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Explanation of othello 2019
Explanation of othello 2019
Analysis of William Shakespeare Othello
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In Othello, a book by William Shakespeare, Othello's complex character is revealed through diverse concepts such as imagery, figurative language, and most of all conflict within self. Shakespeare demonstrates these elements in line - 300 when Othello compares himself to a toad while staying that he would "rather live upon the vapor of a dungeon." Before line 300, readers see Othello face internal conflict when he reveals his thoughts, "Happy, for I am black and have not those soft parts of conversation." Soon after, we get a sense of superiority that comes from Othello. This adds to the complexity of Othello's character.
Shakespeare’s fictional character Othello, General of the Venetian Army, has an eminently respectable reputation as a result of his plentiful exploits in battle and because of his notoriety to command “Like a full soldier”. Nevertheless, the rough-and-ready commandant is not as emotionally callous as, not only his war-time resume would suggest, but also how Iago and Roderigo portray his as a character in Act 1, Scene 1. Despite his triumphs, numerous characters throughout Othello do not shy away from the casual racist jab towards their black-skinned General. Exposure to repetitive, often overt, verbal-degradation leads Othello to believe that he is racially inferior as the play progresses – this infectious discrimination of Elizabethan racists
Orkin, Martin. “Othello and the “plain face” Of Racism.” 2nd ed. Vol. 38. N.p.: n.p., n.d. 166-88. Shakespeare Quarterly. Folger Shakespeare Library in Association with George Washington University, Summer 1987. Web. 12 Mar. 2014. .
Othello as A Tragedy of Outsiders The most obvious way of being an outsider in Othello is through being a foreigner, and a non-Venetian. Othello and Cassio are both outsiders in this sense, Othello is a black man, a "Moor", and Cassio is a "Florentine". Othello begins in Venice, in Shakespeare's time the great commercial centre of the western world. Venice was the place of great hustle and bustle, merchants and tradesmen from other lands were commonplace, and yet we see throughout the play how Othello and Cassio are ridiculed. Cassio is degraded as he is from Florence; Iago calls him "a great arithmetician".
In William Shakespeare’s Othello, unspoken fears of being an outsider and concerns about his public image contribute to the downfall of a tragic hero named Othello. Othello, a general in the Venetian army’s, final monologue reflects the importance of reputation and the conformity needed to fit his surroundings. He is seen as an outsider of the Venetian culture; he is frequently referred to as “the Moor” and is called an abundance of racial slurs by the Venice born natives. Although Othello never voices his internal struggle to feel accepted by the people around him, his image and physical appearance are some of major issues he faces. Even in the moments before he stabs himself, Othello is more concerned with the legacy he is leaving behind than with the death of his wife, Desdemona. Shakespeare uses Othello’s transformation from a heroic military soldier to a tragic figure to warn of the dangers of obsessing over one’s reputation and the need to feel accepted by society.
The director uses specific language and tone to stress the issue of race in Othello. The controversy of racial relationships is expressed through Brabantio's negative attitudes and words. He refers Othello to a 'foul thief, implying that his daughter could never love a man of a different colour, and that therefore Othello has stolen her from him. Brabantio compares Othello to someone that no one would want and he is disgusted that Desdemona would "run from her guardage to the sooty bosom". Thus implying that Othello is dirty and undesirable. The choice of language from the director highlights the other characters pessimistic and disrespectful attitudes towards Othello due to his skin colour.
As the play progresses, the tragic hero, Othello transformeds from a noble gentleman and a loving husband into an insecure, irrational murderer. At the beginning of the play, Othello portrayed himself as a hero and a well-respected soldier. When Brabantio tries to confront him for marrying Desdemona, Othello confidently lists his military services which he believes “shall out-tongue Brabantio's complaint” (I, ii,19). Evidently, Othello is not a Venetian native. So, within his inner heart, he is fully aware of being a culturally different outsider from the rest of the Venetians. Othello is aware that Brabantio does not want his daughter to marry a black man. He knows that others, including his wife, may deceive him because of his race, although it doesn’t seem to bother him at the beginning. However, in Act IV, he makes his first negative comment and considers himself as “a toad living in a dungeon.”(III, iii, 272-273) Where Othello is finally convinced that Desdemona cheated on him, he thinks all man's wife will eventually cheat on them. As the play comes to an end, under Iago’s continuous manipulation and suggestions about his wife cheating on him, Othello starts to slowly reveal his insecure personality.Othello slowly ends up believing it. He gradually starts to question if it is his dark skin that causes his wife’s infidelity. His insecurities surface, and convinced of his
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
Othello is a man who comes from a hard life. In the time period the play is set in, racism is common and Othello is a target for it due to his dark skin. He fought in many battles and was put into slavery for a time. Now he is a high ranking General in the army. Othello, for all that he has been through, is also kind, caring, and trusting of those close to him. He cares and trusts his comrades and is loving and kind to his wife, Desdemona. Othello is also r...
