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What Are The Perspectives Of Conrad's Heart Of Darkness And Achebe's Novel
Discuss achebe's comments on conrad's heart of darkness
How do things fall apart by achebe a response to heart of darkness by conrad
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Darkness. It pervades every corner of this world, casting literal and metaphorical shadow over everything. Creeping in the hearts of humans, drifting across the night sky, under the bed, darkness is a terrifying, yet quintessential concept in our human mentality. And, as such, it presents itself in cultures and stories around the world to explain the unknown and the terrifying. Through the presentation of the struggle with internal and external “darkness,” both Joseph Conrad’s Heart of Darkness and Chinua Achebe’s Things Fall Apart draw upon contrasting viewpoints and cultures, as well as an ironic play of “darkness” between the Europeans and the Africans, to construe the tragedy unfolding in Colonial Africa.
To begin comparing and contrasting these two pieces of literature, one must first examine the authors. Conrad was a white European, educated, and was a sailor who sailed up the Congo during that time period. He understood what he was talking about as he portrayed Marlow’s battle upriver, fighting the tide of “darkness” stemming from the natives, and the environment. Achebe, on the other hand, was African. He lived a little later than Conrad, seeing not the direct impact of colonization, but the aftereffects, removed from the actions themselves. Both authors criticized colonialism, yet, Conrad’s testimony was far more direct. Heart of Darkness was the story of a man telling his story. The criticism of colonialism contained therein is pronounced, not just in feeling. By contrast, Things Fall Apart is the story of an African man whose homeland is slowly destroyed by invading European culture. The criticism of colonization is less apparent, and inherent with the story itself.
Another interesting note is that, while Achebe did no...
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...mparability. Neither party had anything to which the other could be compared. And, at the end of Things Fall Apart, Okonkwo kills a white man as the man tries to disrupt an important proceeding. He gives in to his “inner-darkness,” and extinguishes the messenger. As he does that, Okonkwo gives in to the final, eternal “darkness,” and his body is found hanging from a tree, an utter disgrace to his honour, rather than allowing the white men to take him.
Darkness. It pervades every nook and cranny of our human minds and souls, held back by the fragile light of our beliefs, yet encroaching entirely in the eyes of another. The darkness is ignorance and fear. It is the quintessence of imperfection, the corruption of the pure, and tragic irony that stems from incomprehension. It explains and confuses, persuades and dissuades. It is the unknown and the unknowable. Darkness.
Chinua Achebe, a well known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe," (Achebe, p.251) while he also "projects the image of Africa as the other world,' the antithesis of Europe and therefore of civilizations" (Achebe, p.252). By his own interpretations of the text, Achebe shows that Conrad eliminates "The African as a human factor," thereby "reducing Africa to the role of props" (Achebe, p.257).
The novels Heart of Darkness by Joseph Conrad and Things Fall Apart by Chinua Achebe share a common theme; both deal with the colonization of Africa by settlers from Europe. When one examines the motives for this imperialist attitude in each book, one notices that in both books the motivation for colonization revolves around the gaining of wealth. However Conrad and Achebe define wealth differently. In Heart of Darkness the Europeans view wealth economically, such as the trading of ivory. In Things Fall Apart the idea of wealth is viewed by Europeans as belonging to and spreading the European culture and religion. Despite these different definitions of wealth, both groups of Europeans obtain their wealth by assuming a position of power over the Africans. However, the Africans in Things Fall Apart have an opposing view of wealth; that of peace and status within their society. Because of this they achieve wealth in a different manner than the Europeans. These methods of acquiring wealth suggest that the conflicts in Africa are a result of the colonization efforts of the Europeans.
