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Sociological impact of music on society
Representation of genders in media
Sociological impact of music on society
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The role of women in media is based upon traditional gender roles and are seen as being empowered only sexually and through the use of their bodies. Males are depicted as dominate and controlling only relinquishing power to women before and during sex, but not after. The music video for the song “Candy Shop” by 50 Cent shows the nature of these relationships in popular culture.
The video begins with 50 Cent driving into the gates of a mansion in his sports car. When he enters the doors he is greeted by numerous women scandalously dressed. He then climbs the stairs in the foyer as he makes eye contact with the women. He sees Olivia and makes eye contact with her, then begins to follow her.
The camera then goes to 50 Cent in the driveway with his car, a place where he is in control. Back inside he enters a room to see a women seemingly enticing him into bed with her. She is seen as in control of the situation as 50 Cent does not much more than lie in bed.
The next scene is back outside of the front door, followed back inside by a women in nurse fetish wear that forces 50 Cent onto a hospital bed. Leaving the room he sees Olivia leading a dance along with other women. He walks down a hallway to find another women who takes off his shirt using a whip, exerting power over him. He approaches her and she caresses his chest with the blunt end of the whip. Outside again 50 Cent states that he is in control of the actions she is taking, but he fails to do so in the mansion among her presence.
Two women are seen in the bathroom inside. One is in the bathtub while the other pours chocolate sauce onto her with a pitcher. Olivia then communicates with 50 Cent through a painting while he continues to look for her. She e...
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... end in the drive through she is also an authority, stating she doesn't have time for 50 Cent's daydreaming.
This music video shows how relationships are defined in American culture and the interaction between genders during different stages of sexual contact. The text exhibits values that are demonstrated elsewhere, including withing Aftermath Entertainment. The text can be considered successful based upon its charting and work with a well known label.
Works Cited
"50 Cent." - Chart History. Billboard. Web. 26 Mar. 2014.
50 Cent. "50 Cent - Candy Shop Ft. Olivia." YouTube. YouTube, 16 June 2009. Web. 26 Mar. 2014.
"Dr. Dre News and Information, Lyrics, Pictures." Dr. Dre News and Information, Lyrics, Pictures. Web. 26 Mar. 2014.
"Searchable Database." Http://www.riaa.com. Recording Industry Association of America. Web. 25 Mar. 2014.
Which was sister souji who is a psychologist or someone who comes and preached and gives advice to those in trouble , in need of some good advice she is well known in new york . Winter gets introduced to sister souji who takes her in even though winter gives her a fake name . She asked sister souji if she knew her cousin midnight she said “yes” . Winter had lied and said that her mother was very sick and her mother wanted to see midnight which was her cousin . she asked if she could stay there which sister souji let her for a few weeks till midnight came to get her . Sister souji introduced her to her little sister lauren which who also liked to party and was a bit sneaky . Then the doctor who works down stairs and has her little clinic which winter seems to keeps an eye on because she make 300 dollars each patients . Sister souji gets invited to her friends party who most likely her boyfriend on the low but things don't seems to workout at the moment with his career and lifestyle as a rapper . Which winter sees a big opportunity to snatch and if she sleeps with the rapper she can make him fall in love with her body which is not true at all because the moment she gets a chance to go back to the mansion and gets picked to go up stairs . She gets played out. who she really sleeps with is the bodyguard .
The last night of their high school began with a borrowed Impala car. The audience experiences relationship woes, a sock hop, a mysterious blonde, and pranks on the cops. More importantly, as the movie goes on, daring street races, run-ins with greasers, vandalizing, and booming rock ‘n’ roll replace the happy atmosphere. The movie orchestrates many storylines and is full of fashionable nostalgia, music and vivacity of the night. The movie also crafted scenes with risky antics, using contemporary music to spectacularly enhance the tenor of the
10. Next the shot changes to a full shot of Devlin and Alicia where she continues to stand. The camera follows them up as they now both fully rise, thus revealing more than just there faces in over 9 shots. Alicia states that they should go outside, while Devlin has a drink in hand. She then asks if Devlin is going to finish his drink. Devlin says that he is and takes down the rest of the drink leaving only a few drops, as Alicia gazes into his eyes.
