brother he is in Elysium”(1.2.4). This shows Viola’s belief that her brother is truly dead in the shipwreck wondering if he’ll be happy in Elysium. This is the sadness that sparks her willingness to find a way to live in Illyria and later disguise herself as a boy named Cesario to be closer to the Duke Orsino as she has found love with him. “[Aside] Whoe’er I woo, myself would be his wife”(1.4.43). as this is what Viola says to herself when the Duke asks her to go to Olivia’s household to declare the Duke’s love for her. This shows Viola has gotten over her brother’s death and has a secret love for the Duke which she later . But, she is not the only that found happiness after a tragedy but her brother who is still alive did as well. He was confined by sadness when he believed his sister died in the shipwreck as well. “ ...She is drowned / already, sir, with salt water, though I seem to drown her remembrance again with more” (2.2.26-28). This shows Sebastian’s grief of her death at sea even though she is not. Although, they were hurt, grieving or in pain they both found someone or many people that made them happy and joyful. For Sebastian, this person was the Countess Olivia even if it was
Antonio originally requests to accompany Sebastian, but Sebastian declines on the grounds that his ill fate might negatively affect his companions. Sebastian regards himself as cursed by the shipwreck itself and the assumed loss of his sister – he wishes to have died alongside her, and he indicates that his voyage is “mere extravagancy (2.1.11)” without having a particular destination in mind. “She is drowned already, sir, with salt water, though I seem to drown her remembrance again with more (2.1.26-27)” provides the second example of a direct comparison being made between tears and salt water – for Sebastian, the sea represents the misfortune of loss, and perhaps, a representation of his cursed fate. For Viola, the sea represents uncertainty and hope – despite all evidence pointing towards her brother’s demise, she appears willing to at least entertain the notion that her brother remains
Viola is a very pragmatic, shrewd woman. She does not deceive her self in the way Orsino does. After the Captain tells her that her brother may be alive, she rewards him with gold, and then goes on to question the Captain about the land she is in. She realises that she must do something to survive, and instead of morning about the death of her brother, she takes practical steps.
The character of Viola (played by Gwyneth Paltrow) is first seen at The Curtain Theatre where she is captivated by the performance of Shakespeare’s "The Two Gentlemen of Verona," while the rest of the audience seems bored. She is currently being urged to marry Lord Wessex, but wants to marry for love. She wants to have real love, "love as there has never been in a play." She is inspired, however by the theatre and especially by the works of Shakespeare.
And of course, Viola is not always the most agreeable person. There is something peculiar about Viola that Penhallow does not quite understand, but he is determined to figure it out.
" bestowed upon me,. 3-2 l.5-7 At first, Viola is nearly forced into a battle. but is saved when the confused Antonio arrives. Later on, Sebastian and Andrew.
Complications also arose when viola fell in love with her master, duke orsino, while at the same time had the love interest of orsino, the countess Olivia, trying to woo her. This placed viola in an extremely difficult and complex situation on one hand, she loved the duke and would have liked to do all she could to win his heart. But because she was his servant, she was obliged to serve him and help him win the hand of Olivia. What was a poor girl to do ?
Viola's situation is precarious due to the liminality she has experienced throughout the play . She could live freely away from the society's authority behind her transformation, but the liminality she faced caused her troubles in expressing her true feelings. She is in between her femininity and her twin brother adopted masculinity. But soon as her disguised is discarded, she returns to her proper situation voluntarily accepting the role that the society imposes on her: the role of a wife.
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
Critics call Twelfth Night one of William Shakespeare’s most poetic and musical plays. Shakespeare writes poetic lines for the major characters, Viola, Orsino, and Olivia, and gives the Fool, and other minor characters, songs to sing throughout the play. The particularly romantic lines of the play make it seem as if the characters are professional poets themselves. Shakespeare also uses the music and poetry in Twelfth Night to foreshadow what is going to happen for the rest of the performance and to reveal major themes in the play. Music and poetry become major characters in the play themselves.
Love however, is the source of much confusion and complication in another of Shakespeare’s comedies, Twelfth Night. Men and women were seen as very different from each other at the time the play was written, they were therefore also treated in very different ways. Because of this Viola conceals her identity and adopts the role of a man, in order to better her safety whilst being alone on the island, and to get a job at Count Orsino’s court. In the play Shakespeare uses the gender confusion he has created from obscuring characters identities to explore the limits of female power and control within courtship, and their dominance within society. Violas frustration surrounding her inability to express her feelings to the Count because she is a woman is an example of the limiting rules of courtship which were upheld at the time. (Aside) ‘yet, a barful strife! Whoe'er I woo, myself would be his wife.’ Here she is already expressing her anxiety and emotion at being a woman, and having to keep her emotions hidden from those around her. She longs to be able to express her love as a man could, and in her disguise as Cesario she finds an opportunity to vent her feelings for the Count, but concealed as his words and towards Olivia. Viola is unaware of how her words may sound to Olivia because she is aware of their gender boundaries however Olivia isn’t and soon falls for Cesario. Because Olivia is a Lady and head of the household, and especially how she lacks a father figure, she has a lot more freedom in courtship. Duisinberre comments on this saying, ‘...Viola and Beatrice are women set free from their fathers, and their voice is that of the adult world.’ This is seen when Olivia immediately takes the dominant role in her and Cesarios relat...