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Billie holiday harlem renaissance influence
Essays on how influential billie holiday was
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For my second dance show review, I went to Hollywood to watch a show called Billie Holiday Alive. This show was a performance of Billie Holiday’s greatest hits accompanied with dancing as someone portrayed Holiday and lip synced her songs. The show also took time to tell the audience an abridged life story of Holiday between each musical and dancer performance. This show was quite unique because it utilized hologram technology to show someone who portrayed Billie Holiday. It also used live dancers to accompany the hologram performance. It showed the growth from Holiday’s time to the present and her influence on how singers sang and what they sang.
The set for this show was very simple, but it helped to put the audience in 1940s. On the stage,
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They would dance contemporary to Holiday’s slower jazz songs, which were also her songs with the most serious stories told in them. Performing this style of dance helped to tell the story of hers songs. The dance truly helped to accentuate the message of the song “Strange Fruit.” This song describes the horrific lynchings that took place in the Jim Crow South. The contemporary choreography to this song showed the sadness and confusion that many people felt towards the lynchings. The dancers would come onto the stage in small groups of two or three, and I noticed many of them would do a slow, controlled grand battement followed by dropping their torsos to their feet when they brought their legs back down. They would then proceed to exit the stage, and be followed by the next group of dancers. When I watched this, I felt as though the dancers were showing the pain and despair that people felt before lynchings, and how they next lynching would happen soon …show more content…
Since the time period of the show was the 1940s, the woman portraying Billie Holiday wore a very elegant evening gown that sparkled in the stage light along with what appeared to be a large flower clip in her hair. The male dancers wore slacks, button-up shirts, suspenders, and loafers. The female dancers wore dresses what went past their knees, characters shoes, and stockings. Some of the female dancers also wore some type of hair piece. The costumes were tailored perfectly for the dancers. They were fitted nicely around the dancers bodies, but it never prevented them from being able to fully perform. They were able to do all of their battements, pirouettes, and sautes with ease, or at least, that is how it appeared to
The setup of the stage was very simple. It was the living room of a home in the early 1980’s. It looked like a normal household, and it had small things such as crumpled up pieces of paper lying around the wastebasket. It also had a couch, circular class table and a recliner in the living room. The dining room was to the left side of the stage and only had the dining table and surrounding chairs. There was a door in the back of the set where characters entered and exited through. Beside the door was a table and stool where Willum presumably worked on his blueprints for the hotel. The lighting design was great; it put you into the atmosphere of the
The dancers begin in unison in a large clump. They dance together with slow movements; reaching up with their arms straight and palms open. It is to be noted that when they stretch their arms up, they tilt their head and look up as well. Throughout the piece the dancers repeat this movement, which represents reaching and praying to God. The dancers are constantly reaching up, embodying their despair and their yearning for help. As the dance progresses, the dancers repeatedly break out of the clump in the center and do different movements and their own sequences. After this, they always go back to their clump and do synchronized movement. Their constant breaking away from the group symbolizes their continual want to be free, as well as their persistency. On the other hand, their constant going back to the group shows how African-Americans will always be joined together by their culture, prayer, and hardships. Additionally during the piece, multiple dancers will run up to another dancer and jump or hold onto them, and then they do a couple of movements together. This shows how they are reliant and dependent on each other, and how they need each other throughout their suffering. Lastly, Much of the movement in this section possesses the downward energy characteristic of African dance, which symbolizes a connection to the earth. The choices Ailey made choreographically communicates all
The story explores many vital concepts accompanied by beautiful illustrations. I felt a strong sense of cultural understanding, spirituality and connection to family and land as though I was on this journey too. I could sense an underlying meaning in each dance, holding great importance to Bertie’s family and a strong connection to their culture. Pryor has attempted to fuse the then and now, by speaking of changes in the land, from a once spiritual gathering place, to a now busy town street where through food, they keep the culture alive (Pryor, 2010).
The movie Lady Day: The Many Faces Of Billie Holiday paints an interesting, and thought provoking portrait of one of jazz and blues most charismatic, and influential artists. The incomparable talent of Billie Holiday, both truth and legend are immortalized in this one-hour documentary film. The film follows Holiday, also referred to as “Lady Day” or “Lady”, through the many triumphs and trials of her career, and does it’s very best to separate the facts from fiction. Her autobiography Lady Sings The Blues is used as a rough guide of how she desired her life story to be viewed by her public. Those who knew her, worked with her, and loved her paint a different picture than this popular, and mostly fictional autobiography.
Billie Holiday’s “Strange Fruit “is probably one of the greatest songs composed telling the chilling story about lynching. A little unknown fact is that it was written by a Jewish man by the name of Abel Meeropol. Initially “Strange Fruit” originated as a poem written by Abel Meeropol, as a protest against lynching of African Americans. Meeropol meet Holiday in a bar, where she read the poem, and decided to make the poem into a song. The record made it to No. 16 on the charts in July 1939. This song is probably Holiday’s most famous song she ever sung throughout her whole life. In the end Strange fruit forces listeners to relive the tragic horrors of living in America as an African American. The vivid lyrics paints a picture that causes a person
...ating with each other and these are the same values that are being passed on to this generation. The dancers in South-central Los Angeles, uses this form of art to express their feelings and it a form of communicating just like their ancestors did back in there days. At the same time, it allows them to have a much deeper connection with their roots.
