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Traditional folk dance
African ritual music
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Recommended: Traditional folk dance
On Thursday April 18, we watched a film by , about traditional African dance. I was amazed by the different dances performed and how they all held a strong symbol for the tribe they represent. The film portrayed various different tribes performing different dances for different reasons. The narrator of the film was extremely helpful with his descriptions of the people and the dances they were performing.
I really enjoyed the costumes of the different tribes, especially the Bobo tribe. They dyed their costumes bright vibrant colors. I was impressed that the dancer could perform such vigorous dances with those heavy looking costumes. Not the mention the extreme heat they have to deal with. From what I understand the performers were performing in temperatures in the high 90’s to 100 degrees. And to think we were complaining when it was 80 degrees the one day.
The dancing in all of the tribes was symbolic to a ritual and gave it all the more meaning to the viewer. I think it is wonderful that they use music and dance to honor their religion, their dead, and their land. Americans today seem to morn religion, like it is work or something. It is beautiful to see the African Dancers out their celebrating their religion. I think our religions should take some notes and make it beautiful and enjoying. Most Catholic services are dry and boring but to look at the Africans enjoying their religion and making it exciting
I really liked the tribe as well, with their tall costumes. Their dancing was to honor their dead. They were in tall dark costumes and they would go after the crowd if they got out of line. I was really impressed with their dancing because what an honor. I would love for people to dance and sing at my funeral. I want everyone to celebrate my life not morn my death. I feel that the tribe was doing that, they were celebrating that persons life by dancing. It was humorous too when they went after the different members of the crowd who got out of line.
To conclude, one can say that dancing has been a true life saver for some of them because not only is it allowing them to express themselves but it also gives them another option than just being a gang member. Dancing also helps them express their passion for the art and it a form of spiritual connection, while connecting them to the African culture. They relieve all their stress and anger through dancing. Lastly, dancing give them a sense of pride and hope that life could get better with hard work and perseverance.
The film Dances with Wolves, that was written by Michael Blake and directed by Kevin Costner, helps to shift our perspective of Native Americans from one of stereotypical distaste, to one of support and respect. According to an anonymous critic on www.eFilmcritic.com "This is one of the few westerns that devotes its time to looking at the plight of the American Indians (particularly the Sioux), who were thought by some as even more subhuman than blacks during the 1800's (and even during parts of the 1900's)." It has always been thought that Native Americans of old were savage, non-feeling, unemotional, cold-blooded killers. It is difficult for people to see them as anything else. I have come to the understanding that they are much more that. They are kind, feeling, understanding, loving, loyal, helpful, good people just like us. There is no difference between them and us. The film helps us to think of them as real people that can relate and understand us.
They would dance contemporary to Holiday’s slower jazz songs, which were also her songs with the most serious stories told in them. Performing this style of dance helped to tell the story of hers songs. The dance truly helped to accentuate the message of the song “Strange Fruit.” This song describes the horrific lynchings that took place in the Jim Crow South. The contemporary choreography to this song showed the sadness and confusion that many people felt towards the lynchings. The dancers would come onto the stage in small groups of two or three, and I noticed many of them would do a slow, controlled grand battement followed by dropping their torsos to their feet when they brought their legs back down. They would then proceed to exit the stage, and be followed by the next group of dancers. When I watched this, I felt as though the dancers were showing the pain and despair that people felt before lynchings, and how they next lynching would happen soon
“Native American Legends.” The Ghost Dance- A Promise of Fulfillment. 2003-Present. Web. 21 Apr. 2014.
... for their religious beliefs and cultural values. People’s religious beliefs and practices all need to be protected from harm and negative influence like a child needs care from his mother. The Pueblo Indians should be looked at as an example of how people should not be treated. This way, hopefully we won’t make the same mistake twice. We all have an obligation to know all the facts and the whole truth about something before we start to reject it. If the white people in the early 20th century had taken the time to understand the meaning of these dances they may not have been so quick to judge and may have stood back and reflected on their own ways of living.