“[A prince] needs to not depart from good, when possible, but know how to enter into evil, when forced by necessity” (The Prince 70). Here Machiavelli mentions an underlying principle that an ideal ruler must establish a balance between moral good and necessary evil. Yet, can an individual keep balance between good and evil acts? Shakespeare would argue otherwise. Through Shakespeare 's portrayal of Othello, one can observe that once an individual enters into evil, he or she is bound to evil and therefore should avoid entering evil at all. Ultimately, Shakespeare 's presentation of self-division, one where an individual is only capable of controlling either good or evil, but not maintain both, is more plausible than Machiavelli 's presentation
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
Conflict is a major issue in Othello, the source for all the problems in the story all lead back to love and jealousy. Love can be an extremely powerful thing in life. It can easily draw two people closer together or simply destroy something that could have been great. Ironically similar, jealousy can tear something apart just as fast as love can. This timeless tragedy starts out in Venice, with a plot to attain revenge on Othello. Iago and Roderigo are simply jealous with the fact that Othello has promoted Cassio to his lieutenant instead of Iago, along with the bitterness they both shared towards Othello to begin with (Shakespeare for Students, Othello). Together, Iago and Roderigo have come up with a plan to ultimately push Othello over the edge. For starters, Cassio unwillingly has told Iago that he is capable to be easily intoxicated and well obviously Iago uses this information against Cassio. Long story short, Cassio has stirred up a brawl to which in the long run costs him his new status as lieutenant. After all of this goes down Iago, trying to seem like the concerning friend, convinces Cassio to speak with Desdemona, Othello’s new bride, about the situation. Luckily, so Cassio thinks, Desdemona does such and tries to talk with Othello to have his dear friend reinstated. It is possible for people to make mistake. Once again Iago uses Cassio’s ignorance against him. All through the story almost every little detail and event all leads back to the scheme of Iago. Iago is thinking this could not work out better for me, so his next thought of process is that this conversation between Othello and his dear wife Desdemona will make Othello’s mind play tricks on him. Soon there after Othello is advised to keep closer watch of hi...
Betrayal is a wound that cuts the deeper than any blade. In Othello, a play written by William Shakespeare, the reader is led through a drama in which several characters fall victim to acts betrayal by a villainous man. Iago, who is a master manipulator exploits the weaknesses of characters around him while maintaining own reputation. In this Shakespearean play, religion has a significant role due to the reoccurring elements of hell in the nature of betrayal. In like manner, the actions of Iago, Othello, Cassio, and Roderigo can all be attributed to the infamous, Seven Deadly Sins: Iago and Cassio embody the sins of wrath, envy, greed and gluttony; while Othello and Roderigo succumb to pride, sloth and lust.
The tragedy of Othello, the Moore of Venice. As it hath beene diuerse times acted at the Globe, and at the Black-Friars, by his Majesties servants. Written by William Shakespeare set in Venice. The plot is based on a story about two people who love each other dearly and the problems and conflicts they face from the start. The conflicts are, for the most part, tied in with racial issues and questions of loyalty. These conflicts stem from the society around the couple, as well as from the couple themselves as they too are part of this society, but with very different backgrounds: The female protagonist is the daughter of a highly-respected Venetian senator: Brabantio. Othello--also known as the Moor--is a foreigner, black in color, has a past
Conflict is a negative effect that arises when people fail to communicate. It exists in workplaces, homes, and in many places where no interaction exist amid people of different background. In Shakespeare’s Othello, many conflicts and opposition happen among close friends and enemies which shapes the plot. This results from differences in culture and races of the characters within the play. The main conflicts in the play depicts between Othello and Iago and illustrates in various ways. A character such as Iago depends on double meanings, miscommunications, and indirect meanings to show the nature of conflict. Othello, on the other hand, has a different personality. He loves, trust and believes Iago’s lies and deceits, as well as, an