First of all he calls the woman in the song, a bitch. It starts off with a skit and in this skit with the few lines it contains, the woman is completely disrespected because she does not provide the answer that was he wanted to hear. The script is “Yo let—let—let me ask you a question yo / Yo, would you kill for me? / Hmmm... yeah / What took you so long to answer motherfucker? / I don't know / The fuck wrong with you bitch?” he later on raps “And I admit, when the time is right, the wine is right / I treat you right, you talk slick, I beat you right / Just me and my bitch, me and my bitch.” Biggie says he beats his partner anytime she says something he does not like which promotes physical and emotional abuse to the people that listen to his music. People will think there is no problem with putting there hands on their partner cause Bigge does it. Biggie sends out the wrong type of message to people about how they should treat their partner in a
In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.
The climax is building when McMurphy comes back from electro-shock therapy and the rest of the ward is planning his escape. The two prostitutes Sandy and Candy arrive in the ward, and there is a wild party. This is where everything turns to chaos. McMurphy attacks Nurse Ratched, but he is immediately restrained and will never know of the hope he gave Chief. Chief believed that McMurphy made him “big” enough to finally lift the control panel that he throws through a window to escape.
Yet, as I watched, I noticed that much of the imagery being thrown at me seemed more boring than vital, due to the sexuality it portrayed. One rapper after another indulged in his own personal hormonal fantasy, with slithering women flaunting acres of flesh into the camera. These women were not alive. They had become so objectified as to be sexualized robots.
The objectification of women in the media and women voluntarily subjecting themselves to this demeaning objectification is rapidly increasing in lieu of feminist ideals and a new age push for women empowerment. The media has long capitalized on women’s sexuality in everything from music videos to manipulative advertisements, appealing to the male gaze while simultaneously instilling a sense of longing in girls of all ages to look like these women. In Lily Allen’s song, “Hard Out Here”, she attempts to bring light to this issue of women being treated as simply sexual objects and how all women are expected to look and act. However, in contrast to her empowering lyrics, Allen’s video takes a turn for the worst when she implements strictly black female dancers as representation of the cliché sexism found in music videos placing them at the butt of the parody.
The music video for “Tip Drill” takes place in what is identifiable as a brothel, with scantil...
He did multiple interviews from celebrities to regular civilians. He created this film because he had a love for hip hop but was an activist. There was an interview on the video from Spelman College regarding the protest of the misogynistic video of Rapper Nelly, who is seen swiping a credit card in a girl’s buttocks in his music video “Tip Drill”. Rapper Nelly never commented but canceled plans to hold the bone marrow drive at Spelman. He then goes on to show BET’s Spring Fling in Daytona Florida. It was disgusting to see men lusting after women, touching women who did not want to be touched. In the interview with one young man he justified his actions by saying “look how they dress.” The objectification of women in hip hop has taught young men to view women as sex objects for their own
Specifically, it is Madonna and her friends partying in the back of a limo chauffeured by Sacha Baron Cohen as Ali G. The opening skit starts with Madonna saying, “Hey mister DJ, put a record on - I wanna dance with my baby,” in a seductively androgynous voice. Madonna herself taps on the limo window with her blinged-out rings. Ali G rolls down the window, makes a snide comment about her sex appeal, and then complies to her request and puts Madonna’s record on. For the most part, Madonna manipulates her vocals to match the 80’s-style programmed electro
The Representation of Men and Women in the Media Men and women are both represented differently in the media these days. Then the sand was sunk. Ironically it was even represented differently in the title of this essay. Men came before women! I am writing an essay to explain how men and women are represented in the media.
The lyrics and the video do not go together one bit. One verse in the video is “Let your hair down, and shake that shit, shake that shit, shake that shit sweat it out, go nuts in this bitch, dip it, spin it and watching my hips I see you watchin' my hips, crazy, move your body like Swayze, round and round, shake it, break it, make it bounce! It's a fucking celebration” [1] and what is shown is Iggy and other women dancing then there is also cut scenes with children. That is inappropriate, no kids should be shown while Iggy is saying that, and then there is the women dancing. The women are seen in their typical clothing and they seem to be dancing somewhat in the classical Indian dance, which is something that should not be done to that type of
life and how it should be. When 50 cent was 12 years old he was a
Hence, the media can be a positive tool to encourage healthy debate on discussions of gender and sexuality, but it can also be detrimental in further perpetuating and engendering harmful gender stereotypes. This essay will discuss some of the key concepts mentioned above through the analysis of a video entitled The Economics of Sex by The Austin Institute. Through doing so, this essay will look at some of the main arguments raised by the video and some potential resulting social implications. Lastly, this paper will attempt to arrive at a conclusion on whether the video is a positive or negative contribution to the discourse on gender and sexuality.