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History of traditional dance
History of traditional dance
Essays on belly dancing
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Belly dancing is thought to date back into the third millennium BCE in the Middle East, with evidence of solo improvised dance seen in Egyptian paintings, figurines, and tombs (Shay & Sellers-Young, 2005: 3). There are now several different versions of this dance in the Middle East, for example, the shikhat in Morocco, the ciftetelli in Turkey, and the raqs sharqi in Egypt (Shay & Sellers-Young, 2005: 2). While these dances are similar in movements, the dance’s meanings differ in each culture. Here in the United States, we adopted and renamed belly dance in the late 1890’s from the Middle East, but based our understandings of the dance off of mistaken notions we assumed to be true in those countries. The meanings of belly dance in the United States have been shaped by orientalist views, and therefore are misrepresentative of the true connotations. Several contradictions exist between what Americans see belly dance as and what is actually true in the Middle Eastern culture, such as the implications of the dance, the dress and context of the dance, who actually dances, and spiritual significance.
Orientalism is essentially the perceptions that Westerners have that distort and exaggerate the people, lives, and culture of the Middle East (Maira, 2008: 320). In Orientalism, the person defining the “Other” tends to benefit from that definition, whether it be viewing the Other a negative light and assuming oneself to be above it, or viewing the Other in a positive light and identifying oneself with that (Shay & Sellers-Young, 2003: 31). Belly dance, in turn of Orientalism, is derived from fallacious notions about the Middle Eastern culture that were implemented in the west to elucidate belly dance as a practice of the western world (...
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... 2009: 97). Dancers in the Middle East, like the shikha, are often considered prostitutes, and are women of a very low class (Kapchan, 2009: 89). Their dances do not represent female empowerment like they do in the United States, but often rather sorrowful lost love and abandonment (Kapchan, 2009: 92). The dance, down to the costume even differs substantially, as Western women are scarcely clothed, while Eastern women wear modest dresses to the floor (Kapchan, 2009: 88). Additionally, the religious ties that the dance is thought to have are unlikely to exist, as it is so defiant of the Islamic religion that is practiced (Shay & Sellers-Young, 2003: 21). Overall, the associations that are thought to be held between American belly dance and Middle Eastern belly dance are merely misunderstandings as a result of the Orientalist perspectives that convinced us otherwise.
The concept that belly dance is a constantly evolving dance might surprise most people, as the static Orientalist image of the belly dancer is the one that pervades American popular culture. I and other scholars attempt to remove belly dance from the ridged framework of Orientalism and the harem fantasy. By the following how belly dance arrived in America, and how images of belly dancers and harems became part of the visual culture of the West I have attempted to demonstrate that there are aspects of power and a different reading of images of belly dance is possible. Through continued scholarly inquiry and research I look forward to the emergence of a new image of belly dance, one that represents the power and beauty of this dance, an image that is respectful of the many cultures that it represents.
Orientalism is the misconception by Westerners of foreign people from the
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
...ating with each other and these are the same values that are being passed on to this generation. The dancers in South-central Los Angeles, uses this form of art to express their feelings and it a form of communicating just like their ancestors did back in there days. At the same time, it allows them to have a much deeper connection with their roots.
Before the Lindy-Hop became popular and long before tap dance was established in the United States, Black Bottom dance was popular among both Blacks and Whites in Harlem, New York. The dance craze, appropriated from the blacks in Harlem’s nightclubs, became a big rage when brought to the white community and put on stage. Black Bottom dance, also known as “Swanee Bottom” was an popular dance among lower class African Americans in the early 1900s. Beloved to be introduced by Alberta Hunter, a popular blues singer, Black Bottom was a dance that emerged from African American culture. Although Black Bottom is not a family recognizable dance today, the popularity of the dance at this time caused a great ripple in the dances that came later on down the line.
