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History of william shakespeare 5 pages
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This is about the idea of humor and irony to contradict and shape stories, then goes further in depth with how Shakespeare uses this in Twelfth Night. Ulrici mentions how comedy forms external nature and intrinsic fancifulness. Then he acknowledges the sudden change in comicalness and uses this as his argument that humor shapes external and intrinsic issues. Ulrici add details from the story to support his claims. He also compares the crossing of caprice, folly, error and perversity to a web that causes the subject caprice to be paralyze and be paralyzed by objective chance. Ulrici also adds to the essay later in that the web was carefully spun by Shakespeare that the characters harmonize so well that if there was any change then the it would
‘tear’ the web. Ulrici also formulates the point that love in this play is capricious, is sudden and changes often. The organization of essay is a main thesis that humor shapes the entirety of the play and he goes on to explain who and how it did. He doesn’t specifically state scene or acts but the actions of the characters This work is reliable because the author, Hermann Ulrici, is a German Scholar. It was definitely easy to understand and he made clear points with good reasoning for every statement. The organization of his arguments and reasoning made it easy to comprehend and not have to find it somewhere different in the essay. I would recommend this to other students who want to know how humor shaped some of Shakespeare’s plays.
Echoes and Parallels in William Shakespeare's Twelfth Night The echoes and parallels in Twelfth Night separate comedy from poignancy pertaining to different kinds of love. They reinforce and enhance the audience's appreciation of certain characters, revealing a different side. They emphasize certain themes through language and metaphor, particularly those of love, disguise, and fate. They also create anticipation and suspense for the reconciliation of Viola and Sebastien.
Folly is one of the main weaknesses in Twelfth Night with a number of characters portraying their own strange foolish ways. Feste is the professional fool; he is the most noticeable fool and is very quickly recognised by the audience as an intelligent man. Orsino and Olivia are really foolish because of the decisions they make but they are regarded as intelligent. The biggest fool of all is Olivia's steward, Malvolio.
Andrew is funny, it is not intentional. His faults include a lack of wit, a
In Act 2 scene 5 the mood is very lighthearted and is full of theatrical comedy, we find Sir Toby, Sir Andrew and their friend Fabian hidden away as they await Malvolio to stumble upon the letter supposedly written by Olivia. Even though they are hidden the audience can still see their reactions and hear their comments, which adds to the melodramatic aspect of the scene. The audience is anxious to see what unravels next as they know Maria purposely wrote the letter in order to fool Malvolio.
The Bittersweet Comedy of Twelfth Night Twelfth night is a name commonly given to the Christian feast of the Epiphany, which is celebrated on the 6th of January. On this day we remember the coming of the Magi and the taking down of decorations. which is a sad occasion for many but also a happy occasion as new times are beginning to come. Twelfth Night is a romantic comedy, and romantic love is the play’s theme.
It is often said the surest cure for vanity is loneliness. This saying is proven true in Twelfth Night by William Shakespeare. Within the story a prodigious love triangle is created between the characters. Olivia, the young heiress, was loved by the wealthy Duke Orsino. Olivia later fell deeply in love with the Duke’s servant, Cesario. Olivia was not aware that Cesario is a woman named Viola. Viola was dressed as a man to make it easier to obtain employment. Olivia grew fond of Duke Orsino, but he also does not know the truth. On the side, Malvolio, Olivia’s servant, was tricked by Maria into loving Olivia. Additionally, Sir Andrew Aguecheek, a wealthy friend of Olivia’s uncle, wants to marry Olivia for her money. The characters involved in this terrible situation are unable to realize the person they love does not love them in return. Twelfth Night highlights the character defects of vanity, self-absorption, and egotism in the individuals Malvolio, Sir Andrew Aguecheek, and Olvia. These personality flaws blind them from proper discernment of relationship dynamics and cause poor decisions to be made.
Shakespeare seems preoccupied with madness and folly in Twelfth Night. The word "fool" and its variants ("foolery," "foolish," and so forth) appear eighty times in the play, and the word "folly" occurs seven times. There are, in addition, other means of indicating foolishness such as Maria's "Now, sir, thought is free" (1.3.67). As Feste suggests, "Foolery ... does walk about the orb like the sun; it shines everywhere" (3.1.39-40).
While Great Expectations and Gulliver’s Travels were not written as comedy, humor is seen in them. The comedy in Shakespeare’s Twelfth Night can be related to the comedy in those writings, although Shakespeare used a variety of comedic techniques, not used in either Great Expectations or Gulliver’s Travels. The comedy in Twelfth Night varies greatly from the comedy in Great Expectations and Gulliver’s Travels at times. Irony is a common comedic element seen in all three works. Jonathan Swift’s Gulliver’s Travels is commonly known as a satire, therefore it uses improbable irony as a tool. The misfortune, ridiculousness and contradict of Gulliver’s adventures is funny. For instance, he, an almighty human, was tied down and restrained by people the size of his finger. In Twelfth Night irony is also used. For example, Olivia fell in love with the woman, viola, dressed as a man, Cesario, who was to woo Olivia, for the duke. It is an unexpected, contradicting turn, mostly because of the couple’s gender, but also because of the going-ons during which it happened. In the following Viola finds out of Olivia’s love:
due to loss of her brother at sea and the death of her father, which
Twelfth Night: To what extent does laughter rely on the misery of others? - Edward Braddock
Wrought with double irony and an overall sense of mock-pastoral, English playwright John Gay’s The Beggar’s Opera (1728) has its forefront of irony vividly expressed between the dynamic of the central characters Macheath and Peachum. Even the names of the characters comically resemble their occupations within the play, Peachum’s being a play on the word “peach” which means to bring one to trial, while Macheath’s meaning “son of heath” and being a play on the heaths of London, which were prime places worked on by highwaymen (Tillotson, et al.). While both characters were used as a political satire towards Jonathan Wild and the then Prime Minister Robert Walpole (after all, The Beggar’s Opera was a political satire first and a potential literary
One of the most controversial topics all over the world includes gender roles and expectations in the society. This has been argued even before the Renaissance and is still being discussed in temporary time. Many people have questioned society’s expectation of men and women, including William Shakespeare. He has written many plays, but the one that defies society the most is Twelfth Night. In this play, one of the main characters, Olivia, is viewed as a strong and independent woman. She took charge of her life which was unusual for a lady of her time. It is even unusual for a woman during contemporary times. Regardless of Olivia’s aristocratic stature, her actions and attitudes really differ from the normal gender roles
him to do which shows how weak he is because he doesn’t control her or
said that "life is like a comedy to those who think, and a tragedy to
Twelfth Night is a play written by William Shakespeare and illustrates themes of love and truth. In Shakespeare’s playwright of “Twelfth Night”, characters imply truths to show their love. Many characters love differently and give subtle hints to show their love. Malvolio &Olivia, Sir Andrew & Olivia, and Viola & Duke Orsino are all characters who imply their love, for their significant other. To be completely mad is never possible when you have the wits to stay out of trouble.