Throughout the years, America has pursued the performing arts in a large variety of ways. Theatre plays a dramatic and major role in the arts of our society today, and it takes great effort in all aspects. Musical Theatre, specifically, involves a concentration and strength in dance, acting, and singing. This is the base that Musical Theatre is built upon. For my Senior Project, I helped choreograph multiple scenes in a community musical “Thoroughly Modern Millie”. Choreography is a way of expressing oneself, but it has not always been thought of for that purpose. Agnes de Mille’s expressive talent has drastically affected how people see choreography today. Agnes de Mille’s influence in the world of dance has left a lasting impact in the Performing Arts Department, and her revolutionary works are still known today for their wit, lyricism, emotion, and charm.
Merce Cunningham was known as a “leader of the American avant-garde whose constant innovation and artistic collaborations expanded the frontiers not only of dance, but also of contemporary visual and performing arts”. His passion and drive to succeed and push boundaries of dance and technology helped him throughout his career and in the building of his own dance establishment, the Merce Cunningham Dance Company. He also worked closely with the composer John Cage, where together they created different, new music. He was one of the most daring choreographers of his time regarding the exploration of technology in dance. He had begun to look into dance film in the 70’s, and further started to choreograph new dances using a computer program named ‘Dance Forms’. He also further created a webcast series where the public were able to view his teaching in the Merce Cunningham Dance Company, and could essentially sit in on the rehearsals
Throughout this analytical essay I will discuss, analyse and conclude the work of two contemporary modern dance pioneers, Alvin Ailey and Katherine Dunham. I will pay particular attention to the era 1935-1980 and focus on socio elements of this time period, using relevant literature to support my findings.
The painting “Sugar Shack” depicts how African Americans relieve physical tension through dance and movement. This painting suggests that Ernie Barnes shows how his culture expresses themselves through dance. In fact, one of the reasons Sugar Shack is popular is because of the way Barnes captured physical strain and dynamic movement through the extension of arms and legs and the swaying of hips. We see the figures as men and women who are dancing in pairs, physically relating to one another and to other couples. This creates a sense of unity among all the figures in the piece, including the band. Barnes said, “Sugar Shack is a recall of a childhood experience. It was the first time my innocence met with the sins of dance.” The painting is supposed to make a person feel the rhythm while viewing it to show that African Americans use rhythm as
On the 30th of July, I was fortunate enough to see Motown the Musical which was performed in Fayetteville, Arkansas at the Walton Arts Center. The theatre itself was extraordinary. As I entered
Katherine Dunham was born in Glen Ellyn, Illinois on June 22, 1909, to Albert and Fanny Dunham. Katherine was a great dance teacher. Later in her career she was able to get together her own dance company. In February 1940 the Katherine Dunham Dance Company opened at the Windsor Theatre, west 48th Street, with Dunham’s own Tropics and Le Jazz Hot. The show was a phenomenal success. Following that show many newspaper companies were amazed and wanted to inter view Mrs. Dunham. Katherine Dunham was indeed on her way to the top. From that night her name and her dances took her behind the footlights of the world’s greatest stages. Her unique and stylistic perfection were the forces that propelled her toward that magic moment when the dance, dancers, and cultural story became one. Soon after the success, and offer came to the Dunham’s Dance Company to take part in an all-Negro musical entitled Cabin in the Sky. The salary offered of three thousand dollars a week was an amount this company never dreamed of making. Dunham’s ro...
Overall, the dance is a sorrowful and despairing performance. Personally, I think Martha Graham did a great job capturing the emotions and feelings of the historic tragic event of the Great Depression. With less than two minutes of a video, Graham was definitely able to tell a story of an individual’s struggle and sorrow. With the shooting of the gun to wiping tears down her face, Graham captured live and real events that occurred. The Great Depression was a tragic event that caused the whole country to become unhappy due to financial crisis and food. Graham was able to create a big picture and a true moment that she had experienced during this time. Lamentation definitely represented a person’s emotions of melancholy, gloom, low spirits, and more. Martha Graham’s work will always be considered legendary, and will always have
The mis en scene of the film Chicago really added to the overall story and made the films plot more understandable and aligning with what was going on. The costumes and make- up of the characters in Chicago was very vintage and set for the times of the 1940’s. Also the costumes and make up for the women characters of the film Chicago was very lusty and sensual for many of the dance scenes it the costumes involved short dresses, skirts and low cut ensembles. Red and dark colored lipstick was used on m any of the women characters during certain scenes. The men characters in the film Chicago wore old fashioned suits and top hats with dress shoes, suspenders, and button downs. Everything that would be typically worn in the 1940’s is what was worn in the musical film Chicago.
The dance performance Still? was one of my favorite dance performs from the first half of the concert. What really grab my attention to the dance performance was the message in the music about black women’s. The type of music that was used for this performance was mainly positively and sound like something from the civil right era. The music was focus mostly on black women in society and black women appeals. The three songs that was played was “Who taught you to hate yourself”, “what if a black girl knew” and “To be black and women and alive”. These three songs help the dancers create a theme for the performance. The music also gave the audiences more insight why black women are treated different just because of her appeals may be different