Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Sub plot of twelfth night
Analyse twelfth night
Analysis for twelfth night shakespeare
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The Outcome of Twelfth Night by William Shakespeare
The ‘Twelfth Night’ written by William Shakespeare in the Elizabethan
era, is a dramatic comedy enriched with a great deal of hurt to
accompany scandalous behaviour and shocking deceptions.
The comical elements of this play are those which contribute to
Elizabethan humour. The principal characters are of a high social
status, making any disruption to their life humorous. The main
characters are part of the whirlwind of unrequited love and mistaken
identity, which when together are hazardous.
Viola pays the largest contribution to this play, as she is persistent
throughout the scenes. The deceptions and mistaken identity she
contributes supplements the play by means of interest, with a string
of unrequited love triangles and dramatic irony, of which only the
audience observes. The dramatic irony among Viola makes the audience
omniscient, as they know something that the characters do not, such as
she is a woman dressing herself to be a man, this allowing humour to
pass through. Her character is mysterious, as she has no background
due to loss of her brother at sea and the death of her father, which
made her an orphan at a young age (taken from the film by Trevor
Nunn). This holds interest through anticipation to the audience of any
time (modern or Shakespearean), making them curious about whom she is.
Viola unintentionally manipulates everyone during the play, as she
deceives each person through her disguise as Cesario. As Cesario, she
misleads Olivia, as the charm and charisma she portrays overwhelms
her. Viola realises this love for her as she says to herself;
“She loves ...
... middle of paper ...
...ying to an audience of any time, as the passions they
portrayed were excellent. The love then blended harshly with
deception, misunderstandings, farce, dramatic irony and unrequited
love made each of these more powerful. The strong comparisons between
the elements made the comedy and hurtfulness dramatic and unexpected.
The anticipation of what is to happen next, gave the audience greater
depth into the film, keeping them captivated.
The revenge given to the arrogant characters such as Sir Toby and
Malvolio was comical, as well as being unexpected. The love and
comparisons given to the ‘good’ characters, was tearful to see, making
it even more so ‘fairy tale’ like. The outcomes were what was deserved
by the characters, making the audience, of any time, fulfilled
with the ending, making them satisfied with the play.
Andrew is funny, it is not intentional. His faults include a lack of wit, a
make him think he is mad and they also make Olivia think he is mad
After Olivia has her very first conversation with Cesario (Viola), where he tries to woo her for Duke Orsino, she immediately falls in love with him. After Cesario leaves her palace, Olivia says to herself ‘Thy tongue, thy face, thy limbs, actions and spirit do give thee fivefold blazon. Not too fast; soft, soft. Unless the master were the man. How now? Even so quickly may one catch the plague?’ Here Olivia states that Cesario’s external features are what attract her to him. Her metaphor contains a s...
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
Adversity reveals character; people tend to exhibit their true nature when they face new and challenging situations. Odysseus, the Greek hero of Homer’s Odyssey, and Viola, the protagonist in Shakespeare’s Twelfth Night, are superficially very different people; Odysseus is a veteran warrior who survives ten years of a brutal war and another ten years of hardship before returning to his native Ithaca, while Viola is a very young lady who finds herself unexpectedly alone and without family after an accident at sea. However, as Odysseus and Viola encounter new circumstances and overcome new trials, adversity brings out genuine facets of their respective personalities, highlighting more similarities than differences. In the Odyssey, the battle-hardened
Shakespeare’s Twelfth Night is a play with themes that parallel the folly of the festival it is named after. The main storyline of the plot plays on this a lot by mixing up the stereotypes around gender that were very present at the time. However, a sub-plot involving secondary characters defines this theme even more. It takes the idea even further by relating servants’ attempts to blur the lines between social classes. Twelfth Night’s Maria and Malvolio both have great aspirations to rise above their social class. However, Maria succeeds where Malvolio fails because of her capability to make use of the satiric ambiance of her mistress’s household to achieve her goals.
