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Cultural conflicts in othello
Individual conflicts in othello
Individual conflicts in othello
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Recommended: Cultural conflicts in othello
Conflict is a negative effect that arises when people fail to communicate. It exists in workplaces, homes, and in many places where no interaction exist amid people of different background. In Shakespeare’s Othello, many conflicts and opposition happen among close friends and enemies which shapes the plot. This results from differences in culture and races of the characters within the play. The main conflicts in the play depicts between Othello and Iago and illustrates in various ways. A character such as Iago depends on double meanings, miscommunications, and indirect meanings to show the nature of conflict. Othello, on the other hand, has a different personality. He loves, trust and believes Iago’s lies and deceits, as well as, an
The two are in constant conflicts, which is what Iago intends to happen. Othello says to Desdemona “I took you for that cunning whore of Venice/That married with Othello (IV.iii.90). This shows the extent of Othello’s hatred for her. Iago is pleased that his plan is materializing as he had expected. At the end, Othello kills Desdemona as she lay in bed. Emilia arrives and finds Othello mumbling that his wife was an adulterous, saying the handkerchief is the evidence. Emilia denies the fidelity accusation, but Othello responds that it was "honest, honest Iago" (V.ii.153) who revealed the truth to him. The continuous use of "honest" in Othello’s depiction of Iago proves how perfectly he was deceived. Emilia realizes the actions of her husband and exposes him; Iago kills her on the spot. At this point, Othello realizes what Iago has done and stabs him. Both Othello and Iago are arrested for the murders. Othello asks Iago why he did what he did, but refused to talk. Iago refusing to talk shows throughout the play that he never exposes his inner truth to the rest of the characters. Othello fails in his quest to kill Iago, which results in him committing suicide: “I killed thee ere I kill’d thee. killing myself”
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
In the light of the various descriptions of an unstable person, Iago is a psychopath with his manipulative choice of words. He tells people things that they want to hear and he says it in a manner that makes him appear exceptional. “ I humbly do beseech you of your pardon, For too much loving you.” (3.3.106) In act three, Iago pretends to be Othello’s confidant, and he wants Othello to suspect his wife is having an affair. Iago has a pseudo relationship with Othello the entire duration of the play.
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
In the Shakespearean tragedy Othello the number and description of themes is open to discussion. With the help of literary critics, we can analyze this subject in detail.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Iago is a man wronged by Othello in the fact that he was not chosen to be Othello’s lieutenant, which is what put the dastardly idea into Iago’s head to trick them all and bring them to their knees. As Iago tells Roderigo within the first act and scene of “Othello”, Despise me if I do not. Three great ones of the city,/ In personal suit to make me his lieutenant,... ... middle of paper ... ... n the end of the play.
The final catastrophe of the play—with Emilia’s revelation of Iago’s treachery, and Othello’s suicide in atonement for his crimin... ... middle of paper ... ... tragic ending, This builds up the tension as well, because the characters in the play still refer to Iago as "honest" when the audience can see plainly he is not. Shakespeare uses certain ironies in the play, where he seems to be saying something to a person, but in fact is saying something completely different and evil. An example of this is in Act III, Scene III, where Othello says to Iago, 'I am bound to thee forever.'
Her confession then confirms that Desdemona was faithful and did not deserve to die and as a result she shows one that love can be foolish and naïve. Her love and loyalty to Iago causes her to deceive her friend and this ends with both women being killed because the love they possessed for too foolish men. Othello is responsible for murdering Desdemona; Iago is
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
Without a doubt, one of the main themes that runs throughout William Shakespeare’s tragic play, Othello, is that of honesty. In the play, the most interesting character is Iago, who is commonly called and known as "Honest Iago." However, this could not be farther from the truth. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits and moves him closer to his own goals. He is smart and an expert at judging the characters of others. Because of this, Iago pushes everyone to their tragic end.
Iago is one of the most complex characters in William Shakespeare’s Othello. To most of the characters, he is “Honest Iago” (Shakespeare, 5.2.73). however, the audience knows that Iago is the furthest thing from honest. Iago is a devil bent on destroying the lives of everyone around him. At the beginning of the play, the audience learns that Iago is determined to ruin Othello’s marriage to Desdemona. He has appointed a new lieutenant, Michael Cassio. This angers Iago because he feels that he has much more military experience and should be the lieutenant. Iago has also heard rumours that both Othello and Cassio have slept with his wife Emilia. He concocts a malicious plan to ruin the lives of all who have wronged him, and consequently establishing
Iago uses his ability to convince those around him and his hatred, for seemingly the majority, of the other characters to manipulate and accomplish his own ploys. In the beginning of the play, Iago confesses his hatred for Othello. This hatred compels Iago to manipulate others within the play. Iago wishes to cause the most mayhem that he can, and he uses every character to do so. In the play, Iago acts almost as a puppeteer to the other characters, pulling their strings and getting them to do as he wishes. With Othello, Iago tells him that his wife, Desdemona, is cheating on him with Cassio. This manipulation is done due to the pure hate Iago has for Othello and the plan to get Roderigo together with Desdemona. Iago is also seemingly puppeteering Roderigo in hopes to get Cassio killed for both Roderigo to gain Desdemona and for Othello because of the alleged affair with Desdemona. Iago spares no expense when it comes to his plans in the play. As it states in Act 3 Scene 3 “I will in Cassio's lodging lose this napkin, / And let him find it. / Trifles light as air / Are to the jealous confirmations strong / As proofs of holy writ” (Shakespeare, Othello lines 1994-1997). In this excerpt, Iago takes Desdemona’s handkerchief in hopes to frame Cassio and prove the affair. This shows that Iago leaves out no details when manipulating the other characters which shows his true ingenuity and cunning ability when
Upon proof that Cassio has the handkerchief, Iago gets Othello to effectively divorce Desdemona and align himself with Iago. His plan to kill her is not only persuasive but very clever: he knows that Othello will be put to death for the crime. Othello says,
The play, Othello is one of the most famous tragedies composed by William Shakespeare during the Renaissance period. It powerfully portrays a world where the acts of evil ultimately vanquishes fidelity, nobility and integrity. The central themes jealousy and manipulation embodies the foretold tragedies and the downfall tragedies of the characters due to one’s insecurities. Through the use of literary techniques and figurative language, Shakespeare has effectively explored the themes of jealousy and manipulation.
In conclusion, Shakespeare refers to honesty in different ways, each expressing and representing in people who were used by Iago. The first use of the word refers to chastiy, desdemona’s fidelity. At other times, the word refers to personal honesty, whether or not a person is telling the truth, Emilia who came clean at the end of the play. It can also refer to whether or not a person is a good and loyal friend, Cassio who stood by Othello’s side. Even though Iago manages to manipulate these honest people into doing things according to his plans, which sends Othello into a jealous frenzy, killing Desdemona as the consequence, his devices got out, which resulted in his arrest.