The Sioux Grass Dance is considered to be the most popular style of Native American Music. As one dances to this music, they follow a pattern known as “toe-heel.” This consists of the individual placing the left foot in front of the right and repeating with the other foot. Each male dancer makes many personal variations of this dance resulting in a so...
SourcesAtwood-Lawrence, Elizabeth. The Symbolic Role of Animals in the Plains Indian Sun Dance. http://www.envirolink.org/arrs/psyeta/sa/sa1.1/lawrence.html (Feb 3, 1997) Eliade, M. (1975). Myths, Dreams, and Mysteries. New York: Harper and RowKehoe, Alice B. (1992). North American Indians A Comprehensive Account. New Jersey: Prentice-HallSchwatka, Frederick. (1889-1890). The Sun-Dance of the Sioux. Century Magazine. Pp. 753-759.Welker, Glenn. The Sun Dance http://www.indians.org/welker/sundance.htm (Jan 7, 1996)
The Mohawk tribe really liked their music. They would always play it during all of their celebrations. Their music always had a nice rhythm, and it would always be different and playful. They would play it very often and their whole tribe really enjoyed it.
A common aspect of African culture is our mediating of deities, ancestors, and spirits, by performing rituals and contacting ancestors or historical ideals. This spiritual combination creates a non-Western idea of movement in art. I enjoy this part of our culture, where we create a less static environment. We become other beings, through our usage of art, dance, and costume with mask and headwear. Our artistic creators are forgotten. Our original artwork are eventually forgotten. The work goes back to the Earth, for the only true matter is how the spirits are manifested in the objects at the current time; eventually even this wears out. At the time of the spiritual manifestation in the objects, they are some of the most powerful aspects in our society.
The stage performance of Rogers and Hammerstein's Oklahoma was a beautiful integration of book, song and dance. The three elements add richness and aesthetic quality in very distinctive ways. Dance is a form of expression using rhythmic movements of the body. Facial expressions and the use of body language through dance offer portrayals of feelings that compensate for dialogue. The choreography done by Agnes de Mille integrates dance into the lives of the frontiersmen (and women) of the Oklahoma territory. The 20th Century Fox film version released in 1955 had key differences than the current Broadway musical. One of the main differences other than a little extra dialogue was the utilization of dance. In the film dance was not used as a primary asset to the production. The impact of dance could be described by comparing the stage performance with the film.
Dance was also a big part in the music of West Africa. Dance was performed at ceremonies surrounding fertility, death, worship, adulthood, and other kind of certain concerns of the village.
Janet O’Shea, “ ‘Traditional’ Indian Dance and the Making of Interpretive Communities,” Asian Theatre Journal vol. 15, no. 1 (Spring 1998): 45-63.
Belly dancing is thought to date back into the third millennium BCE in the Middle East, with evidence of solo improvised dance seen in Egyptian paintings, figurines, and tombs (Shay & Sellers-Young, 2005: 3). There are now several different versions of this dance in the Middle East, for example, the shikhat in Morocco, the ciftetelli in Turkey, and the raqs sharqi in Egypt (Shay & Sellers-Young, 2005: 2). While these dances are similar in movements, the dance’s meanings differ in each culture. Here in the United States, we adopted and renamed belly dance in the late 1890’s from the Middle East, but based our understandings of the dance off of mistaken notions we assumed to be true in those countries. The meanings of belly dance in the United States have been shaped by orientalist views, and therefore are misrepresentative of the true connotations. Several contradictions exist between what Americans see belly dance as and what is actually true in the Middle Eastern culture, such as the implications of the dance, the dress and context of the dance, who actually dances, and spiritual significance.
Although African traditional dance has been transformed changed and affected in many ways but it still there and enjoyable. This simply means that although they take you away from your wellbeing but they can never take you away from you .our traditional dance is part of ourselves it will never be taken from us. We still
I did not have to wait long for an opportunity to dance on stage because the teachers decided to put up a Kathak group dance for the Class Five’s form evening.