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The struggle between good and evil in Shakespeare
The struggle between good and evil in Shakespeare
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Trinculo and Stephano of Shakespeare's Tempest
Trinculo and Stephano though not major characters in William
Shakespeare's The Tempest, serve a large role in the story itself. They
mainly serve as the story's comic relief and they also contribute to
demonstrating to the audience how evil has no boundaries. Much of the play
revolves around Prospero's contempt for everyone who betrayed him, and
Prospero forces the conspirators to a remote island. Trinculo and Stephano
had nothing to do with the plot against Prospero, but end up being dragged
along with the conspirators. Their parts were small but were probably the
most interesting in the story.
Trinculo and Stephano were primarily used for comic relief. Comic
relief is very important because the story must be able to keep the
audience interested. What better to make someone laugh than a pair of
drunk servants. During the duration of the story their drunkenness causes
them to do things that normally they wouldn't do. They blindly attempt to
take on Prospero, a powerful sorcerer and scheme how to defeat and kill him.
Who in their sober mind take on an all powerful sorcerer? This is quite
amusing because it shows us how incredibly foolish we act when we are drunk.
Of course their attempt to take on Prospero proves to be futile, instead
they play dress up with his cloaks and when Prospero shows up, Stephano and
Trinculo run for their lives and leave Calaban behind carrying the clothes
they attempted to steal.
Trinculo and Stephano were also quite amusing by being drunk
throughout the entire story, they even stated that they wouldn't drink
anything else until the wine ran out. "Tell not me. When the butt is out,
we will drink a drop of water, not a drop before."(Tempest 288)
Trinculo and Stephano also contribute to the play the idea that
evil in men shows no boundaries. While Antonio and Ferdinand are making a
plot to kill the King, Alonso, for power, Trinculo and Stephano are doing
the same towards Prospero. They were enchanted by the story told by
Calaban that they would become in charge of the island once Prospero was
disposed of. Another display of their lack to purity comes in the speech
by Trinculo on finding the resting Calaban. Trinculo stated that if he
were back home that he would have people pay to see Calaban. "Were I in
England now, as I once was, and had but this fish painted, not a holiday
Hester Prynne is a character who gave up everything, even love, for her child. Hester Prynne sacrificed her peace, her beauty, her entire being for her child and this shows her determination and profound understanding of the world. Nathaniel Hawthorne’s piece, “The Scarlet Letter” shows the other side of the sinner’s story and not as a villain, but a victim.
Hester Prynne, the heroine of Nathaniel Hawthorne’s The Scarlet Letter, exhibits considerable character growth both over the course of her life and during the events of the novel. Her view of herself and her perspective on the role of women in the world evolve as she learns from new experiences. She moves through the stages of self-centered happiness in her childhood, deep despair and depression as an adult, and a later more hopeful and selfless existence.
“The Tempest” is a play written by William Shakespeare in early 1600s that has been previewed in different kinds of movies, such as the one made in 2010, directed by Julie Taymor. It is a play containing themes such as; revenge, allusion, retribution, forgiveness, power, love and hatred. When it is compared to the play, there are specific differences seen in the movie, such as; Prospero is reflected as a woman in the movie. The time differences between the play and the movie and how the spirit Ariel is shown as a white man in the movie. The play starts with the story of Prospero, the Duke of Milan. He gets banished from Italy and was cast to sea by his brother Antonio. He has perfected his skills during twelve years of exile on a lonely island. Prospero creates the tempest to make his enemies’ ship to wreck and lead them to the island. Meanwhile, Antonio takes Prospero’s place and starts to make everyone believe he is the duke and makes an agreement with the King of Naples, Alonso. Besides the drama happening in the island, Prospero forgives Alonso and the others.
Hawthorne depicts the character of Hester as a woman with many heroic qualities. Hester is portrayed as courageous and loyal, although she is ridiculed for her “sin” she refuses to name the father, saying she will “never’ do so, because she does not want him to endure the pain. The community even begins to view her in a different way, the “adulterer” symbol now represents “able.” She continues to be charitable and kind despite enduring dreadful hardships. Her inner strength, her defiance of convention, her honesty, and her compassion may have been in her character all along, but the scarlet letter brings them to our attention. He shows us how strong willed she is, during her confrontation with the Governor she makes it clear to him that he “shall not take her,” “she will die first!" By the end of the book she becomes an angel of mercy who eventually lives out her life as a figure of compassion in the community. Her charitable deeds continue to strengthen throughout her struggle. Hawthorne’s depiction of Hester showed us that even women can be heroic
The Tempest by William Shakespeare is one of the most relevant and studied plays of the Elizabethan period among scholars, from both, ancient and actual times. One of the many readings that have prevailed suggests that the play’s protagonist, Prospero, and his two su-pernatural servants, Ariel and Caliban, can work as a single psychological unit is constantly discussed by the academics. This reading is not new; it has been considered for longer than the idea of The Tempest as an autobiographical allegory, being first proposed by Thomas Campbell in 1838 (Yachnin).
Prospero’s Abuse of Power in The Tempest. In William Shakespeare's The Tempest, Prospero lives with his daughter Miranda on a deserted island. On the surface, he appears to be a benevolent leader doing his best to protect and care for the inhabitants of the island, especially for Miranda. On closer inspection, however, Prospero plays God, controlling and creating each individual to fit the mold he desires.