In Things Fall Apart, Okonkwo was one of the strongest proponents of violence against the white missionaries. Throughout the book, he advocated for violence while be outnumbered by his fellow natives who objected. Near the end of the book, he had had enough. During a village meeting gathered to discuss what to do about the white missionaries, a messenger for the missionaries arrived to tell them the meeting had been ordered to be stopped. “In a flash Okonkwo drew his machete. The messenger crouched to avoid the blow. It was useless. Okonkwo’s machete descended twice and the man’s head lay beside his uniformed body”.3 The man had been killed. Shortly after, Okonkwo hanged himself on a tree. Violence was by far the most disruptive response to to the presence of white missionaries in Africa. It was the only response that led to deaths. Not only was the violence disruptive, it was also ineffective. In the last paragraph of the book, the Commissioner of the missionaries articulated how Okonkwo’s actions would make a good paragraph in the book he planned to write. Violence against missionaries was disruptive and led to death for both the locals and the
In Cry, the beloved country, Alan Paton tells the story of his journey across Africa, his experiences with the colonized Africa, and the destruction of the beautiful, pre-colonialism native land of Africa. Heart of Darkness also tells the story of a man and his experiences with colonialism, but a man who comes from a different time period and a very different background than Alan Paton’s Stephen Kumalo. Although, both Joseph Conrad and Alan Paton portray the colonized areas as very negative, death filled, and sinful places, it is when one analyzes the descriptions of the native lands of Africa that the authors reasons for their disapproval of colonialism are truly revealed. When comparing the writing styles of Alan Paton and Joseph Conrad, their descriptions of the land and the people in both works reveal their different attitudes and views towards colonialism. While Paton and Conrad ultimately oppose colonialism, Paton is concerned with the disappearance of African tribal tradition, whereas Conrad is concerned with the perceived corruption of the white colonists.
Written in different times, and through different perspectives, Heart of Darkness and Things Fall Apart present entirely opposing views of the Victorian Era colonization. Marlow and Kurtz display the racism of white Europeans through both ignorance and cruelty. Okonkwo exemplifies the anger and sorrow that Africans felt at having their homes and customs destroyed. Both authors had personal bias and specific motives when writing their works; though the novels can be independently educational, it is only through the study of both these and other perspectives that clear conclusions can be drawn.
Heart of Darkness and Things Fall Apart both take place in the imperialist era. Authors Joseph Conrad and Chinua Achebe, respectively, created main characters that came from different continents, but experienced similar cultural clashes. Although Marlow and Okonkwo have different lifestyles, they are both led to question their identities and make life-defining decisions.
In "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist stereotypes towards the continent and people of Africa. He claims that Conrad propagated the "dominant image of Africa in the Western imagination" rather than portraying the continent in its true form (1793). Africans were portrayed in Conrad's novel as savages with no language other than grunts and with no "other occupations besides merging into the evil forest or materializing out of it simply to plague Marlow" (1792-3). To Conrad, the Africans were not characters in his story, but merely props. Chinua Achebe responded with a novel, Things Fall Apart: an antithesis to Heart of Darkness and similar works by other European writers. In Things Fall Apart, Achebe tells the story of an Ibo man, Okonkwo, and the tragedies which he has to endure. Africans are represented as individuals capable of speech, not just one massive conglomerate of natives. Their customs are not regarded as eccentric or bizarre, but as the norm-functioning no differently than the variety of Western customs do. And the land itself is described as a mix of towns and farms, not a mysterious land which breeds insanity. In almost every respect, Things Fall Apart contradicts the stereotypes set up in Heart of Darkness.
In recent years, the debate over the merits versus the racial shortcomings of Joseph Conrad's Heart of Darkness has raged hot. Many, notably David Denby and Chinua Achebe, have come down on one side or another of the issue. I contend, with the help of the written opinions of Denby and Achebe, that Heart of Darkness, while racist in its views, is nonetheless a valuable and commendable work of art.
Achebe, Chinua. An Image of Africa: Racism in Conrad's Heart of Darkness. New York: Wylie Agency, 2006. Print.
