The mis en scene of the film Chicago really added to the overall story and made the films plot more understandable and aligning with what was going on. The costumes and make- up of the characters in Chicago was very vintage and set for the times of the 1940’s. Also the costumes and make up for the women characters of the film Chicago was very lusty and sensual for many of the dance scenes it the costumes involved short dresses, skirts and low cut ensembles. Red and dark colored lipstick was used on m any of the women characters during certain scenes. The men characters in the film Chicago wore old fashioned suits and top hats with dress shoes, suspenders, and button downs. Everything that would be typically worn in the 1940’s is what was worn in the musical film Chicago. The cinematography of the musical film Chicago was very important and also very memorable. For example …show more content…
The camera wasn’t doing a lot of fast cutting. The slowness of the camera movements and sensual sound and tone of the music played on the viewer’s emotions and feelings to be calm and kind of pay attention more to what Roxie was saying. The lighting was very dim and there was a spotlight on roxie to let everyone know that she was the main attraction on stage. At the end of the funny honey n umber things picked up with her emotions therefore the viewer’s emotion as well by how the music tempo picked up and the camera began to cut a little faster. I believe the overall film Chicago was lightly dimmed expect for a few scenes because of its genre as a film it’s a musical and drama is very important and musicals and lights tend to be dimmed in musicals such as Chicago to add to dramatics and emotion, Especially since this was a sensual version of the musical play Chicago lights lights had to be turned down for many scenes to add to the sexy factor of what was
This play was set in the 1890s, meaning it is very important to have correlating costumes so the audience can be aware of what time period there in. Of course Dolly who had a few costume changes looked stunning in everything she wore. My one small critique was with her last outfit that she wore during the finale. The jewels on the red dress were awkwardly placed it was almost like a diamond belt but, it fell on her in the wrong area making it not as flattering to her body as it could have been. However, her feather headset and the glistening diamond reflections in the spotlight made up for it. Also Claire Dicorte, an ensemble member, had a perfectly fitting outfit that fit her in all the right places she looked like an everyday woman in that time. Of course Emily Mouton looked hilarious in her big obnoxious orange dress too, if anyone can pull that off it was her character Ernestina. Finally, all the waiters and waitresses correlating colors looked fantastic, especially when they were dancing, no distractions because they were all the same color! My OCD was not bugging me on that because believe me if they had a shade off I would have noticed. I could tell the hard work that was put into those costumes so I congratulate Michelle Tinker for all of her hard
After viewing the film Bamboozled by Spike Lee I feel as though he is suggesting that racial stereotypes will continue to be emphasized in television and other mass media outlets but as a way to provide entertainment. From a person working with the media’s perspective, many communities are growing towards becoming more diverse in which would lead them to think of an effective way to connect with a hugely diverse audience. Many races have common stereotypes that the media would use to connect with their audience on a personal level, sometimes it would be seen as offensive, but avoid conflict with their audience and maintain their image they would add comedic effect so it would only appear as a joke.
helping. Television is making the shows out to seem like one race is better than another. For
The movie Crash was directed by Paul Haggis is a powerful film that displays how race is still a sociological problem that affects one 's life. It also focuses on how we should not stereotype people based on their color because one may come out wrong in the end. Stereotyping is a major issue that is still happening in today 's society and seems to only be getting worse. This movie is a great way to see the daily life and struggle of other races and see how racism can happen to anyone, not just African Americans which seems to only be seen in the news and such.
Identity is a substantial component of a person, it’s something that determines who they are and help establish themselves with people who you find enjoyable and shares similar interests. It could bring people together, and provide a sense of belonging and unity. However, there are times where these people who are within certain cliques are perceived more negatively or believe that all people within that group perpetually have a certain set of traits. In most cases, these negative perceptions lead to discrimination and conflict, and obscures the positive and more genuine traits of an individual. In S.E. Hinton’s book, The Outsiders, there is a group of poor and lower-middle class teens who are labeled as greasers. This group of wild teenagers
Nationalities in society today have a stereotype that they are unfortunately characterized by. People assume that Asians are smart and good at martial arts, that the Irish swear too much and consume too much alcohol, that Americans are obese and lazy, and that African Americans are criminals into drugs and are in prison. These stereotypes make everyone of one nationality to be the same as individuals. There are, of course, people who fit the stereotype, which is how the stereotype came to be, but there is a large number of people who defy the stereotype of their race. The film industry helps to reiterate the stereotypes of certain races by matching the race of the actor with the character in the film for a certain effect. African Americans, specifically, in modern day films have been frequently seen to both
The artistic intensions of the film were clearly stated in the beginning when the credits appeared on the screen along with the recognition that this film received. Nothing in the background moved. The size and arrangement of the letters on the screen screamed to the audience that the main artistic intension of this film was for the audience to clearly recognize that this film itself was a piece of art in its finest form. The film very quickly and artistically set the mood and the location as well as the topical time period through the jazzy music in the background, the accents and grammar of the characters, the style of clothing and hair, the presence of a soldier, and through the scenery. Later in the film, some indicators of the time period were shown through the old radio Stanley threw out the window and the young man coming to collect for the newspaper. An indicator of the location was made more clear by the presence of African American people walking in Stella and Stanley's neighborhood. Back when this movie was made the black people and white people, especially of upper class society, were still segregated for the most part. The upstairs neighbors fighting with each other and yelling loudly and the appearance of Stanley's poker friends...