The Scarlet Letter by Nathaniel Hawthorne was written in the 1850´s. His Transcendental work shows the difficulties during the Puritan time period. During the time women were seen as inferior to men, also the religious beliefs were very well guarded. Throughout the book we see examples of Hester Prynne being a symbol for what all females are today. Hawthorne's book draws many themes to Femininity, which is the belief that men and women should be treated equally, whether it be socially or politically. Within the Scarlet Letter Hawthorne tries to make equal ties through men and women, but ultimately fails. The Scarlet letter is not a feminist book.  Throughout the book Hester Prynne is seen as an adulterous women. All the citizens in town
The Relationship Between Miranda and Prospero in The Tempest Works Cited Missing Act one scene two opens with Miranda and Prospero standing on an island, after having just witnessed a shipwreck. Right from the first line we can establish the relationship between Miranda and Prospero. "My dearest father" (line 1). As the scene commences, we begin to learn a great deal about the two roles. Miranda opens the scene as she questions her father about the huge storm.
Author Nathaniel Hawthorne heavily relies upon the natural world to express certain themes through The Scarlet Letter, but makes it almost human-like when interacting with “sinful characters” such as main protagonist Hester Prynne and her very close friend Arthur Dimmesdale, in comparison to their “innocent” daughter Pearl Prynne. Hester Prynne is known throughout her town as the “adulteress” through the piercing scarlet letter “A” upon her bosom. Thinking her husband was dead, Hester became intimate with one of the town’s men and gave birth to her daughter Pearl. The town shunned her and made her the highest symbol of sin in their community for years and years to come. As time progressed, it became known to the public that Arthur Dimmesdale, the
Throughout the centuries leading up to the 1800s, only a few women, both fictional and in real-life, had achieved the accomplishment of being an upstanding role model for third-wave feminist women. Thankfully, in 1850, another one joined the ranks: Hester Prynne. Exemplifying the true spirit of feminism within The Scarlet Letter, she managed to become a thorn in the side of the patriarchal Puritan society, albeit with some missteps. Because of her strong stance against the patriarchy, which was displayed in her refusal to reveal the identity of her partner in sin to the oppressive male authorities and her struggle to survive and thrive as a single parent in the male-dominated society, Hester Prynne became a wonderful example for third-wave feminists. However, she was still human and makes mistakes such as her submission to Chillingworth's plan of deception and revenge.
Hester’s principal qualities of strength and honesty are revealed throughout the novel. Her strength is seen in her actions after her sin is revealed. Foremost, she thinks of her adultery as an act committed out of passion and denies the belief that man’s nature is corrupt
At first, the crowd shares a common apathy for Hester: “This woman has brought shame upon us all, and ought to die” (46). The community’s opinion starkly shifts from viewing Hester as the guilt-ridden adulterer standing on the scaffold to an exemplary citizen of Boston. After her rehabilitation, “they had begun to look upon the scarlet letter as the token, not of that one sin, for which she had borne so long and dreary a penance, but of her many good deeds since” (147). Not only do the Puritans see the scarlet differently, the actual significance of the scarlet letter changes from religion to secularism. Hawthorne uses this alteration in the scarlet letter’s symbolism to demonstrate that secular justice has power even over violations of religious code. Women, who suffered tribulations similar to Hester’s, seek comfort and advice from her; they yearn to undergo their own rehabilitation in hopes of one day becoming part of a society in which they are not subject to such cruel condemnation:
"Come in, come in," Prince Prospero howled, "to my abbey we go!" I saw the thousand mummers flood into the abbey, hoping to escape their fates. They tripped and slipped over the remains of the luckless as they pushed and shoved their way in. "Come in, come in," the prince cries again, "we mustn't wait a second!" They could not have been more thrilled to seek their freedom from their destiny. Yet, the luckless and I did not obtain this chance. The prince looked at us, the victims of fate, and looked back at the abbey. Back and forth, he looked and looked. Then he stared. Not at the abbey, not at the dead, but at me. My corpse. “Charlie,” Prospero whispered. He stared at me. He then looked back at the abbey, then back at me. He looked and looked.
In Shakespeare’s play The Tempest, there are two characters who appear to be polar opposites. The characters of Caliban and Ariel both play very important roles in the play. The term caliban is defined as “a brutish or brutalized man,” and the term ariel is defined as “a spirit of the air” (Dictionary). The definitions of these two characters names even show the huge difference in the two characters before readers or viewers even get to know the characters. There are also differences in how the two characters feel about the self-proclaimed king of the island, Prospero. However, regardless of their many differences the one thing that they do have in common is the fact that they are both oppressed by Prospero who has deemed himself king of the island and seek freedom.
Shakespeare wrote different types of plays such as comedies, tragedies, and historical plays. The play Othello is one of his tragedies. It is about a character named Othello who is a Moor, in the service of Venice. Throughout the play Iago, Othello's lieutenant, manipulates Othello to believe that Desdemona, Othello's wife, is cheating on him. Various characters in the play Othello appear to be virtuous, upstanding individuals, but their actions reveal that they are not as they appear to be.