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Characters in Twelfth Night by Shakespeare
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Recommended: Characters in Twelfth Night by Shakespeare
Twelfth Night: To what extent does laughter rely on the misery of others? - Edward Braddock
Twelfth Night has been one of Shakespeare 's more noteworthy plays for various reasons, containing timeless comedy, "down-to-earth characters" and "complexities of plot" which satisfy all social classes of all time periods, even the "aristocrats among the audience" . Many aspects of his work come into questions, such as the purpose of specific characters such as Malvolio who 's misery appears to be just cannon fodder for the other characters to create laughter from, and how the misery of others is the chief method of creating laughter in the play.
One of the earliest moments in Twelfth Night which constitutes laughter is the introduction of the knights-
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Malvolio is locked in a dark room (in many interpretations of the play, including the popularized cinema adaption of the play) where most commonly only his face is visible. When approached by Feste (as Sir Topaz), Malvolio is adamant that the room he is in is dark, yet Feste unyieldingly pursues the point that the room is not dark, notifying Malvolio that the room "hath bay windows transparent as barricadoes" and "clearstores" are as "lustrous as ebony". To reinforce his façade, Feste uses a strong simile between Malvolio 's "Ignorance" and the "Egyptians in their fog", which would likely force him to reconsider his reality; his perception of the darkness is shattered by Feste who confuses him constantly, misleading him into believing the room is light. The laughter caused by these contradictory statements is also created by Malvolio 's condition- he is being tricked into thinking what is right is wrong, and thus he becomes more confused. He appears to become more depressed, he was thrown into a cell wrongfully, then mentally tortured, yet still creates laughter in the audience aligning with the theories of superiority and incongruity. Some people believe that Malvolio is a purely artificial character which contributes to a comedic trope of characters intended to be arrogant and have their downfall, and believe his misery is fabricated to provide
William, Shakespeare Twelfth Night. The Norton Anthology of English Literature, Volume B. Ed. Stephen Greenblatt. New York: W. W. Norton & Co., 2006. 1079-1139.
Shakespeare’s Twelfth Night is a comedy that has been interpreted in different ways, enabling one to receive multiple experiences of the same story. Due to the content and themes of the play, it can be creatively challenging to producers and their casting strategies. Instead of being a hindrance, I find the ability for one to experiment exciting as people try to discover strategies that best represent entertainment for the audience, as well as the best ways to interpret Shakespeare’s work.
Williams Jr., Porter. “Mistakes in Twelfth Night and Their Resolution: A Study in Some Relationships of Plot and Theme.” PMLA 76.3 (1961): 193-99. Print.
William, Shakespeare Twelfth Night. The Norton Anthology of English Literature, Volume B. Ed. Stephen Greenblatt. New York: W. W. Norton & Co., 2006. 1079-1139.
Humor was added to Hamlet by two major scenes, along with Hamlet's use of his antic-disposition. These two were: the scene between Hamlet and Polonius in the library, and the scene with the grave diggers (the clowns).
Malvolio’s humiliation mentioned above can be viewed as a subplot in the play. As we discover the few epiphany moments that Malvolio experienced, his character becomes more interesting. Malvolio is first introduced to us as a puritan, more of the simple type. He was known to ruin others fun. In the play, Sir Toby and Maria both play major parts in the disposition of Malvolio. It is because of his need to be strict, he received hostile and opp...
The reading of the letter creates comedy the requests are outrageous. Malvolio is told to wear yellow cross-gartered stockings "to be opposite with kinsman, surly with servants" and to constantly smile. The thought of this is hilarious considering that Malvolio is a strict puritan and is very malice towards others.
Bradbrook, M. C. "Robert Armin and Twelfth Night." Twelfth Night: A Casebook. London: Macmillan Press Ltd, 1972. 222-43.
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
Night is one of Shakespeare’s funniest plays. A comedic character is only appropriate for the
Humor in William Shakespeare's Twelfth Night In Twelfth Night we see different types of humour. There is the witty
Shakespeare, William. Twelfth Night Or, What You Will. New York, New York: New American Library, 1998. Print.
Feste is able to prevent any delusions of grandeur by a reminder that foolishness is a condition common to all mankind whether one is king or servant. It is Malvolio's vanity that convinces Feste to take part in the joke played on the steward. As "Sir Topas", and Malvolio's `prosecutor` Feste attempted to help Malvolio realize that there was "no darkness but ignorance".
The perfect lives that make up the routine of the Illyrian citizens portrays a society in which enjoyment, and personal gain are held in utmost priority. Shakespeares mocks the passivity of the Illyrian lifestyle to explain to the audience that excess of such festivity has negative side effects such as ego and lack of true love. He expresses that the pursuit of expression and truth in itself invokes enjoyment. Sir Aguecheek mirrors the uncertainty of a person through lack of self-confidence and the desire to openly reveal his true self when lamenting “Is it a world to hide virtues in?” (1.3.131). While uncovering aesthetic and emotional mysteries, the Illyrians find that disport restrains them from actual enjoyment and love. The play follows the audience to motivate them towards dissemination of feelings and expression of passion as a “locus of growth and self discovery” (Logan 223) and to obtain true happiness by ridding themselves of excessive, meaningless fun.
Mistaken identity and disguise are important aspects of comedy in Twelfth Night that stand at the forefront of the play’s comedy. Not only are mistaken identities and disguise evident within the main plot of the play but also in various other situations. Sexual confusion amongst characters, subversion of gender roles and farcical elements through stagecraft all effectively contribute to the dramatic comedy genre. However, it can be suggested that certain elements of Twelfth Night are not interpreted to be purely comedic; Shakespeare has incorporated serious and controversial subjects such as the idea of genuine love, the patriarchy of the time and the cruel gulling of Malvolio. Therefore, disguise and mistaken identity are not solely for the purpose of comedy and it could be inferred that it even borders on the genre of tragedy.