"I don't want to bother you much with what happened to me personally,' [Conrad] began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would most like to hear" (Conrad, 9). Heart of Darkness, Joseph Conrad's best-known work, has been examined on many bases more than I can possibly list here, but including imperialism, colonialism, and racism. I would reason that all bases of analysis are perfectly acceptable through which to critique Conrad's novella, or any piece of writing. I would reason this, were some of these bases mainly, racism not taken to an extreme level. In arguing racism, many critics seem to take Heart of Darkness as Conrad's unwavering view on Africa, Africans, life, or whatever else one may please to take it as. I, therefore, propose that Heart of Darkness be taken for what it truly is: a work of fiction set in late 19th century Europe and Africa.
Acclaimed Nigerian author, Chinua Achebe’s 1958 novel, Things Fall Apart, is a story about Okonkwo, a man from the fictional village of Umuofia. Okonkwo’s attempt to form an idealized self-identity and the stress he experiences in living up to its image wears his life, and eventually destroys the very identity he so desperately sought. Okonkwo’s end is analogous to the end of his tribe and its culture—Achebe refers to the Igbo peoples’ culture as the Ibo culture in his book. Furthermore, Okonkwo’s end shows the pain experienced by the change in power balances as the rulers became the ruled, with the white man colonizing Africa. The Heart of Darkness hardly needs an introduction; Joseph Conrad, its writer, wrote the novella based on his experiences as a captain on the Congo. The protagonist is Charles Marlow, whose impression of the colonized Congo basins along with its tribal inhabitants and the raiding white men amidst the deep, dark, disease-infested forests of Congo form the basis of the story. Things Fall Apart and Heart of Darkness are both based around situations that instigate the awe-inspiring, and yet horrifying confluence of races and cultures. However, while the former tells the story from the colonized peoples’ perspective, the latter tells it from the colonizers’ perspective. This paper attempts to highlight the differences and similarities in these novels by exploring the underlying themes and unusual circumstances portrayed in them.
Heart of Darkness by Joseph Conrad and Things Fall Apart by Chinua Achebe are two novellas written to make a statement about the struggles of early societies. Both stories stir up moments of hope, anger, disappointment, despair, and enlightenment in an attempt to inform the reader of the injustices and societal differences during the 1800’s. Heart of Darkness tells the story from a European Colonist perspective while Things Fall Apart illustrates the outlook of the African tribe member being colonized. Throughout this piece I will investigate these unique texts in hopes of revealing the symbolism behind the trying stories. I will compare and contrast the narratives and decipher the outlooks so that the reader can learn to appreciate and understand the collective battles told by men that lived through them.
Depiction of Africa in Heart of Darkness Chinua Achebe believes that Joseph Conrad's Heart Of Darkness is racist based on Conrad's descriptions of Africa and it's people. Achebe, author of Things Fall Apart, stresses Conrad's depiction of Africa as the antithesis of Europe and civilization, and the animal imagery present throughout the novella. Heart of Darkness, written in 1899 during the period of British Imperialism, concerns a British trading company and their expedition into the Congo for ivory. The African natives are treated brutally by the Europeans, and despite Conrad's casual condescension towards the Africans, one cannot help feeling resentment at the unnecessary cruelty they must endure.
An Image of Africa Heart of Darkness by Joseph Conrad has been depicted as “among the half-dozen greatest short novels in the English language.” Chinua Achebe believes otherwise. In Chinua Achebe’s An Image of Africa: Racism is Conrad’s Heart of Darkness he simply states that, “Joseph Conrad was a thoroughgoing racist” [pg.5]. Achebe argues that the racist observed in the Heart of Darkness is expressed due to the western psychology or as Achebe states “desire,” this being to show Africa as an antithesis to Europe.
Achebe, Chinua. "An Image of Africa: Racism in Conrad's Heart of Darkness." Heart of Darkness: An Authoritative Text, Backgrounds and Sources, Essays in Criticism. 3rd ed. Ed. Robert Kimbrough. New York: W.W. Norton, 1988. 251-262.