The appearance is very important for people who are watching a movie, so they can see what the person is like. By looking at a person’s clothes you can see what sort of style they have and therefore what kind of person they are. Agatha Trunchbull wears a green knee length coat with a leather belt, with white shirt and tie underneath it. On her feet she wears knee high
Chicago is a clear production of artistic boldness. The concept of the musical associates the acts of murder, adultery, and legal proceedings to be metaphorically associated with acts on a Vaudeville stage. All the main characters have an introductory number and even exit music. Well except for Amos of course. The artistic boldness of the show follows through by creating a dark mysterious set. The ambiance is dark and sexy to accentuate the attitude of the performers. Costuming creates the same message as the dark mysterious stage. All these elements put together with Fosse style dance is what makes Chicago bold.
For many years, racial and ethnic stereotypes have been portrayed on multiple television programs. These stereotypes are still illustrated on a day-to-day basis even though times have changed. Racial or ethnic stereotypes should not be perpetuated on certain television programs. These stereotypes provide false information about groups, do not account for every person, allow older generations to influence younger generations, create tension between groups, and affect people in many ways.
For as long as I could remember plenty of races are being stereotyped, but African Americans are one of the most frequent racial groups stereotyped against. African Americans have been portrayed on television and other forms of media unfairly and unrealistically. Movies and TV shows have played a major role in stereotyping African Americans, mostly reflecting them as being less intelligent, more vulgar, poor, uneducated, and more violent than other ethnic groups. African Americans have been perceived to be someone they are not in the media, history, and in everyday life. Although some stereotype portrayals made about Africans Americans may have some truth to them many on the other hand are harmful and inaccurate. Africans Americans are mainly in the spotlight of the news, when involved in crimes. When an African American becomes successful they are glorified, and seen as the person who made it and got out the “hood”, as if all black people are poor and living in rundown neighborhoods. Television networks depict whites as the perfect family with no problems and blacks with a household with only one parent and a long list of problems. Many African Americans believed that in order to be successful in the media industry they had to portray themselves as being idiotic and lazy. African Americans are mainly portrayed in the media as a pleasing aspect. Rather than focusing on the positive and good side to African Americans, the media would rather on the negatives. One of the main reasons why it is so easy to target an African American is because; it is so much harder to point the finger at a more dominant power ethnic group, Caucasians. I think this alone tells us a lot about where our society is and that racism still does exist.
Imagine that you are of Arab decent you being screened more thoroughly than others at the airport. The only way the airport staff can identify that you are of Arab decent is based on your family name, Najjar. The airport staff constantly takes extra measures to confirm that you are not a terrorist. Stereotypes have existed in American culture for centuries. Early in American history stereotypes of Negroes and Mexicans predominately associate them with lower-class attributes (Campbell, 1967).
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...
The beginning scene was actively engrossed with low-key lighting or "dark look" that gave off an overcast to understand the power Don Corleone possessed over the individuals he was speaking with. According to David Konow (2014) "As Willis recalled in the book Masters of Light,That technique or that approach to the movie visually just came out of a thought process. And the process, in my mind, was based on evil; it was based on the soul of the picture. The wedding outside had a very sunny, almost Kodachromey, 1942 kind of feel to it. Then when we cut inside the house with Brando, it was very down and very ominous…so it was a very simple philosophy. However, the overall look of The Godfather was a kind of forties New York grit." The lighting used in The Godfather helped to implore the nostalgic feel of the movie. Although it was made in the 80 's Willis ' use of his new techniques changed the lighting in movies to come and placed the viewer in the midst of the 1940 's mafia