The Folklorico group presentation I was honored to observed was the “Grupo Folklorico Juventud” from North Salinas High School. I decided to attend to this presentation because I use to be part of this Folklorico group. I also enjoy watching the dances for the reason that I believe they are beyond beautiful. It is amazing how a simple dance could transmit so much information while representing a region from Mexico. From my observation experienced, I noticed every region has different movements and customs for a reason. While observing the presentation I noticed most women used long skirts to create different shapes. They usually create the eight shape, half a circle or an entire circle which is created when the dancer does an entire spin while holding and moving their skirt. The skirt is also moved in different levels, such as high, medium, and low. The two levels that are used in most of the dances is the high and the medium level. While dancing the men and women usually do the same steps and movements. All the dances include “zapateados” which are known as foot dances or stomps. The “zapateados” are usually done with different parts of the feet such as the toe, heel and the sole of the feet. The dances include “zapateados” with different sections of the feet because every part creates a different sound. Most of the dances also include jumps and turns. It is extremely important for the
I recently tried to see a live belly dance at Aladdin Mediterranean Restaurant in West Reading. Growing up, I always thought about belly dancing as the stereotypical Eyptian woman dancing sexually in front of a group of men. Even in class when I first found out that we were going to learn about Egypt, one thing came to mind, and that was belly dancing. I was surprised by the fact that belly dancing is not anything like what I thought it was. It was quite different and astonishing of the differences there was between the real thing and what I thought it was. One of the things that really got to me is that in the western hemisphere, we call all of Egyptian dances as belly dancing, when in reality, there are multiple types of dances. This is
Rowe, N. (2011). Dance and political credibility: The appropriation of dabkeh by zionism, pan-arabism, and palestinian nationalism. The Middle East Journal, 65(3), 363-380. Retrieved from http://ezproxy.aus.edu/login?url=http://search.proquest.com/docview/882854466?accountid=16946
Irish dance is known all around the world for its music, style, and costumes. What once started as a cultural folkloric dance has now turned into a worldwide phenomenon because of many contextual factors on the three defining characteristics. In this paper I will attempt to show how the Gaelic League, An Coimisiún, and Riverdance influenced and changed the posture, movement, and appearance of the dance form. The story of Irish dance thus far is one of a constant changing dance that reflects the influences around it. Each of the changes in the style, costuming, and meaning of the dance has molded it into the globally accepted and loved dance form seen today.
This research will show how dance is and should be more encouraged as a form of adoration. The dances of the Old Testament were not a personal pleasure as a means of showing enthusiasm, they were full of gesticulations, violent leaps, or hopping in a circle, rather than graceful poses or soft rhythmic movement (MacDonald, 45). That type of movement characterized Jewish dances both of ancient and medieval times (MacDonald, 45).
Two of the dances that Egyptian women dance is Raqs baladi, which according to the book "the traditional dance styles associated with women's social gatherings and rituals, as well as with certain types of folk rituals and ceremonial performances". Dancing is more to these woman then just for fun. It is a way of socializing with each other. The second type of dance is Raqs sharqu or "oriental dance," which woman dance in weddings, nightclub, and cabret performances. Middle Eastern women are belly dancers. Is a improvised dance that has a variety of movements that is danced in a group and seductive way. The dance movements are believed to symbolize
Like many Indian arts, Indian dance also has its root in religion. Without the religious and cultural background of India, the growth and beauty of Indian dance is not possible. In ‘Natya Shastra’, there is a small story about the origin of Indian dance. According to Hindu mythology, dance first existed in heaven. There was always a constant conflict between the Asuras and the Devas for wealth and power. The Devas were tired of the Asuras’ greediness and jealousy.
The world of dance covers an international scope and is not solely limited to the common genres of Classical Ballet and Contemporary/Modern Dance. With globalization, ideas are being exchanged across countries at a fast rate and choreographers are constantly collaborating and sharing ideas with international artistes, resulting in the creation of cross-cultural dance pieces. Today, as the Asian community expands and diversifies, studying Malay Dance and gaining experience in the Asian world are necessary in understanding the global flows of people and culture in today’s Dance world. It is important to be exposed to and well-informed of Malay Dance in order to preserve its rich tradition and heritage, and appreciate the developments it has undergone as a result of Asian and Western influences.
Dance is communication through physical expression, although the type of expression and frequency differs vastly from culture to culture. Belly dance has an interesting history, one that dancer and instructor Susan Diamond states started “thousands of years ago” (Diamond, Belly Dancing). Today, however, belly dancing is gaining popularity and there are many different “branches” of the dance form that have evolved over merging two or more dance forms. While researching belly dance I found that my particular “flavor” happens to be Tribal Fusion.
Dance is an ancient human practice, however the earliest record of human dance remains a mystery. By