There is a certain degree of expectation with the genre of comedy that despite whatever difficulties appear within the play, by the end these will be resolved and the play will have a traditional happy-ending with a marriage or a celebration in the final scene. The “Twelfth Night” is no exception to this rule. Despite problems of confused identities and sexualities, the play ends with marriage for the major characters because they “have learned enough about their own foolishness to accept it wisely, and their reward, as it should be, is marriage.”(Schwartz 5140). There is a resolution of harmony to a certain extent and an endorsement of romantic love yet despite the happiness evident in the last scene, there are many elements in the play that causes the audience to wonder whether the happiness is forced or genuine. The words of a departing Malvolio, “I’ll be revenged on the whole pack you.”(Twelfth Night 5.1.365) leads to a conflict being unresolved. The marriage of Olivia and Sebastian also leads the audience to question whether Shakespeare has pushed the limitations of comedy to far, as Olivia marries Sebastian who she believes to Cesario and whose identity is only revealed after. The appearance of Antonio in the last scene also casts a sombre ambience over events; he is not united with the one he loves though he was willing to sacrifice his life for what he believed to Sebastian’s safety. The last discourse of the play from Festes once again returns to the melancholic mood that was apparent in the opening and it is this mood that remains with the audience.
How Shakespeare Explores the Theme of Deception and Self-Deception in Twelfth Night Deception is the use of deceit that deceives everyone around you including yourself. It is the fact or state of being deceived. It can be a ruse or a trick in disguise, which deludes, giving a sense of indirection. It’s a misleading falsehood. One can deceive by running away from even their true self either physically or mentally.
In Shakespeare’s play, Twelfth Night or What you Will, the characters are involved in a plot complete with trickery, disguise, and love. Each character is defined not by his or her gender or true identity, but by the role they are forced to take because of the complicated situation that arises. Unlike their gender, the speech the characters give an insight to their true personalities. In the Twelfth Night, the character Duke Orsino uses flowery and over-dramatic language, long poetic sentence structure, and melodramatic metaphors to display his overemotional romantic nature despite the different emotions in his various speeches.
to address Viola as if she were male, he says, "Boy, thou hast said to
The perfect lives that make up the routine of the Illyrian citizens portrays a society in which enjoyment, and personal gain are held in utmost priority. Shakespeares mocks the passivity of the Illyrian lifestyle to explain to the audience that excess of such festivity has negative side effects such as ego and lack of true love. He expresses that the pursuit of expression and truth in itself invokes enjoyment. Sir Aguecheek mirrors the uncertainty of a person through lack of self-confidence and the desire to openly reveal his true self when lamenting “Is it a world to hide virtues in?” (1.3.131). While uncovering aesthetic and emotional mysteries, the Illyrians find that disport restrains them from actual enjoyment and love. The play follows the audience to motivate them towards dissemination of feelings and expression of passion as a “locus of growth and self discovery” (Logan 223) and to obtain true happiness by ridding themselves of excessive, meaningless fun.
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...
She had just found her true feelings. Then all your new-found freedom comes tumbling down make you sympathies with her death and
An emotional roller coaster, between three people, also known as Twelfth night. In the play Twelfth Night by William shakespeare, one of his famous comedies, is based on a simple love triangle. Not your ordinary love triangle though, when Viola one of the main characters has shipwrecked on the coast of Illyria and decides to disguise herself as a boy named Cesario that leads to many love complications. When Voila arrives to Orsino’s court for a job she is sent to Olivia, to give a message of his love. However in the soliloquy, III.i.152-172, Olivia ends up confessing her love to Viola disguised as Cesario that almost starts the whole love triangle.
Shakespeare’s comedies have always had a distinct subtext of tragedy as shown in Twelfth Night. It teeters on the brink of tragedian literature similar to his tragedies, such as Hamlet, through the ambiguity of the main characters and unfinished resolutions.